Solidarity With Denmark!

The British are not only better than us at good television, they're better than us at bad television. In American terms, a combination of Friends' associative incest, Sex and the City's credulity-defying shop talk, and Seinfeld's clever writing and manic frizzy-haired clown. Season 1 is good, but Seasons 2 and 3 are much better. -- ND

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BOOKS:

• The Wind-Up Bird Chronicle, by Haruki Murakami {A Japanese detective story/war novel/Kafka rip-off. It's great.}

• Love, Poverty, and War: Journeys and Essays, by Christopher Hitchens {First drafts of history, second thoughts on received wisdom, versatile meditations on great works of literature -- all by a man who can write about anything.}

• The Code of the Woosters, by P.G. Wodehouse {The Rise and Fall of the "Black Shorts," and the best of Bertie and Jeeves. You'll need Wodehouse in your life eventually. Start here; you've 89 or so more to go.}

• The Prophet Armed: Trotsky 1879-1921, by Isaac Deutscher {Magnificient biography finally back in print, along with Volumes II and III. But better start before the revolution -- and Deutscher's conscience -- was betrayed.}

• Satan: His Psychotherapy and Cure by the Unfortunate Dr. Kassler, J.S.P.S., by Jeremy Leven {A sorely forgotten modern classic. Leven has since swapped the galley for the camera, directing such keepers as Don Juan Demarco and The Legend of Bagger Vance. Satan has relapsed.}

• Colossus, by Niall Ferguson {Why the U.S. can't hack neo-imperialism, much to Niall's chagrin.}

• Reflections on a Ravaged Century, by Robert Conquest {Don't even try to have an opinion about the twentieth century without reading him.}

• Scoop, by Evelyn Waugh {One of the funniest books, ever. Shrinks the remainder of the "innocent abroad" genre to the vanishing point.}

• Put Out More Flags, by Evelyn Waugh {Lapidary prose on the frisson between the wars. Basil Seal riding low before he rides again; Auden and Isherwood lampooned as "Parnsip and Pimpernell."}

• The Complete Stories of Evelyn Waugh, by E.W. {Nasty, brutish and short, in short form.}

• The Origins of Postmodernity, by Perry Anderson {Terrific writer from the London Review of Books and New Left Review, who ought to be more famous than he is, tackles lucidly the abstruse bloodhound gang -- from Habermas to Jameson -- of Theory.}

• Saul Bellow: Novels 1944-1953: Dangling Man, The Victim, and The Adventures of Augie March, [Library of Congress Hardcover Edition] {Look: it's his world, we all just live in it.}

• The Counterlife, by Philip Roth {How Portnoy learned to stop complaining and write a brilliant postmodern novel.}

• Rise of the Vulcans, by James Mann {Probably the only low-blood pressure source on Bush's brain trust. Valuable for charting the progression of neo-neo-conservatism, and how Cheney and Rumsfeld and Wolfowitz contravened, and then dismantled, the Kissinger realpolitik foreign policy machine.}

• Money, by Martin Amis {Forget Bonfire and Psycho. It took the English author of The Moronic Inferno: And Other Visits to America to effectively chew up the Reagan era -- largely by reminding us that it was also the Thatcher era. A fine lesson in history repeating, too: Di and Charles were TV's original Ben and J. Lo; the Self-on-Massi sex tape is where Paris (if she can read) might have learned her stuff; and the cavalier cash flow in this soft-boiled checkbook who-dun-it tale rivals that of any West Coast dotcom monkey a decade later.}

• The War Against Cliche and Experience, by Martin Amis {If Amis kept on doing what he did in his award-winning collection of critical essays, James Wood would lose more hair. It's saying quite a lot that his non-fiction exceeds his fiction. Experience is by far the best memoir to appear in the last decade: a more muscular Speak, Memory, it's a midlife nostalgia trip pureed out of chronology, though somehow more cohesive than a stream-of-consciousness hodgepodge. Guaranteed to pluck at the coronary sinews for anyone dealing with the loss of a father.}

• Lucky Jim, by Kingsley Amis {A comic genius on academia, Amis is the pitch-perfect representative of postwar male rage. None of that Angry Young Man, stuff, though. His apoplexy is hilarious at any age. The faces: "crazy peasant," "sex life in ancient Rome," "shot-in-the-back." Moo, by Jane Smiley, The Straight Man, by Richard Russo and everything by David Lodge seem impossible without this Platonic key ring to rule them all, and on the campus, bind them.}

• The Letters of Kingsley Amis, edited by Zachary Leader {Pay close attention to the letters to Philip Larkin -- together with Larkin's Collected Letters (try eBay, sorry), these constitute the documentation of one of the most rewarding and hilarious literary friendships to date. Amuse yourself by guessing the exact page number where Kingsley abandons Communism.}

• The Stories of Vladimir Nabokov, by V. Nabokov {I'm way underqualified, with my mean years on the planet, to state critical opinion. Still in larval adulation, which I understand is a longterm afflication. Read Anthony Lane's review in Nobody's Perfect. And M. Amis on Nabokov in toto in the prenominate War Against Cliche. And get a dictionary.}

• The Moral Obligation to Be Intelligent, edited by Leon Wieseltier {The style is dated and stilted, but the insights are not. Especially worthwhile: the Orwell essay, the Mansfield Park burn, and "The Situation of the American Intellectual at the Present Time" (i.e. "What Do They Know of America, Who Only the Upper West Side Know?"}

• The Irresponsible Self: On Laughter and the Novel, by James Wood {The bling to Dale Peck's blah.}

• A Supposedly Fun Thing I'll Never Do Again, by David Foster Wallace {Self-indulgence and the consequences of a missing-in-action editor never had it so good. The state fair, cruise ship and TV pieces are the best. But also read the Lynch essay: it'll make you want to re-watch Blue Velvet, which you can conveniently buy below.}

• Collected Poems, by Philip Larkin (edited by Anthony Thwaite) {Poetus mirabilis and, after Auden, the occupant of a near empty Hall of Metrical Wonders in the Postwar Anglophone wing of the museum. Master ironist and curmudgeon you least want to bludgeon.}

• Paris 1919: Six Months That Changed the World, by Margaret Macmillan {A dryly told account of global dust-settling after what was then myopically known as "the Great War." Explores the follies of Wilson, Lloyd George and Clemenceau, which helped bring about WWII.}

• Doomed, Bourgeois, In Love: Essays on the Films of Whit Stillman, edited by Mark Henrie {Discreet charms of the bourgeoisie given the scholarly treatment by the kinds of New Criterion-y people who liked Grosse Pointe Blank because John Cusack's assassin refused to unionize. Don't let the pedantry taint your judgment of Stillmania, though.}

• Reading Lolita in Tehran: A Memoir in Books, by Azar Nafisi {A beautiful paean to Western literature from an Eastern scholar living under Islamic statism; the Gatsby trial and Jane Austen dance chapters are particularly enjoyable.}

• The Persian Mirror: The Elusive Face of Iran, by Elaine Sciolino {For those with short odds on the next war of choice.}

• Nobody's Perfect: Writings from The New Yorker, by Anthony Lane {He needs to stop it with the creepy drooling over Natalie Portman, but Lane is still the best around for losing it at the movies.}

• The Collected Short Stories of Roald Dahl {Adult stories, less like his childrenβs stuff than what O. Henry would have been like if his ironic plot twists had involved wife-swapping, cannibalism, or turning infants into superhuman bee-monsters. Might be fun for the kid who never reads, actually.}

• The Chicago Manual of Style, by the University of Chicago Press Staff {and the ghost of Allan Bloom.}

• The Brothers Karamazov, by F. Dostoevsky, translated by Pevear and Volokhonsky {Incest! Murder! Theodicy!}

• Collected Non-Fictions, by Jorge Luis Borges {A prose impresario short-winded enough to keep beside the toilet -- especially if your john is in a labrynith that transcends spacetime.}

• Love and Hydrogen: New and Selected Stories, by John Shepard {Stories narrated by John Ashcroft, John Entwistle, Nazi rocket riders, the creature from the black lagoon, and others.}

• My Life and Hard Times, by James Thurber {Think of David Sedaris, in turn of the century Columbus, Ohio. And without the gay schtick, or even a pretense at respect for his family.}

ALBUMS:

• You Are the Quarry, by Morrissey {He's back! And almost paid off the deficit incurred by Maladjusted. A few gripes: "America Is Not the World" never fulfills the promise of its title. It's an unwieldy blunderbuss, not a rapier -- and the use of "hamburger" as synecdoche for our national obesity problem is a new hackneyed low for the Oscar Wilde of the microphone. "I Have Forgiven Jesus" ultimately works, but I can't help but feel that that one was just too easy.}

• Weightlifting, by The Trashcan Sinatras {Remember them from your college radio daze? A brisk homecoming track, appositely named "Welcome Back" ("Everyone survived / Everyone's alive!" -- well, thank goodness) kicks off this highly accomplished return to musicmaking for an alt-pop band that shouldn't have stayed away so long.}

• Strange Bird, by Augie March {With a name like Augie, it has to be good. It is. Analogs fail me.}

• Evergreen, by Echo and the Bunnymen {Best 80's Band Comeback Album. No contest.}

• Mermaid Avenue, by Billy Bragg and Wilco {A fucking classic. Ukanian bloke Billy Bragg manages to capture the rhythms of dustbowl Americana better than Dylan -- the obvious disciple/witch doctor to perform a Woody Guthrie resurrection -- ever could do. All lyrics by Guthrie, music by Bragg and Wilco.}

• Don't Try This at Home, by Billy Bragg {Most people who hear Mermaid Avenue invariably want more of the man who brought it to them. This is Bragg's most "accessible" solo album, though not without the politics that's defined his career. "Accident Waiting to Happen" is a punk snarl against cultural fascism.}

• Galore, by Kirsty MacColl {May this earth angel charm the knickers off the winged principalities. MacColl died a few years ago in a boating accident, but I can only imagine how well-attended her funeral must have been by the panoply of musicians guilty of "sampling" her Celtic nightingale voice. This album consists mainly of covers, but that's more than all right for someone generous enough to never ask for top billing, despite consistently stealing the show.}

• These Are the Vistas, by the Bad Plus {"Smells Like Teen Spirit," the jazz standard. No kidding. Comes off not just better than you'd expect, but brilliantly.}

• SMiLE, by Brian Wilson {Reviewed here. Check to the right.}

• The Soft Bulletin, by the Flaming Lips {And the hard singing voice to take, but worth it anyway.}

• It Takes a Nation of Millions to Hold Us Back, by Public Enemy {More complicated rhymes and denser loops than have been on the radio before or sense, plus the guy with the big clock.}

• Who Will Cut Our Hair When We're Gone?, by the Unicorns {Morbid, tinny, wildly innovative and beautiful.}

• Loaded: Fully Loaded Edition, by the Velvet Underground {Funny, Lou Reed doesnβt usually look this happy. Must be Laurie Anderson's doing.}

• Traitor In Our Midst, by the Country Gazette {What you always thought bluegrass was supposed to sound like.}

• The Modern Lovers, by the Modern Lovers {Speaking of Lou Reed, remember the guy with the guitar who gets shot in Something About Mary? Imagine that guy redoing "White Light/White Heat," but with lyrics about aging with dignity and eschewing drugs. That sounds like a snark, but itβs actually the SAM guy, and John Cale produced.}

• The Queen Is Dead, by The Smiths {I can't believe you don't own this already. The summa of the Moz/Marr collaboration.}

• The Boatman's Call, by Nick Cave {The Prince of Darkness may have been afraid to board a plane after 9/11, but this "New Testament" sound is proof of moisture's sustainability in Hell. "Into My Arms" is sweet enough to play your girlfriend on Valentine's Day, leaving the oldie-but-dreary "Deanna" to blast at her when she dumps you.}

• No Cities Left, by The Dears {The lead singer cried when Morrissey asked the band to open on the "You Are the Quarry" tour. That kind of gone-to-pieces sentimentalism can only lead one place: straight down. Get 'em while they're new and good.}

• The Boy With the Arab Strap, by Belle and Sebastian {Might as well order that black V-neck sweater, Rimbaud's Collected Poems, while you're at it. "Theoretical" bisexuality not a requisite, despite what angry twee detractors say.}

FILMS & TV:

• Cannibal! The Musical. {Trey Parker's college thesis, a feature-length movie musical about the only American ever convicted of cannibalism. Not for all markets, but better than most of his later stuff.}

• Before Sunset, directed by Richard Linklater {The sequel that doesn't feel like one. Why thirtysomethings who chat are more interesting than twentysomethings who do likewise. Some sluggish moments, but all made up for by a luminous final scene that made me fall in love with Julie Delpy once more. Bet it made Anthony Lane "spill [his] Sprite" again, too.}

• Collateral, directed by Michael Mann {Tom Cruise has always been a hard-working, as opposed to naturally gifted, actor. This part was his pension come early. Michael Mann is the Richard Avedon of the moving Los Angeles image. And Jamie Foxx ain't too shabby, either.}

• The Unbelievable Truth, directed by Hal Hartley {Surreal-ish debut from a master indy filmmaker and satirist. Yes, that is Edie Falco as the diner waitress.}

• Henry Fool, directed by Hal Hartley {Hartley's masterpiece. Probably the only movie about writers that's ever worked. Barton Fink, anyone?}

• Metropolitan, directed by Whit Stillman {Downwardly mobile 60's college jet set. Making a film about this demographic is like trying to play matchmaker to a Republican leper in Northampton, Mass. That the dialogue (and it's all dialogue) stays liquid-tongued is a monument to Stillman's talent... dare I say, genius?}

• Barcelona, directed by Whit Stillman {Anti-Americanism when it was more funny than scary. The "subtext" speech belongs in Bartlett's. The DVD commentary is, as someone from the earlier film might say, "priceless."}

• The Last Days of Disco, directed by Whit Stillman {An assault on 70's cliche in the best possible way -- the anti-54. Also known as Yuppies: A Defense. Chloe Sevigny gives grace to the one night stand, instead of head to Vincent Gallo.}

• Mr. Jealousy, directed by Noah Baumbach {Who wouldn't hunt down the ex-boyfriends of Annabella Sciorra? Eric Stoltz had fewer difficulties with girls in Mask. Chris Eigeman from the Stillman flicks swaps Mayflower pedigree for facial hair (modelled on David Foster Wallace's Infinite Jest jacket photo), to varying degrees of success. An underrated romantic comedy, but don't say I didn't warn you: this film may engender awkward relationship conversation. It may also plant supersleuth-stalker seeds in frail men's heads. Or so I've heard.}

• Blue Velvet, directed by David Lynch {So many epigones, so far from this mark.}

• Father Ted: The Holy Trinity {BBC TV series about three priests on an island. No, not that kind of series, you sick fuck.}

• The Office - The Complete Collection (First And Second Series Plus Special) {Creator, writer, director and star Rick Gervais used to manage Suede and now this. That's enough laurels for one lifetime. He can die now.}

• Arrested Development - Season One {To think that Teen Wolf Too was just a glimpse of Jason Bateman's potential.}

12/01/05 - 01/31/06
11/01/05 - 11/30/05
10/03/05 - 10/31/05
07/06/05 - 09/30/05
05/05/05 - 07/05/05
03/31/05 - 05/04/05
02/24/05 - 03/30/05
01/16/05 - 02/22/05
12/03/04 - 01/15/05
09/01/04 - 12/02/04
07/14/04 - 08/31/04
06/23/04 - 07/13/04
  Tuesday, February 28, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Stranger Than Fact... Don't look at this photo, because you will be disappointed after I quote its caption for you:

Anna Nicole Smith with her lawyer, Howard Stern, as she arrived for her hearing today at the Supreme Court.

