Add to Technorati Favorites


Via BuzzFeed
BOOKS:

• The Wind-Up Bird Chronicle, by Haruki Murakami {A Japanese detective story/war novel/Kafka rip-off. It's great.}

• Love, Poverty, and War: Journeys and Essays, by Christopher Hitchens {First drafts of history, second thoughts on received wisdom, versatile meditations on great works of literature -- all by a man who can write about anything.}

• The Code of the Woosters, by P.G. Wodehouse {The Rise and Fall of the "Black Shorts," and the best of Bertie and Jeeves. You'll need Wodehouse in your life eventually. Start here; you've 89 or so more to go.}

• The Prophet Armed: Trotsky 1879-1921, by Isaac Deutscher {Magnificient biography finally back in print, along with Volumes II and III. But better start before the revolution -- and Deutscher's conscience -- was betrayed.}

• Satan: His Psychotherapy and Cure by the Unfortunate Dr. Kassler, J.S.P.S., by Jeremy Leven {A sorely forgotten modern classic. Leven has since swapped the galley for the camera, directing such keepers as Don Juan Demarco and The Legend of Bagger Vance. Satan has relapsed.}

• Colossus, by Niall Ferguson {Why the U.S. can't hack neo-imperialism, much to Niall's chagrin.}

• Reflections on a Ravaged Century, by Robert Conquest {Don't even try to have an opinion about the twentieth century without reading him.}

• Scoop, by Evelyn Waugh {One of the funniest books, ever. Shrinks the remainder of the "innocent abroad" genre to the vanishing point.}

• Put Out More Flags, by Evelyn Waugh {Lapidary prose on the frisson between the wars. Basil Seal riding low before he rides again; Auden and Isherwood lampooned as "Parnsip and Pimpernell."}

• The Complete Stories of Evelyn Waugh, by E.W. {Nasty, brutish and short, in short form.}

• The Origins of Postmodernity, by Perry Anderson {Terrific writer from the London Review of Books and New Left Review, who ought to be more famous than he is, tackles lucidly the abstruse bloodhound gang -- from Habermas to Jameson -- of Theory.}

• Saul Bellow: Novels 1944-1953: Dangling Man, The Victim, and The Adventures of Augie March, [Library of Congress Hardcover Edition] {Look: it's his world, we all just live in it.}

• The Counterlife, by Philip Roth {How Portnoy learned to stop complaining and write a brilliant postmodern novel.}

• Rise of the Vulcans, by James Mann {Probably the only low-blood pressure source on Bush's brain trust. Valuable for charting the progression of neo-neo-conservatism, and how Cheney and Rumsfeld and Wolfowitz contravened, and then dismantled, the Kissinger realpolitik foreign policy machine.}

• Money, by Martin Amis {Forget Bonfire and Psycho. It took the English author of The Moronic Inferno: And Other Visits to America to effectively chew up the Reagan era -- largely by reminding us that it was also the Thatcher era. A fine lesson in history repeating, too: Di and Charles were TV's original Ben and J. Lo; the Self-on-Massi sex tape is where Paris (if she can read) might have learned her stuff; and the cavalier cash flow in this soft-boiled checkbook who-dun-it tale rivals that of any West Coast dotcom monkey a decade later.}

• The War Against Cliche and Experience, by Martin Amis {If Amis kept on doing what he did in his award-winning collection of critical essays, James Wood would lose more hair. It's saying quite a lot that his non-fiction exceeds his fiction. Experience is by far the best memoir to appear in the last decade: a more muscular Speak, Memory, it's a midlife nostalgia trip pureed out of chronology, though somehow more cohesive than a stream-of-consciousness hodgepodge. Guaranteed to pluck at the coronary sinews for anyone dealing with the loss of a father.}

• Lucky Jim, by Kingsley Amis {A comic genius on academia, Amis is the pitch-perfect representative of postwar male rage. None of that Angry Young Man, stuff, though. His apoplexy is hilarious at any age. The faces: "crazy peasant," "sex life in ancient Rome," "shot-in-the-back." Moo, by Jane Smiley, The Straight Man, by Richard Russo and everything by David Lodge seem impossible without this Platonic key ring to rule them all, and on the campus, bind them.}

• The Letters of Kingsley Amis, edited by Zachary Leader {Pay close attention to the letters to Philip Larkin -- together with Larkin's Collected Letters (try eBay, sorry), these constitute the documentation of one of the most rewarding and hilarious literary friendships to date. Amuse yourself by guessing the exact page number where Kingsley abandons Communism.}