It is that Anna Nicole Smith, and that Supreme Court, but (sadly) not that Howard Stern. --Nic Duquette [link]


Monday, February 27, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Good Habits are Bad Habits; Bad Habits are Good Habits... A new study throws more weight behind what I think will eventually be called the Schroedinger Propery of Public Health: everything a human being might do is positively or negatively associated with good health and well-being, but whenever you aren't actively looking, it's both.

Though no one has followed people for decades to see whether those with a "Parkinson's personality" are more likely to develop Parkinson's, Menza says the "weight of the evidence" supports the idea of a link. His list of traits associated with the disease include industriousness, punctuality, orderliness, inflexibility, cautiousness, and lack of novelty-seeking." Other doctors mention drive, ambition, altruism, cleanliness, and a tendency toward obsession with details.

Cleanliness is next to godliness, so godliness is two slots away from Parkinson's Disease. Hence the last pope.

But this paragraph is the one that struck me as the one with the most potential for medical surprise:

Research suggests that Parkinson's patients are only half as likely to smoke as the general population and are much less likely than average to drink coffee. It could be that nicotine and caffeine hold little appeal for those with a Parkinson's personality or that cigarettes and lattes actually act as shields -- the jury is still out.

You heard it here -- well, in the Globe -- first. Within years, moderate consumption of cigarettes will be good for you. --Nic Duquette [link]


Idaho... This document is one of the most wondrous pieces of legislation it's ever been my pleasure to peruse. That the state legislature of Idaho would even introduce, let alone pass unanimously, such a bill fills me with to the brim with good will toward man. It also suggests that there are no pressing issues in Idaho governance. Which is also great.

Anyway, since it's fairly short, here is the full text of the bill I am heaping praise upon:

A CONCURRENT RESOLUTION STATING LEGISLATIVE FINDINGS AND COMMENDING JARED AND JERUSHA HESS AND THE CITY OF PRESTON FOR THE PRODUCTION OF THE MOVIE "NAPOLEON DYNAMITE." Be It Resolved by the Legislature of the State of Idaho:

WHEREAS, the State of Idaho recognizes the vision, talent and creativity of Jared and Jerusha Hess in the writing and production of "Napoleon Dynamite"; and

WHEREAS, the scenic and beautiful City of Preston, County of Franklin and the State of Idaho are experiencing increased tourism and economic growth; and

WHEREAS, filmmaker Jared Hess is a native Idahoan who was educated in the Idaho public school system; and

WHEREAS, the Preston High School administration and staff, particularly the cafeteria staff, have enjoyed notoriety and worldwide attention; and

WHEREAS, tater tots figure prominently in this film thus promoting Idaho's most famous export; and

WHEREAS, the friendship between Napoleon and Pedro has furthered multiethnic relationships; and

WHEREAS, Uncle Rico's football skills are a testament to Idaho athletics; and

WHEREAS, Napoleon's bicycle and Kip's skateboard promote better air quality and carpooling as alternatives to fuel-dependent methods of transportation; and

WHEREAS, Grandma's trip to the St. Anthony Sand Dunes highlights a long- honored Idaho vacation destination; and

WHEREAS, Rico and Kip's Tupperware sales and Deb's keychains and glamour shots promote entrepreneurism and self-sufficiency in Idaho's small towns; and

WHEREAS, Napoleon's artistic rendition of Trisha is an example of the importance of the visual arts in K-12 education; and

WHEREAS, the schoolwide Preston High School student body elections foster an awareness in Idaho's youth of public service and civic duty; and

WHEREAS, the "Happy Hands" club and the requirement that candidates for school president present a skit is an example of the importance of theater arts in K-12 education; and

WHEREAS, Pedro's efforts to bake a cake for Summer illustrate the positive connection between culinary skills to lifelong relationships; and

WHEREAS, Kip's relationship with LaFawnduh is a tribute to e-commerce and Idaho's technology-driven industry; and

WHEREAS, Kip and LaFawnduh's wedding shows Idaho's commitment to healthy marriages; and

WHEREAS, the prevalence of cooked steak as a primary food group pays tribute to Idaho's beef industry; and

WHEREAS, Napoleon's tetherball dexterity emphasizes the importance of physical education in Idaho public schools; and

WHEREAS, Tina the llama, the chickens with large talons, the 4-H milk cows, and the Honeymoon Stallion showcase Idaho's animal husbandry; and

WHEREAS, any members of the House of Representatives or the Senate of the Legislature of the State of Idaho who choose to vote "Nay" on this concurrent resolution are "FREAKIN' IDIOTS!" and run the risk of having the "Worst Day of Their Lives!"

NOW, THEREFORE, BE IT RESOLVED by the members of the First Regular Session of the Fifty-eighth Idaho Legislature, the House of Representatives and the Senate concurring therein, that we commend Jared and Jerusha Hess and the City of Preston for showcasing the positive aspects of Idaho's youth, rural culture, education system, athletics, economic prosperity and diversity.

BE IT FURTHER RESOLVED that we, the members of the House of Representa- tives and the Senate of the State of Idaho, advocate always following your heart, and thus we eagerly await the next cinematic undertaking of Idaho's Hess family.

BE IT FURTHER RESOLVED that the Chief Clerk of the House of Representa- tives be, and she is hereby authorized and directed to forward a copy of this resolution to Jared and Jerusha Hess, the Mayor of the City of Preston and the Principal of Preston High School.

Was that so hard? Hey, California: if you passed a bill commending every film set in California, you'd have a double-A bond rating now. Quit the fiscal hanky-panky and start handing out fancy ribbons. --Nic Duquette [link]


Weekend Edition, February 25-26, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

God Save The Spleen... The Sex Pistols tell the Rock n' Roll Hall of Fame to fuck off in a grand style.

Nice. Fuck delving too deep into the "conformity of non-conformity" and all that rot. Sometimes smashmouth anarchy means getting a bit of mustard all over your gob.

I live and breath on The Clash, even though Joe Strummer (R.I.P.) made no bones about describing the outfit at their zenith as "Stalinist" in aesthetics and morality. And Paul Simonon's sanctimony at their Hall of Fame induction was truly cringe-worthy. Anyone remember the name of the "human shield" he said couldn't make it that night because the guy was in Iraq? Neither do I. --Michael Weiss [link]

Death Star Belgrade... 10,000 ralliers lined the streets of Belgrade to object to rumored hand-over of General Ratko Mladic -- the Butcher of both Sarajevo and Srebenica -- to The Hague for war crimes prosecution. That's sweet, to have a fan base like that. But such nostalgics do little favor for their hero in terms of keeping the open secret of his residence in the former Yugoslavia "low-profile." Imagine placards in Buenos Aires, in 1960, reading, "Hands Off Eichmann!" or "Hey Mossad, This Ain't Fair - You Wouldn't Want to Check In There!" I've long known that fascism, like Goya's Saturn, devours its own children. What I didn't know is that it makes the "Drudge siren" all up and down its brood's hideaway address.

"Mladic is the pride of the Serbian nation and not those who have been in power," said SRS MP Natasa Jovanovic.

[...]

SRS party official Aleksandar Vucic said there would be "no forgiveness" for anyone who surrenders Gen Mladic.

Quite the charmer. I bet he says that to all the victims of genocide. --Michael Weiss [link]

The Persian Version... See, now Iran's President Ahmadinejad has got a face worth covering up. So do all the clerics and mouth-breathing young reactionaries tenuously holding together the decrepit mullahocracy over which he perches, like some rough beast out of apocalyptic imagery. Yet they would all have you believe that it's features like these which need to take the veil in Iranian society:

Meet Deeyah. She's either the "Muslim Madonna" or the "Asian J-Lo," depending upon which lyric -- or vaguely condescending, Yo MTV Diversifies! public relations analogy -- you prefer. Andrew Sullivan, who has long been in deep swoon over the Material Girl, digs her Persian Girl Power initiative. Though for us liberal hawks of more conservative perusasion in spheres other than that beginning with "blog," the P.J. O'Rourke conception of history may be more appropriate here: Some freedom is self-evident between the sheets. (Or so I wish.) --Michael Weiss [link]

Sir Bob on Khrushchev's Big Moment... Yesterday marked the fifty year anniversary of the infamous "secret speech" delivered by Khrushchev and highlighting some of the Georgian Gorgon's greatest hits in the uses of terror, torture and what it is no recourse to metaphor to call economic genocide. One of the ironies of Khrushchev's status as a kind of tragic anithero of the post-Stalinist era is that he helped orchestrate the Ukrainian famine, which really did, to coin a cheap and misused term of the totalitarian indictment, "kill his own people." (Stalin was a provincial who became a "great Russian chauvinist" and then paid tribute to this conversion by killing multiple millions of Russians.) Khrushchev was also always thought of as the village or peasant idiot, the least threatening in the inner sanctum to the grim status quo...

One of the few Western academics who saw through the forgeries and euphemism and pravda -- metaphysical truth, as opposed to istina, which connotes empirical fact -- of the Soviet "experiment" was Robert Conquest. He once fired a shot in the Spanish Civil War, in behalf of some friendly Anarchists he met backpacking through Europe. (Yes, welcome to the old English Curiosity Shop of great men: Backpacking through Europe during a period characterized by one of Auden's best poems, one that was promixately about the struggle against Francoism, "Spain": "Today the deliberate increase in the chances of death / The conscious acceptance of guilt in the necessary murder.") Yet the only real vanguard to which this extraordinary historian still proudly proclaims membership is that of the United Front Against Bullshit:

Stalin had nurtured his heirs very carefully to prevent any solidarity among them that might lead to mutiny, and this highly quarrelsome group continued to distrust each other even after he died. The speech was, in this context, an attack by Khrushchev on his rivals. It served his purposes to denounce some of the Soviet past, to blame the safely dead Stalin and to implicate some of his surviving heirs. Like him, they had been dragged through years of terror and stupefaction.

The following years saw Khrushchev defeating one coup d’etat but later being ousted by another.

In Russia itself, the speech prompted the beginnings of a thaw, but one that did not last. And among a portion of the population there remained, and remains even now, a favorable attitude toward Stalin, which is sometimes seen as the result of centuries of submission to tyranny. For others, the “secret speech” massively undermined the Stalin regime.

But the machine he had built, or inherited from Lenin, survived for a third of a century. And, by an odd paradox, much of the parasitical apparat remains to this day, long after its ideological justifications have gone, like a cartoon character — Wile E. Coyote or Mr. Magoo — walking on after his plank has disappeared.

Auden really does capture the rhythms of the twentieth-century better than any other poet. This is from his sonnet series, "In Time of War":

But hear the morning's injured weeping, and know why:
Cities and men have fallen; the will of the Unjust
Has never lost its power; still, all princes must
Employ the Fairly-Noble unifying Lie.

(Hold your Straussian intrigues on that last line. The "noble lie," which is what pravda implicitly means, has been around for quite a while.) --Michael Weiss [link]

Woke Up This Morning, After Two Years Hiatus... What kind of a world is it, you may ask, in which proud Italian-Americans contrive to stop Native-American calumny on Christopher Columbus by threatening to "go public" with the truth that famed anti-pollution activist Iron Eyes Cody, whose commercially televised tear was meant to have come straight from the infamous trail of that description, is actually -- part Sicilian. Or where glock-packing hip-hop moguls, heirs to unrecouped Motown fortunes, take justice against their fathers' Jewish and Italian payola robber-barons from the 50's by threatening to -- go to court?

This is not to discount the sociopathy for which The Sopranos is famous. The whackings, the wife- and girlfriend-beatings, the grand larceny, the therapy. One of the reasons sociopathy has such a welcome home in the popular cultural imagination is that, by definition, its sufferers tend to be as charismatic as they are cavalier about their depravity.

I think it's more than fair to say that David Chase is responsible for the best dramatic series, ever -- whether network television, premium cable, or long-wave radio out of Antarctic way stations is the medium under discussion. In the past few weeks, I've on-demanded nearly the whole kit and kaboodle (all six seasons), which I'd seen already, as prep-time for the new episodes scheduled to air next at the end of next month. This interview with the Times has only redoubled the jones:

HIGH on the wall of the otherwise-nondescript conference room inside the production offices of "The Sopranos" hangs a small, framed photograph of a man with his face half shadowed by a fedora.

Ambling by in his lumbering gait, slowed by a slight limp from a recent leg injury, James Gandolfini stopped to take a look at the photo. "Who's that?" he asked.

"Fellini," said David Chase.

Yes, it would be Fellini, wouldn't it? And how do the hysterics over at Anti-Defamation HQ like that? What do their dismal protests and cease and desist letters amount to now? Italians reprehending the depictions of Italian-American syndicalism: imagine the French reprehending incomprehensible New Wave cinema because of similar negative "stereotypes" of nationality. ("When Godard says the woman turns her head this way and it doesn't mean anything, it is like a second Waterloo to us.") And never mind that the mafia genre is actually a full-blooded American industry. The Sopranos tells us more about our own history of violence than it does about a Mediterranean franchise that continues to churn out titles like Cinema Paradiso and Il Postino, and where if you're not a callyptgian free spirit splashing through a fountain in Rome, you haven't really lived.

We're now in that cycle of creativity where the post after postmodern feels refreshingly straightforward and lucid, and yet it can still indulge in clever allusions (the kids call these "inter-textual references") to the past which gratify but do not overwhelm. And this is in a genre where the offer to wink at the The Godfather is one that can and should be refused at all costs. And yet... The elevator shot of the mortician in the episode where Tony's mother dies. Requisite and perfect.

But as Mr. Chase said, the show "has been engineered" around Tony's point of view. Nothing illustrated that more, and more helped differentiate the series from any previous gangster saga, he said, than the scenes between Tony and his therapist, Dr. Melfi (played by Lorraine Bracco.) "They opened up this whole feminine side of Tony," Mr. Chase said. "The thing with his mother, and the thing with the shrink. It had all been about men before. Here he had this other aspect to him."

Mr. Gandolfini labeled his scenes with Dr. Melfi "a Greek chorus." He said: "You go to the therapist and he explains what is happening to him. And you see how it is affecting him. I'm not sure without that the show would have been successful."

I actually enjoy the idea of Tony's therapy more than I do the therapy itself. For one thing, he's too methodical and calculating a don for Freudian analysis, and this is something, you sense, that he would have gelled to about mid-way through the first season. No, what this crime boss needs is behavioral psychology, which, as the Times will also attest, is the next big thing in palliative headshrinking.

"Fuggadabout ya mudda, ya miserable cocksucker! Mine broke my balls, too! Now take these fucking index cards home and practice your instantiation exercises! We're changin' brain chemistry ova hee-ah!"

--Michael Weiss [link]

UPDATE: NEW YORK SOLIDARITY WITH DENMARK RALLY... The response, via HitchensWeb and elsewhere, has been tremendous for hosting a New York version of Solidarity With Denmark. I will be in touch with the Danish consulate this weekend (to see how they'd prefer we coordinate things), and post Sunday about the details. I've contacted Hitch, and he offers his encouragement.

Check this space for updates.

Thanks to all who have written to offer support. --Michael Weiss [link]

Friday, February 24, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Pictures Up... From the rally:

More here. And Wonkette has some coverage, too. --Michael Weiss [link]

Once In A While In The New York Times... A passage like this comes along:

The subjects of his books included the Kronstadt naval base rebellion of 1921, an uprising of sailors against the Bolshevik regime that left more than 10,000 dead or wounded; the Haymarket Riot of 1886, in which seven Chicago police officers were killed by a bomb thrown at a workers' gathering; and the Sacco and Vanzetti case. He interviewed hundreds of adherents of the movement for one book, "Anarchist Voices: An Oral History of Anarchism in America."

Paul Avrich, CCNY historian of anarchism and the Russian revolution, is dead at 74. The Old Left is steadily moving to the final stage beyond old. --Michael Weiss [link]

More Speech Regulation Nonsense... Ken Livingstone compared a Jewish Evening Standard reporter to a Nazi death camp guard and he's been suspended from his job at mayor of London as a result. A three-man tribunal made the decision, with no recourse to plebiscite. Coercive installation of V-chips is looking more sanguine than the current state of affairs in Europe:

Brian Coleman, the deputy chair of the [Conservative] assembly, said he should "hang his head in shame" for failing to apologise and avoid the situation.

"He's now got a month to sit at home in Cricklewood in his front room and ponder the damage he's done to London, the damage he's done to the office and, most importantly, the damage he's done to community relations," he said.

The mayor of one of the most important and oldest cities in the world, ladies and gentlemen. He gets a time-out. --Michael Weiss [link]

NYT Slip... Wasn't this an Ali G joke on Rumsfeld?

--Nic Duquette [link]

Irony Watch... Are you fucking kidding me?

Shares of H&R Block Inc. sank Friday after the nation's largest tax preparer said it was having problems with its own taxes...

H&R Block said it will restate earnings for fiscal years 2004 and 2005, as well as the first two quarters of fiscal 2006, to correct accounting errors it said led to the company understating its income tax liability last year by $32 million.

--Nic Duquette [link]

Shadowy Oilgarchy Cabal Tugging Strings Both Ways, I Guess... Saudi forces foiled an attack on oil infrastructure this morning by Al Qaeda. I knew Zawahiri et al wanted to bomb the oil fields as a way to bring down the House of Saud (and score collateral economic damage on the West), but until they actually tried I'd never actually wondered: how can the USA and Al Qaeda alike both see the Saudi oil industry as a problem with respect to their own face-off? If Aramco is just a proxy for the terrorists/crusaders/Wahhabi Islamofascists/Zionist elders, why does the other side think so too, only the other way? Maybe we should put aside our differences with Zawahiri and, together, bomb and strafe the oil fields that supply the Islamists with cash/the infidels with an economy. Or maybe this is one of those Milo Minderbender mindbenders wherein two sides at war are so economically intertwined through the backchannels that our constituent parts are subcontracting the destruction of our own respective sides. Fuck it, I'm moving to Canada. No, not because of Bush, because it's a net oil exporter. I hear the streets of Calgary are paved with US dollars (shellaced for the snowplows, of course). --Nic Duquette [link]
Repeat Performance... It's excellent that today's rally outside the Danish embassy in Washington looks as if it's going to attract a lot of people and attention. I floated the idea that New York should engage in a similar display of solidarity, and Union Square has long been in need of rescuing from the LaRouche zombies...

If anyone is interested in such a project e-mail me at mike@snarksmith.com.

I know the New York Press people stormed out of their offices when their bankrolling brass refused to run the Mohammed cartoons. I'll be in touch with them. And I bet our friends at the New Criterion wouldn't mind pulling themselves away from the Wodehouse for a couple of hours, to keep the world safe for democracy and gentlemen's personal gentlemen and all that.

Let's see whom else we can round up. --Michael Weiss [link]

Thursday, February 23, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Support Solidarity With Denmark... Hitch has organized one outside the Danish embassy tomorrow at noon. Sullivan will be there. Could be a real event. I'd go if I lived in DC. --Nic Duquette [link]
Whither A Bellweather... Bill O'Reilly can always be counted upon to take a tough stance for the opinions most Americans hold at the moment. It seems that now includes immediate withdrawl from Iraq.

During the February 20 broadcast of his nationally syndicated radio show, Bill O'Reilly suggested that the United States "hand over everything to the Iraqis as fast as humanly possible" because "[t]here are so many nuts in the country -- so many crazies -- that we can't control them." O'Reilly then claimed that the "big mistake" was actually "the crazy-people underestimation."

As Media Matters for America has documented, during a November 30, 2005, appearance on NBC's Today, O'Reilly called those advocating immediate withdrawal from Iraq "pinheads" and compared them to Hitler appeasers.

I'm reminded of the beginning of Bowling for Columbine when Terry Nichols' brother, an enthusiast for homemade ordnance of the federal building-destroying caliber, conceded that the government should take steps to contain the spread of WMD because "there's a lot of crazy people out there," before putting a revolver to his head just to freak out Michael Moore. "Crazy people underestimation" is already my top pick for phrase of the year.

Mike and I agree that bringing liberty and prosperity to Arabia is the only real long-term strategy for elimination of Islamism, but we disagree about the necessity of remaining in Iraq. I have been turning more pessimistic about the prospects for Iraq for months, and if the anger at the Golden Mosque bombing boils over, we may be better off abandoning the project and diverting those military resources to Afghanistan and Special Forces ops. Unfortunately, there are crazy people everywhere; if undercounting them is reason to withdraw from Iraq, it's also reason to stay indoors and have the groceries delivered. --Nic Duquette [link]


Now The Germans... Frankly, I've always been of the opinion that the Egyptian-produced documentary "based" on the Protocols of the Learned Elders of Zion ought to be airred in the United States -- preferrably as a lead-in to South Park or The Daily Show. I also think every American schoolchild should be given Mein Kampf and Stalin's works on nationality to read at a tender, impressionable age. Every citizen has a responsibility, not just a right, to know what pathological ideology looks and feels and smells like, and one needn't subscribe to what others have labelled an equally deleterious system of analysis -- Freudianism -- to appreciate that repression never leads to anything good. So it's rather dismaying to hear that German politicians are trying to pull Turkey's In the Valley of the Wolves -- Iraq from Teutonic theatres. (Americans are depicted as genocidal death squaddies, and Jewish doctors as organ-stealing wholesalers -- naturellement: how else is the liver pate of Gentile babes going to find its way onto our matzah hor d'erve?)

"I urge the cinema owners in Germany to pull this racist and anti-Western hate film immediately," said Edmund Stoiber, Bavaria's conservative premier and one of Germany's most recognized politicians, in an interview with the German newspaper Bild am Sonntag last weekend.

So then better to create an even greater sensation with a kybosh-campaign, and better to have bootlegged copies of the film find their way into celluloid samizdats and then into the DVD players of countless Turks living in Berlin or Heidelberg.

I never did gel to the "Because I said so" or the "I'll tell you when you're older" theory of touch-and-go epistemology. Pony up the rancid wares, and let people decide for themselves.

Somehow I doubt Gary Busey or Billy Zane will be driving the Black Marias of the next Eurasian pogrom. They can barely afford cab fare to pawn shops in West Hollywood. --Michael Weiss [link]

All Right, Dan... Getting a little big for your breeches, ain't-cha?

Confidential to everybody: "Pearl necklace" is out. "Cheney" is in. Pass it on.

Next up: Poor guy or girl who has to sleep in the wet spot is "Chertoffed." --Michael Weiss [link]

Bush Knew... The Cheney Commission's findings are conclusive:

In a Presidential Daily Briefing given to Bush in August 2005, the CIA warned that the vice president was a potent threat to the senior population at large, and in particular "possessed the capabilities and intentions to spray a senior citizen with projectiles fired from a shotgun or other weapon." A second brief identified the population at risk as those "between 70 and 80 years of age," and warned that the vice president posed the greatest threat to "seniors in close proximity to the vice president when he is armed."

--Michael Weiss [link]

Snark Watch... Maybe this blog isn't as snarky as it could be, but it would be a dereliction of duty for me not to reprint this mordant quip on the Summers resignation:

Cambridge venture capitalist Howard Anderson wants to nominate Che Guevara as Harvard's new president.

"Why?" asks Anderson. "He would be considered a 'moderate' by the Harvard faculty. He has a medical degree so he would be considered acceptable to academics. His Argentine background would appeal to the one-worlders. And he has been dead for 39 years so the faculty would have no problem getting him to roll over."

--Nic Duquette [link]

Secret Vacation Time... This is one of the most interesting empirical results I've seen coming out of economic research in a long time. And one of the authors, Mark Aguiar, works just over a cubicle wall from me. Good job, Mark.

The easiest way to measure leisure is to take survey data on how many hours a week people spend at work and subtract. Since 1965, the number of hours the average American works for pay has not changed much. By this simple measure, then, leisure has also stayed the same...

To put it in economic terms, we spend some time off the job in consumption (watching TV, hanging out with our friends, reading for pleasure) and some in production (cooking dinner, cleaning the house, doing household repairs). Some activities, like sleeping and eating, fall somewhere in between, while others, including child care and gardening, combine pleasure and production.

The difference is not just that we enjoy some activities and dislike others. It is that we could, in theory, pay someone else to do the production for us. A cook or a restaurant can make dinner, but nobody else can play golf or watch TV for you.

That distinction can make a big difference in predicting how, for instance, people will respond to higher wages or lower taxes. Do they have to give up recreation to earn more money? Or are they trading one kind of work for another?...

Using the most restrictive definition, which includes only "entertainment/social activities/relaxing" and "active recreation," the economists found that leisure had increased 5.1 hours a week, holding demographics like age constant. (Without that control, leisure has grown 4.6 hours.) Assuming a 40-hour work week, that is like adding six weeks of vacation σ an enormous increase...

In 2003, women spent 11.1 fewer hours a week working at home than they did in 1965. The biggest drop, 6.2 hours a week, came in cooking and cleaning up after meals σ not surprising, given the enormous growth in restaurant and takeout meals and the spread of microwave ovens.

This is a topic I know nothing about, but I would be curious to see what the "effective leisure" of different socialist systems is. My impression from friends who'd know is that the French put a lot of those spare hours into cooking, and the Norwegians into keeping their cars running, and that the lack of service jobs is a big reason for the high unemployment in the immigrant ghettos of Paris and the German cities.

Even if Europeans have more leisure time than we do, this estimate is a testament to the power of technology to make a meaningful change in quality of life. --Nic Duquette [link]


Wednesday, February 22, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

The Umpteenth Brumaire of Nicolas Sarkozy... The shoe-in next president of France, aged to a nice vintage in the sclerotic cask of Chiracism, is tre Third Way, and either not at all what he seems, or all of that and more. Or something:

One thing Sarkozy does not resemble in the slightest is a traditional French politician. "I am a man of the right," he says over breakfast, "even if I'm not a conservative in the traditional sense." This is an extraordinary admission. No presidential hopeful in decades, even in the UMP created by Jacques Chirac in the wake of De Gaulle's RPR, has ever accepted the label. Never in his political life has Jacques Chirac made a similar statement. From his time as prime minister in the mid-seventies, when he described his goal as the creation of "a labor movement ΰ la franηaise," to his recent New Year's address, in which he again attacked American-style capitalism, Chirac has taken many positions, but none of them on the "right." Since Sarkozy's profession leaves him liable to accusations in the French press that he is the favored candidate of Americans or free-marketeers, he is anxious to spell out exactly what he means by a "temperament of the right." It is something he has obviously thought about a lot. "First, the primacy of work; second, the need to compensate personal merit and effort; third, respect for the rules, and for authority; fourth, the belief that democracy does not mean weakness; fifth, values; sixth, . . . I'm persuaded that, before sharing, you have to create wealth. I don't like egalitarianism."

The rioters hate him, our State Department doesn't, he's philo-Semitic and he steals votes from Le Pen without resorting to Howard Dean-like fugues of bien-pensant political morality ("Why can we not have zee how-you-say rouge-neck wis zee Vichy flag voting for UMP?")