• The Stories of Vladimir Nabokov, by V. Nabokov {I'm way underqualified, with my mean years on the planet, to state critical opinion. Still in larval adulation, which I understand is a longterm afflication. Read Anthony Lane's review in Nobody's Perfect. And M. Amis on Nabokov in toto in the prenominate War Against Cliche. And get a dictionary.}

• The Moral Obligation to Be Intelligent, edited by Leon Wieseltier {The style is dated and stilted, but the insights are not. Especially worthwhile: the Orwell essay, the Mansfield Park burn, and "The Situation of the American Intellectual at the Present Time" (i.e. "What Do They Know of America, Who Only the Upper West Side Know?"}

• The Irresponsible Self: On Laughter and the Novel, by James Wood {The bling to Dale Peck's blah.}

• A Supposedly Fun Thing I'll Never Do Again, by David Foster Wallace {Self-indulgence and the consequences of a missing-in-action editor never had it so good. The state fair, cruise ship and TV pieces are the best. But also read the Lynch essay: it'll make you want to re-watch Blue Velvet, which you can conveniently buy below.}

• Collected Poems, by Philip Larkin (edited by Anthony Thwaite) {Poetus mirabilis and, after Auden, the occupant of a near empty Hall of Metrical Wonders in the Postwar Anglophone wing of the museum. Master ironist and curmudgeon you least want to bludgeon.}

• Paris 1919: Six Months That Changed the World, by Margaret Macmillan {A dryly told account of global dust-settling after what was then myopically known as "the Great War." Explores the follies of Wilson, Lloyd George and Clemenceau, which helped bring about WWII.}

• Doomed, Bourgeois, In Love: Essays on the Films of Whit Stillman, edited by Mark Henrie {Discreet charms of the bourgeoisie given the scholarly treatment by the kinds of New Criterion-y people who liked Grosse Pointe Blank because John Cusack's assassin refused to unionize. Don't let the pedantry taint your judgment of Stillmania, though.}

• Reading Lolita in Tehran: A Memoir in Books, by Azar Nafisi {A beautiful paean to Western literature from an Eastern scholar living under Islamic statism; the Gatsby trial and Jane Austen dance chapters are particularly enjoyable.}

• The Persian Mirror: The Elusive Face of Iran, by Elaine Sciolino {For those with short odds on the next war of choice.}

• Nobody's Perfect: Writings from The New Yorker, by Anthony Lane {He needs to stop it with the creepy drooling over Natalie Portman, but Lane is still the best around for losing it at the movies.}

• The Collected Short Stories of Roald Dahl {Adult stories, less like his childrens stuff than what O. Henry would have been like if his ironic plot twists had involved wife-swapping, cannibalism, or turning infants into superhuman bee-monsters. Might be fun for the kid who never reads, actually.}

• The Chicago Manual of Style, by the University of Chicago Press Staff {and the ghost of Allan Bloom.}

• The Brothers Karamazov, by F. Dostoevsky, translated by Pevear and Volokhonsky {Incest! Murder! Theodicy!}

• Collected Non-Fictions, by Jorge Luis Borges {A prose impresario short-winded enough to keep beside the toilet -- especially if your john is in a labrynith that transcends spacetime.}

• Love and Hydrogen: New and Selected Stories, by John Shepard {Stories narrated by John Ashcroft, John Entwistle, Nazi rocket riders, the creature from the black lagoon, and others.}

• My Life and Hard Times, by James Thurber {Think of David Sedaris, in turn of the century Columbus, Ohio. And without the gay schtick, or even a pretense at respect for his family.}

ALBUMS:

• You Are the Quarry, by Morrissey {He's back! And almost paid off the deficit incurred by Maladjusted. A few gripes: "America Is Not the World" never fulfills the promise of its title. It's an unwieldy blunderbuss, not a rapier -- and the use of "hamburger" as synecdoche for our national obesity problem is a new hackneyed low for the Oscar Wilde of the microphone. "I Have Forgiven Jesus" ultimately works, but I can't help but feel that that one was just too easy.}

• Weightlifting, by The Trashcan Sinatras {Remember them from your college radio daze? A brisk homecoming track, appositely named "Welcome Back" ("Everyone survived / Everyone's alive!" -- well, thank goodness) kicks off this highly accomplished return to musicmaking for an alt-pop band that shouldn't have stayed away so long.}

• Strange Bird, by Augie March {With a name like Augie, it has to be good. It is. Analogs fail me.}