What's French for "What's not to like?" --Michael Weiss [link]

The World Won't Listen... I still find Cat Stevens making the rounds on iTunes every now and again. And while I knew Morrissey was good for nothing beyond the music and the odd Wildean quip, I never thought I'd have to sneer to hear. That all changed when I read this:

I find myself opposing barbarism, that's all. People like Blair and Bush have proved that in order to succeed in politics you must be cruel and morally bankrupt. I see no difference between Blair or Bush and Saddam Hussein - all egotistical dictators. Perhaps the only difference is that Blair and Bush do it with a smile. Murder and smile .... as Shakespeare said.

Now you are a was, big boy. --Michael Weiss [link]

Too Late For Us To Change Our Name, Too... As long as James Wood can find it in his heart to cite the prefix of this blog in an essay about no less of a figure than Edmund Wilson, so shall our flame for rebarbative anti-Eggersian criticism burn bright. Meet Snarkaholic, the Guildenstern to our Rosencranz.

come on! did you really think I'd change the name without getting another url??

There is, however, a tad more to the end of the name experiment, and, in the effort to be transparent, I'll tell the tale: Via a link on Slate I found Snarksmith. Penned by Michael Weiss and Nic Duquette (who's orignally from The Middle of Nowhere), Snarksmith is doesn't engage in what would normally be considered "snark." There's very little sense of catty plastiscene Joan Rivers urging insults. Rather, there was commentary that had the "what the heck were they thinking?" tone, with the majority of the stories smart and sharp in their observations.

So, to the critics who pretty much told me that I have no right to call this blog Snarkaholic--go take a look at Snarksmith

(yeah, and then you can tell me how much I have no right to do what I'm doing because I've never been a managing editor...yadda, yadda, yadda, I'm not listening...I'm a David flinging stones at the Establishment Goliaths, so get over it.)

And a funny coincidence....our blogs came about around the same time. As to the chicken-egg argument, who knows. I had no idea these guys existed before yesterday, and I doubt they even know who I am. But they are Commrades in Smart Snark. And that's what counts the most.

Who knows...maybe there's a way for the lowly amateur snarker to work with these august snarkers? (never know unless you pitch it)

Oh, they also have a great definition of snark--which kind of adds to the contention that it ain't what so many Joan Rivers wannabees and finger-snapping fashionistas think it is.

Nic really does come from the Middle of Nowhere. All his hometown has is the Basketball Hall of Fame. And all mine had was Spiderman, Joey Ramone and David Horowitz. (Two out of three superheroes ain't bad.) --Michael Weiss [link]

Bloglash And Its Mounting Discontents... There's been a lot of link-and-Fiskage over this Financial Times story by Trevor Butterworth about the over-televised non-revolution of the blog. I posted the following on the FT-erected Reader Feedback Blog.

I suppose I sell my own stock-in-trade short, but as Woody Allen once had it in a slightly mutated form and context, I may hate myself, but it's not because I'm a blogger:

An enviable piece, and I thought it was rather clever of you to poll on whether Marx and Orwell would have resorted to blogging had they been given the chance... I'd say no on both counts. The interminable mouse clicking would have gone over at the British Museum about as well as the 12-hour distraction from reading would have done in Marx's historical consciousness. And Orwell too much relied on a first-hand engagement with events, and a reasoned impressionism of them, which for bloggers runs the gamut from what their adorable puppy spat up this morning to how badly the NY Times fucked up this hour. Who are the exceptions here? Michael Totten and maybe a handful of others who become field-investigative or correspondent bloggers?

I'd say that the Internet in itself, as an on-demand resource for writers, has changed the still very entrenched trade of print (or even digital) journalism immeasurably, especially with services like Lexis-Nexis and the Amazon book search engine (making plagiarism even more easy to detect and the savor of media scandal that much sweeter.) But I think the Blog Revolution Test is simple enough: Can you recall ANY memorable insight or phrase or original argument about regime change in Iraq (which really was the most important debate when this technology was still in short pants) that had its provenance on any permalinked and immediately archived post? Actually, all right, I do remember one: Kos saying that the industrial contractors in Falluja, whose corpses were notoriously mutilated and put on public display, were "mercernaries... fuck them." Truly have the Insta-Paines of the 21st century arrived...

Even Sullivan's best stuff continues to be his "professional" punditry, where he has more room to stretch out and develop his thoughts. (OK, damn it, another blog blurb, if only because it was reprinted in George Packer's Assassins' Gate: After the fall of Baghdad, in response to signs brandished by Iraqis thanking the US, Sully wrote, "You're welcome." Now, would anything that self-righteous or cringe-worthy, as Packer rightly represented it in his book, have made it past a kind editor at the Times Online, or Time magazine -- or even past Sully's own deadline-harried reconsideration?)

Blogs work best in the labor of the negative; as swarm criticism that forces the 800 pound gorillas of the mainstream media to better behave themselves, or at least to watch their steps more closely. But even in this you still have another variation on the theme of the "democrat's pornography" -- to borrow Ian McEwan's definition for daytime television.

The first draft of history is still somehow nobler than the scribbled, easily misplaced notes of it.
--Michael Weiss [link]

Civil War Talk Is Hasty... There's a very good chance that today's destruction of the al-Askari dome in Samarra was perpetrated by the Zarqawist wing of the so-called "insurgency." There's also an excellent probability that the most depressed person alive right now is Osama bin Laden, who has repeatedly entreated his unhinged comrade in Iraq to batten down the eruptions of anti-Shiism. So as historically despicable as desecration of this magnitude may be (and yes, even atheists and secularists deplore the erasure of centuries-old architecture and art), it is yet another sign of the weakening of Zarqawi's hold on the "hearts and minds" of Iraqis. Even the fury is precision-calibrated against the actual criminals, not against the wider Sunni community:

"If I could find the people who did this, I would cut him into pieces," said Abdel Jaleel al-Sudani, a 50-year-old employee of the Health Ministry, who said he had marched in a demonstration earlier.

"I would rather hear of the death of a friend, than to hear this news."

Still, many Shiites expressed hope that their friends and neighbors would not resort to violence, and said that they would follow their religious leaders, who called for calm.

"It was a cowardly act," said Emad al-Watani, a 37-year-old employee at a sports club.

"The terrorists believe this will move us to act," he said, sitting on a couch with his small son at his knees. "They are wrong."In a news conference after the attack, Tarik al-Hashimi, the head of the Iraqi Islamic Party, one of the country's most prominent Sunni Arab political groups, said that more than 25 Sunni mosques had been burned, taken over or attacked with a variety of weapons, and that their party headquarters in the southern city of Basra was attacked.

The only one who has spoken out of turn, and uncharacteristically, is Ayatollah Sistani. He's calling for a three-day government shutdown out of mourning. That's not even excessive; it's wrongheaded, secto-centric, and in contravention of his own vigorously advocated separation of mosque and state. --Michael Weiss [link]

Sectarian Strife in Iraq... Iraq isn't necessarily going to devolve into civil war, but it just edged closer to it: last night Sunni Islamist militants blew up a major Shia holy site in Samarra. Before:

After:

If there's any consolation, it's that the mobs of furious Muslims are now furious at our enemies, not unwitting Scandanavians. --Nic Duquette [link]


Tuesday, February 21, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Free The Scoot!... The Scooter Libby Legal Defense Trust. No kidding.

So I guess we can rubbish Fukuyama's disavowal of neoconservatism in the New York Times magazine this weekend. He's on the advisory board, which neither Pat Buchanan nor Alexander Cockburn could better.

Everytime a Paypal rings, a Kristol gets his wings. --Michael Weiss [link]

Ratko Mladic Arrested? Yes, No?... The BBC says no, The Guardian begs to differ. Be a nice Tuesday surprise if he were.

All because Belgrade wants into the EU. Pamuk Orhan will walk in Turkey for similar reasons. Who would have thought, fifty years ago, that one-worlderism would be such a carrot-and-stick enticement? Note to parents with recalcitrant kiddies and spanking qualms: Spare the Maastricht, spoil the child. --Michael Weiss [link]

Economist Editor Quits After 13 Years, "Santorum" Letter to Savage Love... As Gawked today, Bill Emmott, dapper Saville Row-ed arbiter of what you want your friends to think matters to you worldwide, has skeedaddled from The Economist, whose stateside popularity has ballooned since he took it over, to concentrate on a literary career and intra-Asian economic affairs.

Pip-pip cheerio, mate, and a bucket of pension and all that, but we can't help but wonder if Emmott's recently dispatched letter to Dan Savage, acknowledging the free marketeer parsability of "santorum," was either 1. cause for this hasty defection, 2. a creepy but fascinating concomitant of it, 3. sign that between now and Clear Out Your Desk day, things are going to boogie at the mainstream conservative weekly even your dentist claims to read. --Michael Weiss [link]

You Don't Have To Like Him To Let Him Out... Since Konigsberg technically falls under Austrian demesne, and since it is chiefly remembered for being the birthplace of the formulator of the categorical imperative, let's attempt a small thought experiment in universal justice. All diplomats and statesmen hailing from Muslim countries, whose official state policy is to question or deny that Judeocide was part and parcel of the aims and accomplishments of Hitler's Third Reich, are be to expelled from Austria at once. Would this not at least be consistent with Austria's criminalization of Holocaust denial, and with its ridiculous imprisonment of brownshirt historian David Irving on just these grounds?

Ah, but see, fascism comes in many shapes and colors, and the worst of the bunch is no longer any problem beyond the odd revisionist text or sinister rhetoric -- or surprise Austrian electoral victory. Whereas to "inflame" or incite Muslim outrage according to idiotic speech laws... well, that would be insensitive.

As late as 2002, Jφrg Haider, erstwhile leader of the reactionary "Freedom" party, was able to quit national politics for good, without the inconvenience of a declared volte-face on his nasty ideas, which never landed him in the Carinthian pokey. And this despite his open allegiance to neo-National Socialist Saddam Hussein, and his misty nostalgia for the days of Nazism, in whose cask he can be unequivocally said to have matured, as his parents were both loyal followers of Hitler and as the SS is still spoken of as having consisted of "men of honor" around the Haider household.

Instead, and because Europe is just that much fun these days, David Irving (who hymns what he knows to be a lost cause) becomes a martyr, while the more urgent threats against democracy (who still see themselves on the winning side of history) are automatically apologized to and asked what can be done to get them to calm down.

Way to pay back Kant for all his trouble. --Michael Weiss [link]

Speaking of Post-Trotskyist Liberal Hawkishness... Hitch is mounting a solemn display of solidarity with Denmark, outside the embattled country's embassy in Washington. And he's inviting everybody to join him.

I feel terrible that I have taken so long to get around to this, but I wonder if anyone might feel like joining me in gathering outside the Danish Embassy in Washington, in a quiet and composed manner, to affirm some elementary friendship. Those who like the idea might contact me at christopher.hitchens@yahoo.com, and those who live in other cities with Danish consulates might wish to initiate a stand for decency on their own account.

Perhaps a Union Square demonstration is in order next? Any takers? E-mail me. --Michael Weiss [link]

Advertise on Snarksmith... We're now part of BlogAds, thanks to our newfound friends at Hotel Chelsea Blog (please hold all "giving me head on the unmade bed" comments until the next Leonard Cohen lunar cycle).

Advertising with us is very cheap. It's only $10 per week and $40 per month. We generally get about 1,500 visits per day, but with a feature like Nic's "How Much Is Your Blog Worth?" we managed to attract 15,000 -- which is Nick Denton terrain if, say, he started up a new site dedicated to post-Trotskyist liberal hawkishness in the tri-state area.

So come pimp your wares with us by clicking on the box to your left. Thanks. --Michael Weiss [link]

Summers' Winter... After just five years in the job, Larry Summers is quitting as president of Harvard University.

Dr. Summers will likely take a yearlong sabbatical and then return to Harvard as a distinguished professor of economics and public policy, the university said in a prepared statement.

Note to Harvard's arts and sciences faculty: when Lawrence Summers comes off as more of a class act in public than you do -- and he just did -- it's a big warning sign.

In the end, Summers was done in not by a sweeping debate about the role of women in the hard sciences, but by provincial politics regarding a dean who was edged out. --Nic Duquette [link]


Weekend Edition, February 18-19, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Wodehouse in India... It's getting to be shameful that India lacks a seat on the UN Security Council, and that it fails to meet the requirement for inclusion into what Robert Conquest sees as an "Anglosphere" of permanent alliances. For one thing, they've got the "Anglo" bit down pat:

The club’s president in the mid-1980s, Thomas Abraham, is now president of Penguin Books India, the country’s largest Wodehouse publisher. “We’ve all grown up with Wodehouse,” he says. “It’s a phenomenon here. When one of his books goes out of print, everyone goes ballistic. My publishing counterparts in the UK are very amused.”

[...]

“Wodehouse’s appeal is a pure sense of linguistic delight,” says Abraham, who has read “about 82” of his 85 books. “In the 1980s there was a debate about whether he was ‘literary’ or not, but the fact is that the books are a great read, laughaloud funny.

Same groaning displays of outmoded idiom, same canting mannerisms... Like New Yorkers who think Zabar's is located "somewhere east of Suez," Indians have become plus anglais que l'anglais. --Michael Weiss [link]

Friday, February 17, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

What You're Finding Us For... Another exciting installment (our second) of WYFUF, wherein our webstats machine tells us the Google search string that delivers you, gentle reader, to our cyber doorstep.

snarksmith..... 6 2.2 %
70 s pimp photograph..... 4 1.4 %
show counsellor conducts interview client..... 3 1.1 %
the joke s on us by tony wilson..... 3 1.1 %
www/redesign.theonion.com/content/
includes/database.mysql.inc..... 3 1.1 %
lionel trilling all american literature comes from..... 3 1.1 %
gary busey and billy zane of being traitors..... 2 0.7 %
www. musa smith.com..... 2 0.7 %
demo tape song can t get you out of my head ..... 2 0.7 %
what s my blog worth.....

Lionel Trilling and 70's pimp - can we mix high and low like the Partisan Review crowd, or what? --Michael Weiss [link]

Blog: The Motion Picture... Well, no, not yet. But a culture of already intense navel-gazing has spawned its own adorable outie of mega-solipsism with this New York magazine cover story on The Blog. And as an inveterate C-lister, with a brief if forgettable soar through the firmament of Dentonia, I can't help but get to the latebreaking news after it's become week-old Fishbowl-wrapping. It's awful lonely at this bandwidth.