• Evergreen, by Echo and the Bunnymen {Best 80's Band Comeback Album. No contest.}

• Mermaid Avenue, by Billy Bragg and Wilco {A fucking classic. Ukanian bloke Billy Bragg manages to capture the rhythms of dustbowl Americana better than Dylan -- the obvious disciple/witch doctor to perform a Woody Guthrie resurrection -- ever could do. All lyrics by Guthrie, music by Bragg and Wilco.}

• Don't Try This at Home, by Billy Bragg {Most people who hear Mermaid Avenue invariably want more of the man who brought it to them. This is Bragg's most "accessible" solo album, though not without the politics that's defined his career. "Accident Waiting to Happen" is a punk snarl against cultural fascism.}

• Galore, by Kirsty MacColl {May this earth angel charm the knickers off the winged principalities. MacColl died a few years ago in a boating accident, but I can only imagine how well-attended her funeral must have been by the panoply of musicians guilty of "sampling" her Celtic nightingale voice. This album consists mainly of covers, but that's more than all right for someone generous enough to never ask for top billing, despite consistently stealing the show.}

• These Are the Vistas, by the Bad Plus {"Smells Like Teen Spirit," the jazz standard. No kidding. Comes off not just better than you'd expect, but brilliantly.}

• SMiLE, by Brian Wilson {Reviewed here. Check to the right.}

• The Soft Bulletin, by the Flaming Lips {And the hard singing voice to take, but worth it anyway.}

• It Takes a Nation of Millions to Hold Us Back, by Public Enemy {More complicated rhymes and denser loops than have been on the radio before or sense, plus the guy with the big clock.}

• Who Will Cut Our Hair When We're Gone?, by the Unicorns {Morbid, tinny, wildly innovative and beautiful.}

• Loaded: Fully Loaded Edition, by the Velvet Underground {Funny, Lou Reed doesn't usually look this happy. Must be Laurie Anderson's doing.}

• Traitor In Our Midst, by the Country Gazette {What you always thought bluegrass was supposed to sound like.}

• The Modern Lovers, by the Modern Lovers {Speaking of Lou Reed, remember the guy with the guitar who gets shot in Something About Mary? Imagine that guy redoing "White Light/White Heat," but with lyrics about aging with dignity and eschewing drugs. That sounds like a snark, but its actually the SAM guy, and John Cale produced.}

• The Queen Is Dead, by The Smiths {I can't believe you don't own this already. The summa of the Moz/Marr collaboration.}

• The Boatman's Call, by Nick Cave {The Prince of Darkness may have been afraid to board a plane after 9/11, but this "New Testament" sound is proof of moisture's sustainability in Hell. "Into My Arms" is sweet enough to play your girlfriend on Valentine's Day, leaving the oldie-but-dreary "Deanna" to blast at her when she dumps you.}

• No Cities Left, by The Dears {The lead singer cried when Morrissey asked the band to open on the "You Are the Quarry" tour. That kind of gone-to-pieces sentimentalism can only lead one place: straight down. Get 'em while they're new and good.}

• The Boy With the Arab Strap, by Belle and Sebastian {Might as well order that black V-neck sweater, Rimbaud's Collected Poems, while you're at it. "Theoretical" bisexuality not a requisite, despite what angry twee detractors say.}

FILMS & TV:

• Cannibal! The Musical. {Trey Parker's college thesis, a feature-length movie musical about the only American ever convicted of cannibalism. Not for all markets, but better than most of his later stuff.}

• Before Sunset, directed by Richard Linklater {The sequel that doesn't feel like one. Why thirtysomethings who chat are more interesting than twentysomethings who do likewise. Some sluggish moments, but all made up for by a luminous final scene that made me fall in love with Julie Delpy once more. Bet it made Anthony Lane "spill [his] Sprite" again, too.}

• Collateral, directed by Michael Mann {Tom Cruise has always been a hard-working, as opposed to naturally gifted, actor. This part was his pension come early. Michael Mann is the Richard Avedon of the moving Los Angeles image. And Jamie Foxx ain't too shabby, either.}

• The Unbelievable Truth, directed by Hal Hartley {Surreal-ish debut from a master indy filmmaker and satirist. Yes, that is Edie Falco as the diner waitress.}

• Henry Fool, directed by Hal Hartley {Hartley's masterpiece. Probably the only movie about writers that's ever worked. Barton Fink, anyone?}

• Metropolitan, directed by Whit Stillman {Downwardly mobile 60's college jet set. Making a film about this demographic is like trying to play matchmaker to a Republican leper in Northampton, Mass. That the dialogue (and it's all dialogue) stays liquid-tongued is a monument to Stillman's talent... dare I say, genius?}

• Barcelona, directed by Whit Stillman {Anti-Americanism when it was more funny than scary. The "subtext" speech belongs in Bartlett's. The DVD commentary is, as someone from the earlier film might say, "priceless."}

• The Last Days of Disco, directed by Whit Stillman {An assault on 70's cliche in the best possible way -- the anti-54. Also known as Yuppies: A Defense. Chloe Sevigny gives grace to the one night stand, instead of head to Vincent Gallo.}

• Mr. Jealousy, directed by Noah Baumbach {Who wouldn't hunt down the ex-boyfriends of Annabella Sciorra? Eric Stoltz had fewer difficulties with girls in Mask. Chris Eigeman from the Stillman flicks swaps Mayflower pedigree for facial hair (modeled on David Foster Wallace's Infinite Jest jacket photo), to varying degrees of success. An underrated romantic comedy, but don't say I didn't warn you: this film may engender awkward relationship conversation. It may also plant supersleuth-stalker seeds in frail men's heads. Or so I've heard.}

• Blue Velvet, directed by David Lynch {So many epigones, so far from this mark.}

• Father Ted: The Holy Trinity {BBC TV series about three priests on an island. No, not that kind of series, you sick fuck.}

• The Office - The Complete Collection (First And Second Series Plus Special) {Creator, writer, director and star Rick Gervais used to manage Suede and now this. That's enough laurels for one lifetime. He can die now.}

• Arrested Development - Season One {To think that Teen Wolf Too was just a glimpse of Jason Bateman's potential.}

Powered by
Movable Type 4.1

« Bush Sells Out the Armenians | Main | "Perfecting Jews" the Ann Coulter Way »

How the ADL and Its Defenders Get Realpolitik Wrong

[Note: Now that President Bush has officially declared his opposition to the House resolution recognizing the Armenian Genocide, I thought it might be worthwhile to re-examine Turkey's supposed importance to "stability" in the Middle East. I wrote this blog post a little over a month ago. -MW]

In his academic satire The Catastrophist Lawrence Douglas envisions a great auction of ethnic self-pity. At a conference in Berlin, Daniel Wellington, an art historian of war memorials, shrivels before an Armenian scholar who maintains that Germany should erect an “omnibus” memorial to honor not just the victims of the Holocaust but all victims of atrocity. (Wellington is there to argue the opposite case.) “Doesn’t the long history of the suffering of the Jews,” submits Professor Kostygian, “contain the suffering of all peoples?” A trifle sententious, but this remark hits the right note with the audience. Kostygian’s Armenian grandparents were slaughtered by the expiring Ottoman regime during World War I, and yet, as he later admits to Wellington in private, the “universality of atrocity” hasn’t got a fighting chance.

When the interests of two embattled and victimized minorities collide, you can be sure that cant and moral hypocrisy will prevail. I’ve remembered Douglas’s vignette in the current scandal over the Anti-Defamation League’s refusal to even recognize, let alone commemorate, the Armenian Genocide. My colleague and comrade Joey Kurtzman has brilliantly shown how the “watchdog” organization founded in the 1930’s to combat anti-Semitism has now become another mangy outfit worthy of invigilation itself. The public pressure brought to bear on the ADL since Joey’s “Fire Foxman” article first appeared in Jewcy has been intense, yet the group’s position remains unchanged. The ADL still will not unequivocally state that between 1915 and 1917 Turkey slaughtered and displaced up to a million and a half Armenians, and it still will not back the Congressional resolution that recognizes this event as the first genocide of the 20th century.

The whole issue rests of course on that teetering concept realpolitik. We must therefore consign to the dustbin of idealism a few annoying facts: namely, that in 1943 a Polish Jew named Raphael Lemkin coined the term “genocide” to describe the annihilation of European Jewry, and that twenty years before, he instanced the annihilation of Armenians as a prototypical example that would yield an inevitable sequel. Never mind, also, that in 1939 Adolf Hitler was given to exclaim, “Who today remembers the extermination of the Armenians?” as his own "realist" justification for implementing the Final Solution.