Still, I prefer Nic's regression analysis (which yielded us the most hits in a day, ever) to Clark Shirky's "network theory."

To analyze the disparities in the blogosphere, Shirky took a sample of 433 blogs. Then he counted an interesting metric: the number of links that pointed toward each site (“inbound” links, as they’re called). Why links? Because they are the most important and visible measure of a site’s popularity. Links are the chief way that visitors find new blogs in the first place. Bloggers almost never advertise their sites; they don’t post billboards or run blinking trailers on top of cabs. No, they rely purely on word of mouth. Readers find a link to Gawker or Andrew Sullivan on a friend’s site, and they follow it. A link is, in essence, a vote of confidence that a fan leaves inscribed in cyberspace: Check this site out! It’s cool! What’s more, Internet studies have found that inbound links are an 80 percent–accurate predictor of traffic. The more links point to you, the more readers you have. (Well, almost. But the exceptions tend to prove the rule: Fleshbot, for example. The sex blog has 300,000 page views per day but relatively few inbound links. Not many readers are willing to proclaim their porn habits with links, understandably.)

When Shirky compiled his analysis of links, he saw that the smaller bloggers’ fears were perfectly correct: There is enormous inequity in the system. A very small number of blogs enjoy hundreds and hundreds of inbound links—the A-list, as it were. But almost all others have very few sites pointing to them. When Shirky sorted the 433 blogs from most linked to least linked and lined them up on a chart, the curve began up high, with the lucky few. But then it quickly fell into a steep dive, flattening off into the distance, where the vast majority of ignored blogs reside. The A-list is teensy, the B-list is bigger, and the C-list is simply massive. In the blogosphere, the biggest audiences—and the advertising revenue they bring—go to a small, elite few. Most bloggers toil in total obscurity.

Also, just to rub it in for the rest of us, Peter Rojas' line, “I didn’t intend to become a millionaire, but I wound up there anyway,” is repeated twice. Here and here.

We can't even get you people to foot our hosting fees. --Michael Weiss [link]

Rummy Mad As Hell, Not Going To Take It Anymore... Not to mix and match cultural references, but if Albert Brooks searches for comedy, does that make the dapper Defense Secretary the new William Hurt of pro-Western agitprop? And what a better name that would be for him, too.

In a speech to the Council of Foreign Relations, Mr Rumsfeld said some of the US' most critical battles were now in the "newsrooms".

"Our enemies have skilfully adapted to fighting wars in today's media age, but... our country has not," he said.

It's true. When Saddam's number two shot someone in the face, it was always broadcast live and with plenty of lead time. --Michael Weiss [link]

Oh, They Mean Antennae... The Globe made it sound like the Menino's Phallus would be Petronesque, but in fact it'll just have some dinky lightning rods:

So the "bold vision" that will "trumpet the city's future" is, in fact, a knockoff of a fallen retailer's grand gesture in a 1970's decaying urban core. --Nic Duquette [link]


Boston Mayor Wants Bigger Hancock... Thomas Menino -- taking a break from seizing his subjects' tee shirts and old folding chairs -- decided to get all Chicagoey today. He wants to build a new skyscraper which would be the biggest skyscraper in Boston.

Boston Mayor Thomas M. Menino today called for construction of the city's tallest building ever -- a 70- or 80- story tower on the site of the existing Winthrop Square parking garage in the downtown Financial District -- to trumpet the city's future.

What future? In twenty years, nobody will be living in Boston except billionaire snowbirds and degenerate college-enrolled children of foreign petrocrats. What are we going to call this thing, One "Might As Well Return To Ireland" Place?

"We will insist on bold vision and world-class architecture," Menino said of the tower envisioned by City Hall planners.

Here's what old Scollay Square looked like downtown; this is the windy modernist nightmare they replaced it with. As parking garages go, the one at Winthrop Square isn't too offensive, and I worry what might be put in its place.

In a rendering of the city's skyline, the tower extended with two spires high above the city's other tallest structures downtown, the 46-story One International Place building and One Financial Center.

Oh. Well, that's never been done before. --Nic Duquette [link]


The Real Life of Sebastian Light... Not that I ever intended it this way, but Fridays are shaping up to be Slate amour propre days. More auto-hugging, this time of Jody Rosen, our in-house music critic. Her quarry: Belle and Sebastian.

The current long-player, like all of Belle and Sebastian's albums, inhabits a hermetically sealed universe, shut off from both 21st-century pop production values and adult life. The songs are set in a quaint hipster-fairyland: art student types falling in and out of love in a city of rain-lashed cobblestones.

Rain-lashed cobblestones. That was good. Very Brideshead. Of course B&S have -- like Wodehouse, like Waugh, The Smiths, The Simpsons and The Sopranos -- to be rescued from their fans, whom they ineluctably resemble most by trying to run away from. Their discography is on loop for what I like to call the V-neck-and-Rimbaud crowd, an oscillating periphery of which operate as BUGs (Bisexuals Until Graduation).

That said, "Step Into My Office, Baby" is better than anything Morrissey has recorded in the last ten years. Which I guess is a hazard of getting your "De Profundis" in early, and splintering your "Late" career onto the rocks of middle-aged contentment. "You've made a happy man very old," he said at his last concert. This is why Wilde martyred at forty. --Michael Weiss [link]

The Kinkiest Show Not On HBO or Showtime... Novelty Country singer, independent Texas gubernatorial candidate and self-identified Jew Kinky Friedman has a TV show debuting on Country Music Television tonight at 11, which will apparently include guest appearances by Bill Clinton and Willie Nelson, as well as other persons I assume are country music-related. Friedman is very funny, so the show could be very good, but I wonder whether it isn't a violation of the Equal Time Rule, which requires channels to give away or sell equal time to competing political candidates. Does this law only apply to federal candidates? Or can we look forward to shows like Rick Perry Clumsily Tuning a Piano or Everybody Hates Scottie? --Nic Duquette [link]
Gerecht on the Cartoon Fracas, and More... What vertiginous times we inhabit when the American Left can unselfconsciously rush to the defense of a venal CIA agent -- guilty of employing her husband as an urgent intelligence-gatherer because of his "warm" relations with a tinpot African dictatorship -- yet where an ex-CIA analyst can draft vigorous polemics in defense of democracy and the unapologetic spread of liberalism (and comedy) in the Muslim world. You won't come across better than Reuel Marc Gerecht's brilliant essay in the Weekly Standard:

With dictatorship giving way to democracy, Muslims of various stripes will make their best case to their brethren on why they should be given a chance to govern. The religious radicalization of the Muslim body politic, which has gained ground under autocracy, will likely lose speed, if not rapidly reverse itself. Young men who feel most acutely the injustices of their societies and have the testosterone-driven determination to do something about it will have broader personal experience and a wider range of political options than to embrace just the mosque, where Muslims have usually found brave and tenacious popular heroes when they could find them nowhere else. Let us be frank: For every Said Eddin Ibrahim, a courageous secular liberal who has seen the inside of Egypt's prisons, there are several religiously motivated dissidents who are willing to question President Mubarak's rule. Few of the Arab liberals and progressives one meets at conferences appear to have the intestinal fortitude of fundamentalists who are similarly opposed to their regimes.

What we have seen happen in the Islamic Republic of Iran under clerical dictatorship--the conversion of the most anti-American holy-warrior society into the least anti-American, probably most pro-democratic culture in the region--will likely happen elsewhere but even more rapidly if Sunni fundamentalists are given a chance to gain power democratically and demonstrate to their fellow Muslims how their interpretation of the Holy Law and Islamic history will improve their lives.

Correctly understood, anti-Americanism when it accompanies the loosening of political controls in the Middle East is a sign that the status quo that gave us bin Ladenism and 9/11--the perverse marriage of autocracy and Islamic extremism--is coming apart. Under dictatorship, Muslims cannot evolve politically. They will not be able to confront the "baggage" that all Middle Eastern Muslims have with the West, especially the United States, and come to a livable consensus on how they are going to absorb Western ideas, influence, and money. Even in Iran, where the bankruptcy of a virulently anti-American clerical dictatorship has done wonders for the democratic ethic and the prestige of the United States, a functioning democracy is probably the only way the Iranian people will find a sustainable, peaceful modus vivendi with their complicated love-hate for America. It is democracy, not dictatorship, that can best take Muslims through the difficult religious reformation that is well under way among both Shiites and Sunnis. (Correctly understood, bin Laden is an ugly expression of protest against the region's rot.)

As bin Laden, on most days, will readily attest himself. Gerecht's thesis is not just one of thrashing optimism, or some blindfolded game of Pin the Tail on the Desirable Arab Revolution. If anything, the victory of Hamas in Palestine will bear it out as the months transpire: Will such madrasa-spun "liberation theorists" find life under Sharia law all that agreeable, or even less stifling than under Israeli occupation, which at least didn't impose dress codes on women, or ban literature, music and dancing as intrinsic threats against Jewish statehood?

The canned and faux-weary response to a question like the one above -- to which I don't presume to have a clear answer -- is that if Hitler was electable in Germany in 1933, and if Germany was a highly advanced, civilized and industrial country, then what of the clever hopes of democracy expiring in such a shelled-out and wretched polity as that which currently resides in the West Bank or Gaza? Well, does anyone think that Hamas will succeed in destroying Israel, or that it has a better chance, ab initio, of doing so than fascism did of engulfing of all of Europe? Apart from vertiginous, these are also historically quickened times, in which a country like Afghanistan can see revitalization almost -- and here the telescopy of 20th-century modernism really is useful -- "overnight," and where Iraq can elect a Kurdish president with burnished Marxist credentials who is something of a hat trick of uncharacteristic good fortune for the region: secular, opposed to capital punishment (even of a man like Saddam Hussein) and already a decade-long participant in parliamentary democracy. Would such a prospect even be conceivable on September 12, 2001?

We see already Hamas' recourse to pragmatism in its call for hudna, which, even as a shambolic overture to the shortest term peace or armistice with Israel, indicates an understanding that the hosannahs for messianic anarchism don't seem quite as persuasive once it is your own faction that retains control of the state -- and intends to keep it. This is by no means a warrant to play the fool or let down one's guard against what openly, and with usually less double-dealing than Western nightmare regimes used to get up to, advertises itself as an aggressive, totalitarian ideology. Yet now that such an ideology governs by popular decree, it has to be confronted at face value, and with as much self-assurance as possible. There is an old Czeslaw Miloz strophe which runs as follows:

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

Let fundamentalism in Palestine entertain evidence of its being on the winning side of history for even half a second, and see where that leaves those who have traditionally be in thrall to fundamentalism only as the most convenient expression of the perpetual victim and underdog. (Let alone where that leaves moderates and progressives who have abominated it from day one.) The lessons of Iran are there for all to witness. Let Hamas burn its own house down and fulfill its own prediction. But pray don't give in to diffidence when it comes to those values and institutions which will necessarily emerge from the ashes. This is what qualifications about "offending" Muslim sensibilities or exacerbating anti-Americanism amount to: an unwitting pledge for Islamic reaction to hang on just a little while longer, as if growing older will make it more, not less, sedate. It already contains the seeds of its own undoing, and it is a Western, not to say global, responsibility to encourage their fruition whenever and wherever possible.

In a way, I'm glad of the Danish cartoon irruption. It has shown just how easy it is for "a thousand new bin Ladens" to spring up, even temporarily, and without the presence of a single new American soldier stepping foot on Middle Eastern soil. Are we to tred so lightly from now on, then, that even our editors are to wear iron masks? And to what eventual end? Not tredding at all. --Michael Weiss [link]

Want Ali Fries With That?... You can't draw Mohammed, but you can eat his floral arrangements.

Iranians love Danish pastries, but when they look for the flaky dessert at the bakery they now have to ask for "Roses of the Prophet Muhammad."

Danish pastries, incidentally, weren't invented in Denmark, but in France. Similarly, French (freedom) fries reportedly originated in Belgium. Belgium has waffles, but what we call Belgian waffles are more like a waffle that originated in the Netherlands. The Dutch oven doesn't seem to be from the Netherlands, but from either the Pennsylvania Dutch. The Pennsylvania Dutch, of course, were from Germany. --Nic Duquette [link]


Thursday, February 16, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Creepy Radical Chic... It was at a book party at a former Bush administration official's house last October that I ran into a comrade of mine from the Brookings Institution. Some usual chitchat -- Syrian defense minister committs "suicide" by shooting himself in the head eight times; George Galloway's impending OFF indictments, etc. -- and finally we hit upon the favored subject of these DC soirees: Congressional filth. Everyone by now knows the real definition of "santorum," as hurtled down the slipway by some enterprising reader of "Savage Love." But does anyone know what it's like to be guest editor of that erstwhile anal sex joke repository Wonkette and a policy wonk of Middle Eastern affairs at a major liberal think tank, discussing said definition in front of the good senator's chief of staff? I thought not. The look on that poor woman's face as she reached for a canape and frothingly introduced herself will be with me forever. The mere mention of her boss's name had her up-shifting into Hostile Mode in a way that no amount of sheet-staining sexual byproduct ever could do.

Somewhere close to that skeevy mark is this aren't-I-hip letter to Dan Savage from The Economist editor Bill Emmott:

Dear Dan Savage: I was flattered to hear that you and your readers had picked up our reference to santorum in The Economist, but I just wanted to disagree with—or hope to disagree with—your reader who ventured that they were unusual in reading both Savage Love and The Economist. I hope very much they are not. Although nonreaders often think of us as a conservative magazine, we've actually always been socially highly liberal, whether on immigration, gay rights, or many other things, including favouring the legalization of drugs. The Economist was among the first mainstream publications, on either side of the Atlantic, to advocate legal recognition of gay partnerships when I ran a cover on the subject in 1996 and then another in 2004.

Our readership is younger than that of other current-affairs or business publications, and I like to think that, like us writers, they are thoughtful, intelligent folk. But you were right: It is not only gay activists who use the term santorum in that way. Maybe being edited in London explains why we got that wrong.

Bill Emmott, Editor
The Economist, London

Thanks for being a big enough editor to admit that you were wrong, Bill. I was about to call for the entire staff of The Economist to be beheaded, but hey, now there's no need. But could you print the definition for your readers who aren't familiar with it?