To put the matter bluntly, the American Jewish community is worried about alienating Turkey, the strongest military ally of Israel in the Middle East. Turkey is today a member of NATO and a seemingly permanent candidate for European Union membership, a status imperiled by its policy of making acknowledgment of the Armenian Genocide a national crime: "denigrating Turkishness” in the official script. Turkey has brought unending shame upon itself by attempting to prosecute its own Nobel laureate Orhan Pamuk for speaking the truth about his country’s blood-stained past, and there is evidence to suggest that the Turkish police—ever the wayward arm, along with the military, of the Kemalist state— were behind the murder of the beloved dissident journalist Hrant Dink for similar reasons.

As reactionary as its domestic policies have been, Turkey has a shown a radical willingness to align with Israel in matters of geopolitical importance. Last summer, it committed U.N. troops to help disarm Hezbollah in southern Lebanon, and it routinely shares intelligence and conducts counterinsurgency exercises with the IDF. This special relationship is thus brokered on “security,” the ultimate trump card on humanitarian concerns for a staunchly pro-Israel contingent of American Jews.

A tipping point in the current ADL controversy was reached last week when the left-leaning Jewish newspaper The Forward published an astonishing editorial heralding a “post-Holocaust” age in which“[r]emembering genocide is important, but not as important as saving lives today.” The Forward was less clear about which lives are to be saved simply by asking the ADL to recognize the Armenian Genocide, but the editorial begged an interesting question. Just how vital is Israel’s alliance with Turkey, and should Diaspora Jews really be lobbying for its continuance?

There are four reasons to suspect that realpolitik is, as ever, wishful thinking garbed in the wardrobe of cynical excuses.

The “ancient history” argument applies just as stingingly to Turkey. What’s past is past, only the future matters. If this is the hollow core of The Forward’s logic, then we must ask: Why can it not be applied with equal force to the Turkish gambit of denial?

If Turkey admitted the Ottoman Empire's barbarism, how could this be construed as a blight on the democratic state, founded, let's not forget, on a feverishly pro-Western policy of modernization? Unless one thinks that British Prime Minister Gordon Brown should stand trial for the Amritsar Massacre, the acknowledgment of a decades-old atrocity in a parliamentary regime is ethical but academic. The price of truth and reconciliation is, in “realist” terms, smaller to pay.

Unlike Saddam’s genocide of the Kurds or Milosevic’s genocide of Balkan Muslims, no participant in the current Turkish government orchestrated the genocide of Armenians almost a century ago. But an entire nation robs itself of moral credibility by continuing to deny what the rest of the world long ago accepted as historical fact. Would it not benefit Turkey and its allies to settle this national question once and for all?

Turkey is hostile to the Kurds, who are more valuable friends of Israel. The Armenian Question is not the only one bedeviling Turkey, which has long persecuted its Kurdish minority under the pretext of “assimilation.” It outlawed, until recently, the Kurdish language and jailed one of the country’s most charismatic Kurdish parliamentarians, Leyla Zana, for “separatist speech.” However, the war in Iraq has forever changed the dynamics of discrimination in the Mediterranean.

If Iraq breaks up into three separate countries—"Sunnistan," "Shiastan," and Kurdistan—there is every indication that the Turkish military would attempt an invasion of an independent Kurdistan to thwart the oil-rich Iraqi city of Kirkuk from failing into the Kurdish sphere of influence. The Turkish army is already fighting what amounts to a civil war in the southern, mainly Kurdish province of Diyarbakir. But as Seymour Hersh documented in a 2004 New Yorker article, any attempt by Turkey to antagonize Suleimaniyah would also objectively antagonize Tel Aviv.

After the fall of Saddam’s regime, Israel re-established its covert training and intelligence-sharing program, first conceived in the sixties, with the Kurds of northern Iraq. Hersh cited Intel Brief, a newsletter circulated by two CIA counterterrorism experts, who concluded that Iraqi Kurds were helping Israel uncover the details of Iran’s nuclear weapons project, and bolstering opposition to the Assad dictatorship in Syria—much to the chagrin of Ankara.

Good. As far as both Israel and the United States are concerned, the Kurds make for better secular Muslim allies in the Middle East, and their readiness to help either government despite former betrayals is nothing short of a monument to stoicism and friendship.

Turkey has somehow maintained its amicable relationship with Israel despite its threatening security arrangement with the Kurds. How absurd to think that the ADL’s about-face on the Armenian Genocide could possible endanger that relationship.

The Turkish government is still openly anti-Semitic. It defies irony that the ADL, normally so attuned to the faintest whiff of Jew-hatred in international media, will truckle to the Islamist regime of the newly elected Turkish President Abdullah Gul.

As recently as last year, Turkey produced a laughable state-funded film entitled Valley of the Wolves Iraq, also known as the “Turkish Rambo.” Chronicling a minor incident involving Turkish special forces during the U.S. occupation of Iraq, the action movie was a high-budget exercise in conspiracy-mongering. It also trafficked in an anti-Semitic caricature that would have done Der Sturmer proud. One subplot of Valley of the Wolves featured Gary Busey – yes, Gary Busey – as an American Jewish Army doctor who steals organs from Iraqis and sells them to wealthy patients in New York, London and Tel Aviv.

Turkish Prime Minister Recep Tayyip Erdogan was given a private screening of the film, which went on to become Turkey’s biggest blockbuster to date, and Gul himself said it was “no worse than some of the productions of Hollywood studios.” How right he was two years after The Passion of the Christ, still the ADL’s bete noir of anti-Semitic cinema.

In other words, Turkey has been undermining the popularity of its own alliance with Israel, and using bigotry of a higher magnitude than anything the ADL routinely condemns.

The critics of the “Israel Lobby” benefit from the ADL’s stance. Now that John Mearsheimer and Stephen Walt have ballooned their notorious thesis – that a powerful “Israel Lobby” wields undo influence over U.S. foreign policy – into a book, who better to rebut them than… Abe Foxman!

On the very same day that The Israel Lobby and U.S. Foreign Policy was published, Foxman’s own counterargument hit the shelves as The Deadliest Lies: The Israel Lobby and the Myth of Jewish Control. If they were so inclined to challenge their challenger, Mearsheimer and Walt could start with Foxman’s title and proceed from there: “How dare a man who refuses to acknowledge a genocide accuse us of spreading the 'deadliest lies'?” Moreover, the cretinous maneuvering of the ADL conforms almost perfectly to the Harvard scholars’ theory about just how far American Jewish organizations will go to protect Israel. The ADL’s press release on the Armenian Genocide might as well be blurbed on The Israel Lobby’s book jacket.

If The Forward is really out for the Jewish state’s best interests, how can it possibly hope to defend them by standing behind such a flammable straw man as Abe Foxman?

TrackBack

TrackBack URL for this entry:
http://www.snarksmith.com/cgi-bin/mt/mt-tb.cgi/852

Since (late) 2004, satisfying your jones for political and cultural commentary, day-old scoops and late-breaking marginalia, and whatever else finagles its way into the cyber-planetary potluck...

Editors:

Michael Weiss

Nic Duquette

"My brilliant comrade."
-- Christopher Hitchens

"One of the most sophisticated, witty, thoughtful, erudite, subtle and unpredictable political/literary sites Ive come upon."
-- Ron Rosenbaum

"Brilliant."
-- Democratiya

"Ever brilliant."
-- Alexandra van Maltzan

"Great blog in general!"
-- Roger L. Simon

"Ever brilliant"
-- Matthew Harwood, The Guardian

"Nuts, but the writing is strong."
-- The Nation

"Urinal cake of wannabe hipsterism."
-- Crooked Timber



• Civil Disobedience on the Web
By Michael Weiss {British bloggers stand up to threats of libel lawsuits., originally published in Slate.}

• Spray-Fire Atonement
By Michael Weiss {How cognitive behavioral psychology can help High Holy Day Jews who repent too much., originally published in Slate.}

• Mutiny on the Manifesto
By Michael Weiss {Spineless scalawags are sabotaging the most promising leftist doctrine in decades. Don't let them., originally published in Jewcy.}

• The Dilettante's Guide to the Michael Vick Scandal
By Michael Weiss {Seven ways to liven up the inevitable conversation this weekend, originally published in Jewcy.}

• Don't Drink the Balloon Juice
By Michael Weiss {What not to name your blog, published in Slate.}

• Here Come the Cyber Wars: Are We Ready?
By Michael Weiss {A survey of the Estonian cyberwar, originally published in Reason.}

• Unconsummation: The sexual battleground before the Revolution.
By Michael Weiss {Ian McEwan's On Chesil Beach, originally reviewed in The Weekly Standard.}

• Rise of the Faux-cialists
By Michael Weiss {Three poseurs who would have Marx spinning in his grave (plus their real-deal counterparts), originally published in Jewcy.}

• Man of Letters: Kingsley Amis, the laureate in prose of postwar Britain
By Michael Weiss {Zachary Leader's biography of Amis, originally reviewed in The Weekly Standard.}

• Stepson of the Time
By Michael Weiss {A reconsideration of Vasily Grossman's Life and Fate, originally published in The New Criterion.}