--Michael Weiss [link]

Brilliant... Harold Pinter can get a Nobel, why oh why can't they?

RAMALLAH, WEST BANK—After his militant Islamic party took the majority in Palestine's recent elections, Ismail Haniyeh called for a "giant summit with all living Israelis" Monday, rekindling international hopes for peace in the war-torn region. Enlarge ImageHamas Calls For 'Giant Summit' With All Israelis.

Haniyeh characterized the one-day summit as "the final solution to the Israeli-Palestinian dispute," and invited every Jewish citizen of the world to attend. Haniyeh said he expects more than 5 million participants from Israel alone.

[...]

According to Haniyeh, Israelis need only arrive with an open mind, insisting that the summit can have a positive outcome only if traditional and long-standing prejudices "are left at the door, along with any weapons, gas masks, or bulletproof vests."
--Michael Weiss [link]

Close Gitmo?... The Guardian summarizes a new UN report which advocates making Guantanmo Bay go the way of Alcatraz:

"After four years Guantαnamo has become a byword for abuse and an indictment of the US government's failure to uphold human rights in the 'war on terror'. The US authorities should immediately close down the camp and either release prisoners or bring them before proper courts on the US mainland.

Manfred Nowak, who co-wrote today's report, said the US must now accept that international human rights law was applicable to Guantαnamo Bay.

"Those persons are arbitrarily detained and therefore have to be released or brought to an independent court for being charged and convicted," he said, adding that combined interrogation techniques, explicitly authorised by the US defence secretary, amounted to degrading or inhuman treatment. He said in some cases it amounted to torture.

Everyone by now has reached that point of awareness about Gitmo that proves Orwell's famous observation about nightmare imaginings of physical or psychological abuse being nowhere near the mark of real sadistic ingenuity. Even die-hard defenders of the administration more or less concede, "Yes, we torture," by their elisions and evasions and qualifications of things like the amount of time a man's head can be dunked under water before American civilization has officially regressed into barbarism. So what gives, then? Why is Gitmo still up and running?

Not that I think we've quite reached such a hinge moment in our history, but it's worth remembering that chapter one of the French revolution involved the storming of a legendary prison complex, the idea of which had occupied a place in the public perception somewhere between Grimm fairy tale and cordoned off sliver of Inquisitional medievalism. Yet the Bastille, when it fell, housed only a handful of wretched occupants, all living not quite so terribly as had been thought. No matter. It was the mere symbolism of the place that quickened the revolutionary ferment of society, and its destruction at the hands of the people that redoubled the pace of such a ferment. Now while I don't see a kind of Bizarro Bay of Pigs (with our own government as principal target) being played out anytime soon, it's clear that Gitmo has developed a conscious taint that nothing short of its closure and preservation as relic of self-critical history can wash clean. (It's also clear that the condition of its present occupants could give the 18th century a run for its money.)

The UN is right on this one. --Michael Weiss [link]

C'est La Vie... For those of you who may have misplaced children or attempted regime change with inadequate personnel or body armour -- here's a treat, courtesy of the NYPD:

As of last night, a helicopter and police officers had not yet found the dog on the 4,900-acre airport complex or in the adjoining marshland. The dog, whose full name is Bohem C'est La Vie but is also known as Vivy, disappeared around noon from the cargo area of Delta Air Lines as she was being loaded onto a flight to return to California with her owners.

A helicopter and police officers: how many boys in blue do you think that pluralizing "s" represents? And all for a mutt that, judging by the name, must look like Will Farrell from Zoolander. Because if assholes don't get sniffed en masse at least once a year in a celebration of fur-trimmed eugenics*, the terrorists have already won.

*This line is timestamped to expire upon publication of the "Savage Love" column that renders the Westminster version un-unique. --Michael Weiss [link]

Wednesday, February 15, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Fighting One Cave-Dwelling Billionaire Vigilante with Another... For all the talk of multilateralism and America's image in the world, the truth is that Islamist terrorism can only be defeated by a superpower unilaterally taking matters into his own hands to break heads without respect for toothless community law enforcement. That's right: the Batman is going to fight the good fight.

[Frank] Miller proudly announced the title of his next Batman book, which he will write, draw and ink. Holy Terror, Batman! is no joke. And Miller doesn't hold back on the true purpose of the book, calling it "a piece of propoganda," where 'Batman kicks al Qaeda's ass." [...]

It's been a long time since heroes were used in comics as pure propaganda. As Miller reminded, "Superman punched out Hitler. So did Captain America. That's one of the things they're there for."

"These are our folk heroes," Miller said. "It just seems silly to chase around the Riddler when you've got Al Qaeda out there."

The article makes Miller sound like the equidistant point on the line between Michael Chabon and Paul Wolfowitz, but Miller's previous work makes a compelling case that Holy Terror will be really fucking good. In addition to his most famous work, Sin City, Miller is the author of The Dark Knight Returns, which gave Batman back the black costume and brooding testicularity he'd been lacking since the Comics Code and Adam West turned Bruce Wayne into a cheerful pointy-eared eccentric with a garage full of "bat"-prefixed vehicles and ordnance. (Quick, to the Bathovercraft!) Miller is also indirectly responsible for the recent series of dark and improbable Batman films, but he can't be held responsible for that. I have high expectations for this book. --Nic Duquette [link]


Tuesday, February 14, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Turkish Delight... Sam William Marshall is as pallid a character name for an American everyman as Graham Greene would have had howling nightmares about even thinking of using himself in even the most anti-American of "entertainments." And yet that hasn't stopped the glittering Zigfield-like follies of Turkish cinema from deploying it in Valley of the Wolves - Iraq, a record-breaking blockbuster action flick about a US commando who committs genocide, and a Jewish doctor who steals organs from helpless Iraqis and distributes them on the black markets (at least I think they're black markets; though why stop the verisimilitude there, really? perhaps the innards go up on eBay or line the shelves of K-Marts) in New York, London and Jerusalem.

A few IMDB trivia points to bear in mind here: 1. The title suggests an ongoing "Valley of the Wolves" series, so we can next expect to see Bashar al-Assad portrayed as a Steven Seagal/Hard to Kill type ("I'm going to take you to the bank, Senator Coleman... To the Zionist blood bank.") 2. Sam William Marshall is played by Billy Zane, who professes to be a "pacifist," against "all kinds of war," yet is suspiciously silent about the collateral damage of grevious self-loathing idiocy for foreign pay. 3. Gary Busey plays the Hebraic kidney-thief, which must be both the role of a lifetime and not much of a challenge in demonstrating his paranoid range.

The New York Times, as ever, takes the nutbags at face-value and doesn't bother to investigate beyond that:

Outwardly, the two countries are committed partners in fighting terrorism. But Turkey has been fighting with Kurdish separatists seeking independence since the 1980's, and the United States, along with the European Union, lists the Kurdish Workers Party, known as the P.K.K., as a terrorist organization.

With the invasion of Iraq, however, the United States military has been reluctant to act against the P.K.K., allowing them to operate freely in northern Iraq, which has distressed many Turks. "No matter how good our official relations are, the P.K.K. issue is a wall against all our bilateral efforts for the better," said Egemen Bagis, foreign policy adviser to Recep Tayyip Erdogan, the Turkish prime minister. "Capture of the rebels by the American forces in Iraq would demolish this wall overnight, and cause U.S. popularity to surge."

The P.K.K. has all but disarmed itself, with even its neo-Stalinist chief Abdullah Ocalan having been tried and imprisoned under conditions that would outbid Abu Ghraib at any auction of human rights violation, and having also toned down his rhetoric and called for a "peace offensive." This is how terrorists in Anakara perish. But what Turkish special forces are doing in Iraq -- on celluloid or on CNN -- in the first place is apparently beyond the scope of such a puff piece. --Michael Weiss [link]

Saddam's Hunger Strike... It's cheap, it's effective, and it elides the death penalty, which the democratically elected president of Iraq opposes categorically anyway. I say, go for it, Saddam. ('Course, knowing him, he'll cheat with the odd NutterButter from Ramsey Clark.) --Michael Weiss [link]
Islamic Sitcoms... I once found myself on the business end of a Fark Photoshop contest (no link available, not that I tried too hard to find one) for saying something ungallant about Mr. Rogers, who was the Dartmouth Commencement speaker for my graduating class. I still thought what they "did" to me was pretty funny and evident of technical wizardry, and now I'm glad I didn't take the cyber-skewering so hard:

--Michael Weiss [link]

And Now For Something Completely Different... John Banville's fine essay on Philip Larkin in the New York Review of Books. It's been almost a decade since Larkin was derogated by names easily forgotten -- Terry... Bird-something, wasn't it? -- and rescued by such worthies as Martin Amis, Christopher Hitchens and (though he came to the struggle slightly later) Clive James. With the death of multiculturalism by fiat, and other assorted nightmares of the millennial hysteria, there has been a refreshing spate of good writing done on the best postwar poet, and one of the best twentieth-century poets, we were lucky enough to have:

We do not judge Shakespeare's plays because he willed to Anne Hathaway his second-best bed, or Gesualdo's music because he murdered his wife. In time, when the dunces have been sent back to their corners, what will remain is the work. For all his careful posing as the homme moyen, Philip Larkin was a poet to the tips of his nerves. When the muse virtually deserted him in the mid-1970s—he wrote only a handful of poems after those collected in High Windows, published in 1974, although that handful included his final masterpiece, "Aubade"—he made light of it, saying that he had lost the ability to write poems in the same way that he had lost his hair, but in reality he was devastated, and much of the pain and rage of his final decade is surely directly attributable to this loss. Probably no one in that dunces' corner appreciates the ghastliness of the predicament of an artistic genius who can no longer produce art. There was much ugliness in Philip Larkin's character, but what mattered most to him was beauty, and the making of beautiful objects. In this lay his greatness.

You can imagine the terrain limpingly, though necessarily, retrod before this paragraph. Banville deftly shows how being a minor prick in one's private life does nothing to distract from being a major poet in the public or "canonic" perception. Larkin could get nasty with the best of them (and it pays to remember that "them" was representated by the remaining duo of the funniest, unholiest triumvirate of Kingsley Amis and Robert Conquest). However, he knew enough not to let his toxicity get into what mattered, what he'd be leaving behind. Even his most cantankerous stuff is what he was young enough to appreciate as "inner-directed." True, there are some "clues" in the verses, the most eyebrow-raising of which I have not seen dealt with by gravedigger or defender. I shall never feel fully comfortable with the biographer of "Posterity":

Jake Balokowsky, my biographer,
Has this page microfilmed. Sitting inside
His air-conditioned cell at Kennedy
In jeans and sneakers, he's no call to hide
Some slight impatience with his destiny:
'I'm stuck with this old far at least a year;

I wanted to teach school in Tel Aviv,
But Myra's folks' - he makes the money sign -
'Insisted I got tenure. When there's kids - '
He shrugs. 'It's stinking dead, the research line;
Just let me put this bastard on the skids,
I'll get a couple of semesters leave

To work on Protest Theater.' They both rise, Make for the Coke dispenser. 'What's he like?
Christ, I just told you. Oh, you know the thing,
That crummy textbook stuff from Freshman Psych,
Not out of kicks or something happening -
One of those old-type natural fouled-up guys.'

It had to be Balokowsky, didn't it? And it had to be Tel Aviv, and - since "Theater" is spelled the way it is - a bleeding American, recalling Kingsley's line about sea to shining sea stuffed with "hick[s] or Jew[s]." Still, the joke's on Old Toad himself, who might just as easily have made "the money sign," and in fact did do, on innumerable occasions, to the great exasperation of his friends and lovers. (He was "psychopathically cheap," said Amis fils.) "One of those old-type, natural fouled-up guys" -- that alone is worth all of Eagleton's and Jardine's collective labors.

Has any of us never spoken in such a way that he'd shudder at the very thought of being repeated elsewhere or in print? As Martin put it, we are all of us racist to some degree; our children will be less racist than we, and their children still less than they, and so on and so forth... Larkin's generation had nothing to do with political correctness, and it's perfectly fatuous to speak of him or his work in such terms, particularly -- and by way of exculpation -- by referring to either as "pre-PC." (This would be like saying pre-postmodern instead of just modern.) Larkin endures because he knew how, which is a lot harder than keeping the right opinions about everything. --Michael Weiss [link]

Stupid Veep Tricks... Funnier than any of the shlock zingers engendered by Cheney's shotgunning of his friend would have been the sad looks of beamish expectancy on the faces of comedy writers yesterday morning. A sampling of what America has to tide you over with until The Onion comes out on Wednesday:

‘Late Show with David Letterman,’ CBS

“Good news, ladies and gentlemen, we have finally located weapons of mass destruction: It’s Dick Cheney.”

“But here is the sad part — before the trip Donald Rumsfeld had denied the guy’s request for body armor.”

“We can’t get Bin Laden, but we nailed a 78-year-old attorney.”

“The guy who got gunned down, he is a Republican lawyer and a big Republican donor and fortunately the buck shot was deflected by wads of laundered cash. So he’s fine. He took a little in the wallet.”

‘The Tonight Show with Jay Leno,’ NBC

“Although it is beautiful here in California, the weather back East has been atrocious. There was so much snow in Washington, D.C., Dick Cheney accidentally shot a fat guy thinking it was a polar bear.

“That’s the big story over the weekend. ... Dick Cheney accidentally shot a fellow hunter, a 78-year-old lawyer. In fact, when people found out he shot a lawyer, his popularity is now at 92 percent.”

“I think Cheney is starting to lose it. After he shot the guy he screamed, ‘Anyone else want to call domestic wire tapping illegal?”’

“Dick Cheney is capitalizing on this for Valentine’s Day. It’s the new Dick Cheney cologne. It’s called Duck!”

‘The Daily Show with Jon Stewart,’ Comedy Central

“Vice President Dick Cheney accidentally shot a man during a quail hunt ... making 78-year-old Harry Whittington the first person shot by a sitting veep since Alexander Hamilton. Hamilton, of course, [was] shot in a duel with Aaron Burr over issues of honor, integrity and political maneuvering. Whittington? Mistaken for a bird.”

“Now, this story certainly has its humorous aspects. ... But it also raises a serious issue, one which I feel very strongly about. ... moms, dads, if you’re watching right now, I can’t emphasize this enough: Do not let your kids go on hunting trips with the vice president. I don’t care what kind of lucrative contracts they’re trying to land, or energy regulations they’re trying to get lifted — it’s just not worth it.”