• The Surge Can Work
By Michael Weiss {Everyone's wrong about the president's new war plan, originally published in Jewcy.}

• A Kibitz on Pure Reason
By Michael Weiss {The author of Betraying Spinoza on rationalism, passion, and great 17th-century hair, originally published in Jewcy.}

• Brainwashing's Nemesis
By Michael Weiss {How Rick Ross became a cult buster extraordinaire, originally published in Jewcy.}

• The Whiz Kid of Warfare
By Michael Weiss {How Noah Shachtman has revolutionized military reporting, originally published in Jewcy.}

• A Blacklist The Left Could Use
By Michael Weiss {Meet the Christopher Hitchens of postpunk, originally published in Jewcy.}

• Is Marriage the New Dating?
By Michael Weiss {A divorcee, a young married, and a singleton debate wedded bliss, originally published in Jewcy.}

• The Jewish Jihad for Jesus
By Michael Weiss {Why converts are leading the evangelical movement, originally published in Jewcy.}

• Tribal Threads
By Michael Weiss {The designer of Gytha Mander on the holy land, holsters, and honeys, originally published in Jewcy.}

• Some Kind of Republican
By Michael Weiss {The real legacy of John Hughes, published in Slate.}

• Moochers of the World, Unite!
By Michael Weiss {The true genius of Entourage, published in Slate.}

• Imagining Conservatism
By Noah Joshua Phillips {George Will's nostalgic conservatism debunked.}

• Servicing Stalin
By Michael Weiss {Robert Service's lousy biography of the ogre of the East.}

• If Children Don't Understand Evolution, Maybe It's Because We Don't Teach Them Science
By Nic Duquette {False mental categories and primary assumptions in the Intelligence Design debate, naturally deselected.}

• Affirmative Conservatives
By Nic Duquette {The ivory tower kulturkampf version of corporate welfare.}

• Affirmative Conservatives II: David Horowitz and "Academic Freedom"
By Michael Weiss {Bias doesn't end at the quadrangles, and why this isn't such a bad thing.}

• What's Your Blog Worth?
By Nic Duquette {The essay that launched a thousand trackbacks, and made DailyKos lie about his income.}

• It's The Stupidity, Economists: The Debate Over Social Security
By Nic Duquette {Paul Krugman gets it wrong, but fortunately his shrillness doesn't suffer.}

• Will China Buy GM?
By Nic Duquette {Weighing the possibilities of the great rev forward.}

• The Less Deceived: John Kerry and the Postwar Tragedy of Vietnam
By Michael Weiss {Election cycle dress-blues.}

• When Philosophers Collide: Matthew Stewart's The Courtier and the Heretic
By Michael Weiss {Another felicitous installment in the meet-profound genre.}

• YBRET: Lunar Park Reviewed
By Michael Weiss {Bret Easton Ellis can't write, and wants to prove it to you. Again.}

• Freaky Deaky: A Rogue Economist Has Fun, And So Do We... Up To A Point
By Max Gross {Freakanomics, or It's Not a Crack House, It's a Crack LLC.}

• The Schiavo-esque Death of the Novel
By Nic Duquette {Why is our nation unread?}

• A Beautiful Mind: Rebecca Goldstein's Goedel
By Michael Weiss {Incompleteness made simple.}

• Yawn: Malcolm Gladwell's Just-Okay Bestseller
By Michael Weiss {Use your intuition to turn a fun 5-page magazine article into a 200-page book with covers and everything.}

• A Tiny Receptacle for a Thrilling Tale: Michael Chabon Reins Himself In and, Finally, Delivers What He's Promised
By Nic Duquette {What he said.}

• Magic for Grown-Ups: Jonathan Strange & Mr. Norrel
By Nic Duquette {Highbrow Harry Potter.}

• Comical Chic: David Sedaris Still Has It
By Nic Duquette {The pleasures of Dress Your Family In Denim and Courduroy.}

• Sex, Highs, and Videotape: Havoc: The Unrated Version
By Michael Weiss {Anne Hathaway redeems all schlock, especially with no shirt on.}

• Who's Your Huckleberry?: Tombstone as an American Classic Western
By Michael Weiss {Val Kilmer robbed of an Oscar.}

• Evil Will Always Win Because Good Is Dumb: Episode III
By Michael Weiss {Darth Vader rises in the search for more money.}

• Peer Review: The Aristocrats, In Theory and Practice
By Michael Weiss {You'd rather wait for Godot than the punchline, but that's the point.}