--Michael Weiss [link]

Iranian Jews... are opening their mouths about Ahmadinejad's Holocaust denial.

The chairman of Iran's Jewish Council has strongly criticised the country's hardline president Mahmoud Ahmadinejad for saying the Holocaust was a myth.

In a letter to the president, Haroun Yashayaei said the leader's remarks had shocked the international community and caused fear in Iran's Jewish community.
I don't recall seeing the memo authorizing Elder Yashayaei to issue any protest against the state before the coming of Gozer... What effect will this have on quarterly copper pricing? Anyone? Many Iranian brothers will know what it is to be roasted in the depths of the Slor for this outrage. --Michael Weiss [link]

Hitch Defends BHL... A bit late, but with exact change:

Yellow-dog Democrats like Keillor spend a lot of time whining about how America's standing in the world has declined of late, but this is how he treats a guest who spends half his time combating anti-Americanism in France. Simply because BHL mentions a fact that has actually caught other eyes (the tendency of Americans to become riotously fat) he is addressed like this: "Thanks pal. … Thanks for coming. Don't let the door hit you on the way out. For your next book, tell us about those riots in France, the cars burning in the suburbs of Paris. What was all that about? Were fat people involved?" One moans for shame that such a vulgar jerk is thought of, and even known overseas, as some kind of national entertainer.

Pretty much. I suffered a little dyspepsia too over Keillor's slack-jawed tribute to himself... Al Franken used to joke that his physical resemblance to the Prairie Home Grimm Troll was sadly confusing for the already overtaxed audiences of press club and correspondents dinners the Capitol over. The resemblance isn't just physical.

At least some of the impulse to brandish his anti-xenophobia credentials must have come by way of Hitch's complete waste of time sharing a podium last Thursday with the collapsible parody Playthell Benjamin, a New York radio chat show host you've never heard of for good reason. Not only was the other guy late to a gig in his own fucking hometown, he spent the better part of the evening claiming to be black, proud and a real salt-of-the-earth type as against Hitch's swishy Balliol gentleman. Try cringing uninterrupted for 90 minutes for the people of Iraq, the advertised subject of the "debate."

Poor Hitch. I love the guy, but he's got to start turning down some challenges. --Michael Weiss [link]

I'm Just A Love Machine...

Happy Valentine's Day --Nic Duquette [link]

Monday, February 13, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Humorists' Prayers Answered... Not since Viagra has the stand-up material more easily written itself. You'll notice Saddam's "let's have a duel" chatter has quietened down a bit. --Michael Weiss [link]
How Pathetic Are Red Sox Fans, Anyway?... Or at least, how pathetic is the Globe's sports page? I have four Fenway tickets for the second home game. I'm a fan. But this slide show of a truck is more photos than the Celtics would get if they won the NBA Championships. --Nic Duquette [link]
Friday, February 10, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

They Sign My Checks, And So My Love Is Wholesale... Slate media critic Jack Shafer on the Bill O'Reilly/Nicholas Kristof contretemps:

Plagued as he is with elephantiasis of the ego, Fox News Channel's Bill O'Reilly relishes attacks from the New York Times or any other A-list media. So, when New York Times columnist Nicholas D. Kristof swiped Fox on Dec. 11 ($) for its many reports and commentaries on the alleged "war on Christmas," you could almost hear O'Reilly's psyche crack, its outer protective area slough off, and expand two days later as he evened the score by calling Kristof one of the "usual committed left-wing ideologues."

That's up there with "Paris Hilton Sheds Skin In Central Park." --Michael Weiss [link]

Thursday, February 9, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

West Coast Apparently Worth Attacking, Too... The president is picking up big headlines for asserting today that international police work foiled a plot to crash commercial jets into the tallest building in Los Angeles in 2003. This fact is being used to imply that the NSA warrantless wiretapping has provably helped national security, even though the wiretapping scandal is a legal issue, not a security issue, and even though he hasn't directly said that information from the program foiled the plot.

Maybe my cynicism about this president has hit rock bottom, or maybe my head cold is making me cranky, but I am far from credulous about this 9/11 sequel plot, and the presidents' motives for revealing it. As a defense of policy, showing that egg-breaking led to an omelet is a good idea, but this looks more like a merengue.

Even the president's staunchest defenders will admit that he and his team are masters at the game of politics. If a plot to crash into Los Angeles was foiled in 2003, why didn't he mention this as an October surprise in 2004, when he was on the verge of losing his job? Why hasn't he been trumpeting this success every chance he gets? Was the LA plot much farther from active planning than this news account suggests? Was there a national security reason not to mention this sooner? Doesn't KSM have any other ideas for mass murder on an indie budget?

I am sorry for the parade of question marks, but with midterm elections, a lobbying scandal, and plummeting approval bearing down on the administration, this announcement strikes me as more cause for suspicion than rejoicing.

(On the other hand, there haven't been any attacks in America since 9/11. Bush and his team surely deserve credit for that, although they could do much better.) --Nic Duquette [link]


How Out Of Touch Is The New York Times?... The "Styles" editor is the mom of a friend, so I want to tread lightly, which, we learn from this editorial, there apparently is no longer any need to do:

The baffling results came from a $415 million study of almost 49,000 women age 50 to 79 who were tracked for eight years, with repeated exhortations to the low-fat dieters to stick to the regimen. In findings announced this week, the almost 20,000 women on low-fat diets had essentially the same incidence of breast cancer, colorectal cancer, heart disease and stroke as the 29,000 women who followed their normal eating patterns. The results clearly surprised the investigators and may sound the death knell for the belief that reducing the percentage of total fat in the diet is important for health.

Right -- because low-fat living is to ward off cancer and disease, not squeeze you into that size-6 two-piece for the beach... There are dietary potato chips on the market which refer to "anal leakage." Right on the package. What are their quarterly sales reports, do you think? NutraSweet products mention lab rats and cancer, yet the Sweet n' Low bins at Starbucks are always the ones that run out quickest.

Prediction: now that we know wasting ailments are equally as likely with fewer fat grams, frozen yogurt, Olestrated crisps, etc. are going to do even better. Even if you consume more calories than make the low-fat regimen beneficial, the cancer will at least keep you thin. --Michael Weiss [link]

All Over But The Rationalizin'... As the fires in the Danish embassies of Beirut and Damascus are reduced to smoldering reminders that freedom of speech is apparently a homicide pact in certain parts of the world, you can quite safely hold your breath before the sinister rationalization commences: "While I condemn the violent acts of... nevertheless offended ... readily sympathize with...even Voltaire... responsibility... let the healing begin." Enter Reza Aslan, an Iranian reformist and true believer, much more to the liking of those who might appreciate Azar Nafisi's Nabokovian Ring Cycles, but not her happy and acknowledged reliance on the occult Leo Strauss for living "as if" her native country weren't governed by illiterate fascist thugs demanding to be loved alone.

No one doubts that the press should be free to satirize. But freedom of the press cannot excuse the promotion of noxious stereotypes. Jewish groups were furious when the Chicago Tribune published a cartoon in 2003 that portrayed a hunched and hooknosed Ariel Sharon salivating before a pile of money doled out to him by George W. Bush, ostensibly as an incentive to maintain the peace process. ("On second thought," the avaricious Sharon is depicted as saying, "the path to peace is looking brighter.") And rightly so.

As international human rights law recognizes, in any democratic society freedom of the press must be properly balanced with civic responsibility, particularly at a time when the world seems to be engaged in a "war of ideology," to use President Bush's words. Extremist groups and some political leaders in the Arab and Muslim world are eager to exploit any opportunity to propagate their belief that Islam is under attack by the "West" and thus rally Muslims to their murderous cause. The cartoons were published months ago, in September 2005; the protests against them turned violent only after extremists began circulating fabricated and far more offensive cartoons of the prophet (for instance, Mohammed with a pig's snout), which were not part of the original Jyllands-Posten bunch. Until then, the protests had been mostly contained to Denmark and the Netherlands and had taken the form of a reasonably peaceful and highly effective economic boycott.

Ah. As a matter of fact, I recall an even worse depiction of Ariel Sharon, daubed by a Jewish cartoonist who then went on to win the British Political Cartoon Society Award for his effort, which had the future founder of Kadima represented as Goya's Saturn devouring his own son. There was the usual back-and-forth about this gruesome recourse to ancient blood libel (although nowhere near as loud or omnipresent as the current kerfuffle, and mostly confined to cyberspace), along with the usual verbal hysterics about Kristallnacht reborn from the Anti-Defamation League and the American Zionist Organization. But you know what was conspicuously absent from this "row"? Fire bombings, deaths, jackboot-besotted Union Jacks, and invitations to the crude artist's beheading. Civic responsibility, then, seemed to be with the offended. Not so in the present circumstance, which has caused Aslan to make the fatal mistake of assuming that democratic society can or should have any truck with elements that view rioting and murder as legitimate "outlets" for their cultural grievances.

Also, mark the cadences of willowy capitulation in Reslan's voice when he talks about the initial "reasonably peaceful" reaction that met with the Jyllands-Posten cartoons. And look who is called "extremist" in her vocabulary! So all it took was some unsubtle counter-protesting, with heightened caricatured scorn for Islam, to set those Danish and EU flags alight, and to materalize those placards which even less subtly declared holy war on all of Europe and those who don't hold Mohammed in particularly high esteem? These are not the hallmarks of a "democratic society" in which freedom of the press can afford to deploy muted shades of emphasis or anticipate public reaction to words and symbols. If cartoons can engender this sort of hideous behavior, anything will do.

Of course, the sad irony is that the Muslims who have resorted to violence in response to this offense are merely reaffirming the stereotypes advanced by the cartoons. Likewise, the Europeans who point to the Muslim reaction as proof that, in the words of the popular Dutch blogger Mike Tidmus, "Islam probably has no place in Europe," have reaffirmed the stereotype of Europeans as aggressively anti-Islamic. It is this common attitude among Europeans that has led to the marginalization of Muslim communities there, which in turn has fed the isolationism and destructive behavior of European Muslims, which has then reinforced European prejudices against Islam. It is a Gordian knot that has become almost impossible to untangle.

No, they're not and there's no such irony. The irony is to see educated and progressive Muslims like Aslan take to whimpering exculpation of his co-religionists' wounded feelings, if not their attendant acts of vengeance for them. I see no stereotype of Muslims, partly because I know for certain that there are underwhelmed and unimpressed readers of both the Koran and Jyllands-Posten who don't qualify for nightly news coverage. But I do see a stereotype of the Western graduate school curriculum (more noxious than any tenth-rate "Doonesbury") in the above paragraph: the use of the non-term "marginalization," the implicit talk of cycles of violence, as if Muslims and Europeans navigate some historical sine curve of mutual enmity, and as if individual minds can be defined by the lump of factitious category. Notice, too, how these categories contract or expand, depending upon who is angry over what feverish incident, or whom deserves blame for what latest folly of community. Muslim v. European, Jihad v. McWorld, Sunni v. Shiite, Sistani v. Sadr... Tribalism must be the most fluid phenomenon on the planet because even its dime-store sociologists can't keep their dichotomies straight any more. Do I equate some mouth-breathing member of the Muslim Brotherhood in Cairo with a clean-shaven, punk-appreciating 18 year-old in Tehran? Of course not. Do even the lamest "stereotypes" hold up upon cursory inspection of these two distinct elements? Of course they don't. Islam has no place in Europe? With the flip of a switch, Turkey will be part of the European Union, and in fact, this highly tempting prospect is precisely what is making the necessary global mockery of the trial of Orhan Pamuk -- accused of similar pathetic "offenses" against his state, whose real 20th century history he dared to speak of in public -- and what is precipitating necessary reform in Ankara. So the Gordian knot miraculously becomes untangles the more and more Islamic sensibilities are ruffled and riled, while its Aslan's logic that is the most twisted and untraceable. Imagine that.

Keep the Danish presses rolling. Solidarity with Denmark! --Michael Weiss [link]

Page Six: The Magazine... Yup, I miss all the late-breaking headline shit on Wednesdays and Fridays. The good news is, the premier New York gossip sheet will retain its inimitable sense of humor ("Tom Wolfe, who is arguably the best living novelist," etc.) as it transitions into glossified, smudgeless toilet lit:

“We wanted to make sure no one mistook us for The New Yorker,” Mr. Johnson said. “We avoided stories jumping from page to page. I don’t think there’s anything more than two pages.”

I often mistake the two, to be honest. At first I thought the whole Abu Ghraib hype was about Cheb Mani's married bassist getting a blowjob from a groupie. Then came this whole torture and humiliation thing and I was like, what-ever. --Michael Weiss [link]

What Would Jesus Drive?... Evangelical Christians have been the most progressive when it comes to calling attention to genocide in Darfur, and stopping the spread of AIDS in Africa, and -- since we often forget that U2's "Gloria" was not about a girl of that name -- relieving third world debt. Now they're tackling environmental degradation. Unwanted fetuses, the end is nigh.

Despite opposition from some of their colleagues, 86 evangelical Christian leaders have decided to back a major initiative to fight global warming, saying "millions of people could die in this century because of climate change, most of them our poorest global neighbors."

Among signers of the statement, which will be released in Washington on Wednesday, are the presidents of 39 evangelical colleges, leaders of aid groups and churches, like the Salvation Army, and pastors of megachurches, including Rick Warren, author of the best seller "The Purpose-Driven Life."

The Purpose-Driven Life takes the carpool lane. Who knew? --Michael Weiss [link]

Bush's Sermonizer... Presidential speechwriter Michael Gerson can turn a phrase -- "the soft bigotry of low expectations;" "the graveyard of history's discarded lies;" "axis of evil" -- as much for memorability as for controversy. Having the King James version emblazoned onto his frontal lobe helps:

He said that the Sermon’s influence on his writing, and on Bush’s thinking, is far more profound than its influence on mere policy. Bush’s vision of democratic universalism owes much to Wilson, and Jefferson. But Gerson suggests that Bush is sure of his path because God is the God of justice. He even suggests that Bush’s leadership style—and his oratorical ambitions—are informed by the example of Jesus. “The ideal that’s set out in the Book of Matthew is a high one,” Gerson told me, “and the Sermon on the Mount has played an extraordinarily challenging role in the history of the world. And you notice that it didn’t have a realist, pragmatic understanding of what is possible. So maybe this is an attribute of leadership, to help imagine a different world.”