• Larry & Anna & Dan & Alice: Closer, But No Cigar
By Michael Weiss {Mike Nichols' swing and a miss.}

• In The Gloaming: Before Sunset on DVD
By Michael Weiss {Julie Delpy phunks with my heart.}

• Sniffing The Exhalation of Their Own Herd: Bright Young Things
By Michael Weiss {Jazz Age espieglerie made live-action.}

• In Vino Gravitas: Alexander Payne's Knockout New Film Sideways
By Michael Weiss {Worthy of the hype.}

• Michael Moore and Fahrenheit 9/11
By Michael Weiss {He was more convincing as the suicide bomber in Team America.}


• The Dirge Urge: The Arcade Fire's Funeral
By Nic Duquette {Melancholia and the finite sadness.}

• Good Music for People Who Like Bad Music: the new Modest Mouse album is better than their old stuff, but it still sucks.
By Nic Duquette {Nic holds back.}

• Nouvelle Vague: Putting the High-Concept Into "Concept Album"
By Nic Duquette {You get this album when you sign a lease in Williamsburg.}

• Overweight: Polyphonic Spree's Together We're Heavy
By Nic Duquette {Hippies... Hippies all around me... Hippies everywhere.}

• Good Egg: Wilco's A Ghost Is Born
By Nic Duquette {Remarkably unscrambled after the anxiety of follow-up to a legendary album.}

• Taken for Lost, Gone and Unknown for a Long, Long Time: SMiLE and the resurrection of Brian Wilson
By Nic Duquette {And they haven't even started dying yet.}

• The Face of Catholicism
By Orli Sharaby {The magic eye belongs to Jesus.}

• Czechs and Balances: One Year After the EU Moved East
By Orli Sharaby {Mitteleuropa shrugs over continental integration.}

• Shiny, Happy Praguers Clapping Hands
By Orli Sharaby {The latest (two-year-old) Prague fashions: Vaclav Havel brought back the "moist smudge moustache."}

• The Prague Fall: Communism's Death Hasn't Stopped the Self-Inflicted Kind
By Orli Sharaby {The unbearable state of being.}

• The Beverly Hills of the East: Plastic Surgery in Prague
By Orli Sharaby {From DiaMat to Nip/Tuck.}




• City Journal
• Crain's NY Business
• Daily News
• The Forward
• Gotham Gazette
• Page Six
• New Yorker
• New York Observer
• New York Magazine
• New York Newsday
• New York Press
• New York Sun
• New York Times
• Wall Street Journal
• The Villager
• Village Voice

• Al Ahram
• The Atlantic
• Boston Globe
• Chronicle Higher Ed
• Chicago Tribune
• Columbia J. Review
• Commentary
• Democratiya
• Dissent
• The Economist
• Financial Times
• The Guardian
• Jerusalem Post
• Kurdistan Observer
• LA Times
• London Review
• Me Three
• Mother Jones
• Le Monde Diplomatique
• N+1 Magazine
• National Review
• The Nation
• New Criterion
• New Humanist
• The New Republic
• NY Review of Books
• NYT Book Review
• Paris Review
• Reason
• San Fran Chronicle
• The Telegraph
• Three Penny Review
• Times Lit Supplement
• The Times of India
• Vanity Fair
• Washington Monthly
• Washington Post
• Weekly Standard

• Anne Applebaum
• Martin Amis
• James Bowman
• David Brooks
• E.J. Dionne
• Michael Dirda
• Maureen Dowd
• Thomas Friedman
• Robert George
• Malcolm Gladwell
• Christopher Hitchens
• David Horowitz
• William Shawcross
• Mark Steyn
• Andrew Sullivan
• Jonathan Yardley
• Leon Wieseltier
• James Wolcott

• Arts & Letters Daily
• Alibris
• All Things Beautiful
• Apostablog
• Apple.com Trailers
• Armavirumque
• Back-In-Print
• Bibliomania
• Bloggers4Labour
• Chud
• Curbed
• Drudge Report
• Drink-Soaked Trot Popinjays
• Gawker
• Gothamist
• Harry's Place
• Hotel Chelsea Blog
• IMDB
• InstaPundit
• Media Bistro
• Michael Totten
• Nerve
• New Yorkish
• Normblog
• The Onion
• Plagiarist
• Plastic
• Popfactor
• Savage Love
• Sci Tech Daily
• Slate
• The Smoking Gun
• Spike Magazine
• Wonkette
• Whatevs
• WSJ Opinion Journal

Old Site Archive