It's hard to snigger at this kind of thing when you remember that James Baldwin fused the New Testament, Baptist oratory and street-corner black slang with Henry James, and did so as "canonically" as anything that had preceded him; that Lincoln and Grant deployed the idea of Providence as a rhetorical flourish which made Unionist hairs stand at firmer attention than that to which either man paid religion or, as some have speculated, a belief in the Almighty at all. However, is it too much to ask that one day soon we'll have a graduate of the Darwinian school crafting soaring executive expressions, and ones that will have the added virtue of not being carried on the wings of bogus Bronze Age phantasms and mythical angels? --Michael Weiss [link]

Sully's Point About Dante... The blogfather of us all writes,

A reader wonders if the West will continue to be able to publish Dante:

"In the discussion over Islam, cartoons, and religious intolerance, has anyone chimed in about Dante? Or have the fanatics already boarded buses and planes for Italy?

In any case, in Canto 28, Page 237, line 30, Mohammed must spend eternity tearing himself apart, for that is his punishment in Hell.

Consistent with medieval Christian thinking, in which the Muslim world was viewed as a hostile usurper, Dante depicts both Mohammed and his cousin and son-in-law Ali as sowers of religious divisiveness. Dante creates a vicious composite portrait of the two holy men, with Mohammed's body split from groin to chin and Ali's face cleft from top to bottom."

Berlusconi needs to offer an apology, no? Or will the mobs now descend on Rome?

Actually, this raises an interesting point about the double standards (and stupidity) of the cartoon kerfuffle: Edward Said mentions Dante's lousy real estate deal for Mohammed as a prime example of early Orientalism in the book that made famous that hermeneutic of Western condescension and fetishization of the East. Does Said's allusion rank with any newspaper's textual or visual reiteration of the offending Danish cartoons? If so, and in keeping with Andrew's thought-experiment, should his classic text also be considered fair game for the violent obloquy of Islamic fundamentalists?

I'd love to hear the apologists -- who toss around "callous" and "understandable" like the beneficiaries of such terms do severed heads -- explain this one... --Michael Weiss [link]

Death of the Feminine Mystique... And I'm not talking about the late Betty Friedan, but rather Scarlett Johannson, who bathed in the effulgent halo of old-fashined Hollywood glamour for roughly five weeks. The march of time:

Match Point, November 2005:

Elle, January 2006:

Vanity Fair, yesterday:

It took Ingrid Bergman longer than that to assemble a zygote. --Nic Duquette [link]


Monday, February 6, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Like Harry Potter for Wonks... I thought USA Today was kidding:

One of the year's only-in-Washington events has arrived. People lined up in the cold outside the Government Printing Office several blocks from the Capitol to buy the massive four-volume budget documents, this year wrapped in a green and beige cover.

That's going to cost you $264.00 for the complete set. You can pass it on to your grandkids! At least the 9/11 Commission report was a sleeper before it was a hit. --Nic Duquette [link]


Irony Watch... A British Muslim who protested the insensitivity of the Danish cartoons by dressing as a suicide bomber has apologized for his insensitivity. "Omar Khayam, 22, from Bedford, 'wholeheartedly' apologised to the families of the 7 July bombings."

Awake! for Morning in the Bowl of Night
Has flung the Torch that illuminates the Night:
And Lo! the Consuls of the West have fled
The smoky complex in a State of Fright. --Nic Duquette [link]


The Soft Fascism of Low Expectations... Is there anything more pathetic than the smoker who professes to be "glad" of the New York City smoking ban because it keeps his habit under control for him? This is the same poor specimen that will, in thirty years time, be claiming that his chemotherapy is a blessing is disguise because all the vomiting keeps him thinner than an Atkins regimen. Welcome to the depraved world of Bloombergia. Fasten your safety belts (no, seriously, it's the law.)

On his weekly WABC-AM radio show yesterday, Bloomberg voiced support for placing devices atop taxis and private vehicles that would light up when motorists exceed the speed limit, making speeders easy prey for cops. He mentioned seeing such alarms in Singapore.

"We all want the laws enforced. And when we have technology [that] can let us enforce the law and save us money in doing so, what's the argument against that?" Bloomberg mused...

Mused. Bloomberg muses. Did you know he did that? I didn't know he did that.

"What is clear is whether you like it or not, there is going to be more and more intrusion into your privacy," he said, citing cameras in the subways and cell phones that have the potential to track a user's whereabouts.

Whether you like it or not. Who the hell does this guy think he's talking to? Adam Krug in Bend Sinister had a less of a rough go with a sniveling adult victim of bullying who thought the world was his matrix for vengeance.

Gawker's on the mayor's case, too. --Michael Weiss [link]

Malcolm In The Middle... The publishing world's haute gourmet mashing up phenomenological comfort food for the masses is the artist formerly known as Cannuck Reactionary. Malcolm Gladwell used to get a little bit nutty and a little bit slutty with the Mellon-Scaifies over at the American Spectator -- and I did mention he was best buddies with David Frum? Neither did Rachel Donadio:

Gladwell, a self-described "right-winger" as a kid — he had a poster of Ronald Reagan on his wall during college — notes that his politics have changed over the years. When he was growing up, Canada was "essentially a socialist country" so "being a conservative was the kind of fun, radical thing to do," he said. "You couldn't outflank the orthodoxy on the left the way that people traditionally did when they wanted to be rebels. There was only room on the right." Now, he plays the flip side: "I hate to be this reductive, but an awful lot of my ideology, it's just Canadian. Canadians like small, modest things, right? We don't believe in boasting. We think the world is basically a good place. We're pretty optimistic. We think we ought to take care of each other," he said. "And it so happens that to be a Canadian in America is to seem quite radical."

Being Canadian in America is to seem quite SNL cast member. Radical, did he say? I sense an imminent ideological transformation coming on, more in accordance with the non-controversial pragmatism that demarcates the thin red line separating $40K-a-pop speaking fees and life in a van down by the river. Am I right or am I right?

"If I could vote (and I can't because I'm Canadian) I would vote Democrat. I am pro-choice and in favor of gay marriage. I believe in God. I think the war in Iraq is a terrible mistake. I am a big believer in free trade. I think, on balance, taxes in America — particularly for rich people — ought to be higher, not lower. I think smoking is a terrible problem and that cigarette manufacturers ought to be subjected to every possible social and political sanction. But I think that filing product liability lawsuits against cigarette manufacturers is absurd. I am opposed to the death penalty. I hate S.U.V.'s. I think many C.E.O.'s are overpaid. I think there is too much sex and violence on television."

Well isn't that the picture of clean-cut respectability. Those pitbulls Malcolm defends take more chances than he does. --Michael Weiss [link]

Way To Harsh On The Woman's Mellow... Isabelle Dinoire, the 38 year-old mother of two who received the world's first face transplant, is doing fine. Has that stopped the stare-and-point reportage on how she has "brave[d] the media glare," or how she speaks with "slurred" speech with her lower lip hanging "pendulously"? Naturellement pas. As the Onion would phrase it, "If I squint hard enough, my daughter looks beautiful."

"I can see how courageous this woman is, and how she was able to gamble, to take a leap into the dark - a leap into the dark because the face transplant might have failed, and may still fail," he told BBC World. "The body may reject it. And she will have an increased risk of cancer as a result of it."

Uh, thanks, Doc.

Now doesn't this human feature story just eviscerate the notion that a textual rendering of a visual -- Mohammed with a bomb-turban, a post-op patient -- is better than the visual itself? --Michael Weiss [link]

He's With Busey... Ever wonder how the state of Turkish cinema is these days? Neither did I -- until now.

ISTANBUL (Reuters) - When he hears about the treatment of Turkish commandos detained by the U.S. military in Iraq, Polat Alemdar decides to take revenge to restore his country's honor.

But on his quest, the intelligence agent encounters U.S. forces conducting a string of atrocities -- a massacre of wedding guests, the torture of prisoners and ethnic cleansing.

Almost single-handedly he takes on America's military might.

Alemdar is the hero of "Valley of the Wolves - Iraq," a new Turkish action film that capitalizes on a rise in anti-American sentiment in Turkey since the Iraq war and turns a spotlight on relations between the NATO allies.

The two countries enjoy warm ties but many Turks are ambivalent about the United States, enjoying its culture and products while distrusting its foreign policy, particularly in the Middle East.

The movie, which has a Turkish record budget of $10 million, opens with a depiction of the real-life arrest of Turkish special forces officers in north Iraq in July 2003.

The image of U.S. troops putting hoods over the commandos' heads stirred public anger and at the time Turkey's military chief condemned it as an attack on the nation's honor. One newspaper dubbed it the "Rambo Crisis."

"This attack is not against us, it is against the Turkish nation," says one of the soldiers in the film's depiction of the incident, which occurred three months after Ankara refused the U.S. army permission to use Turkish soil for its Iraq invasion.

American actor Billy Zane stars in the film as Alemdar's nemesis, a powerful U.S. intelligence agent who is determined to sow discord among Iraq's Arabs, Kurds and Turkmens.

He said he was not worried by the film's anti-U.S. slant.

"It was definitely slanted," he told reporters from his seat at the front of the cinema after the screening. But he added: "I'm a patriot. That's why I made this film."

Gary Busey appears in the film as a Jewish-American doctor who carries out organ transplants on unwitting Iraqi casualties, sending the organs off to Israel and the United States.

You know, I often say, if there's one country that can teach me about ethnic cleansing, it's Turkey. Gary Busey is perfectly cast, though probably not as his producers intended. And Billy Zane's career has been at a perpetual dead calm, so hey, it beats turning tricks at Sundance (again). --Michael Weiss [link]

The Good, The Bad And The Ugly... The Good: The Danish cartoons have engendered at least one example of self-criticism.

The Bad: It's at the BBC.

That international perspective was also an important consideration for the news website, according to Steve Herrmann, editor of BBC News Interactive.

"We recognised that among our users there is a wide range of different cultural sensitivities and that the images would cause genuine offence to some," he said.

I believe we provided sufficient context for our users to be able to understand the story clearly Steve Herrmann Editor, BBC News Interactive "We described the cartoons in detail in our stories and provided links to the newspapers' websites so readers who chose to could find out more and see the cartoons for themselves.

"Visually we showed a picture of a reader looking at one of the newspaper pages and linked to TV news reports in video which incorporated brief shots of the pages and the images on them. In doing all this, I believe we provided sufficient context for our users to be able to understand the story clearly."

Mr Herrmann said it was also important not to exacerbate the controversy by publishing potentially offensive images, rather than simply reporting on it.

What Mr Herrman might have said to more sympathetic ears was that he and his valuable media conglomerate don't wish to find themselves among the quarry of theo-fascist militants, especially in a country with a particularly plangent minority of them. Add another word to the Lexicon of Cartoon Row Bullshit: "exacerbate [v]: to take any journalistic measure which would leave one's ass precariously uncovered."

The Ugly: While Anglo lower lips tremble over the question of whether to reprint or not to reprint, the BBC apparently has no problem showing these images of Islamic crazies torching the Danish embassy in Beirut. As a Voltairean democrat and atheist, I find these remarkably offensive, enough to send my laptop windmilling across the room.

Let's not even bother about the New York Times or CNN. --Michael Weiss [link]

All The News That's Fit To Reprint... From the Washington Post piece on Iran's referral to the Security Council:

In the end, just three countries -- Syria, Cuba and Venezuela -- voted against the measure.

"So come brothers and sisters, for the struggle carries on..."

Recent provocative remarks by Ahmadinejad -- including questioning the Holocaust, saying Israel should be "wiped off the map" and offering to transfer nuclear know-how to other Islamic countries -- have increased concern about Iran's intentions and raised the pressure for the IAEA board to demand tougher confidence-building measures.

Now which words in that sentence would you italicize? --Michael Weiss [link]

In Their Own Words... Heads of state and bureaucrats respond to the cartoon row. Know thine enemy. If it's just another Manic Monday and you're too busy to get through the full text of all of these, here's a tip for most of the Muslim countries: wherever "freedom of speech/opinion/expression" appears as a clearing of one's throat, ignore it. The meat of the message lies right behind it.

As for our own puddy, pusillanimous boy genius Sean McCormack, Hitch makes a small meal of him at Slate.

And note that Hamid Karzai's is the only sentence he has uttered since 2001 that would have been completely kosher in Kabul before that year. Clio, as ever, has the last laugh here:

COPENHAGEN/ PRAGUE: Denmark’s parliament on Thursday decided to send 200 more troops to the NATO-led international force in Afghanistan.

The troops are to leave in May or June and will be based in Afghanistan’s troubled south, where NATO will take over peacekeeping from US forces.

The parliament approved the move by 107 votes in favour to 10 against, with 62 members absent. NATO-member Denmark currently has 160 soldiers based in the Afghan capital Kabul.

Yeah, thanks, Hamid.

Without further ado:

"So while we share the offense that Muslims have taken at these images, we at the same time vigorously defend the right of individuals to express points of view. Anti-Muslim images are as unacceptable as anti-Semitic images, as anti-Christian images or any other religious belief... We have to remember and respect the deeply held beliefs of those who may be, who have different beliefs from us... But it is important that we also support the rights of individuals to express their freely held views." -- Sean McCormack, US State Department

President Jacques Chirac released a statement today defending free speech but also appealing "to all to show the greatest spirit of responsibility, of respect and of good measure to avoid anything that could hurt other people's beliefs."

"Freedom of opinion, expression and of the press, which we guarantee and respect, cannot be used as an excuse to insult sanctities, beliefs and religions."
-- HOSNI MUBARAK, Egyptian President

"Any insult to the Holy Prophet, peace be upon him, is an insult to more than one billion Muslims and an act like this must never be allowed to be repeated."
-- HAMID KARZAI, Afghan President

"We are talking about an issue with fundamental significance to how democracies work. One can safely say it is now an even bigger issue."
-- ANDERS FOGH RASMUSSEN, Danish Prime Minister

"We hope that the concerned governments are attentive to the sensitivity of this issue. We warn that emotions may flare in this very sensitive issue."
-- AHMED QUREIA, Outgoing Palestinian Prime Minister

"We hope that religious centres like the Vatican will clarify their opinion in this respect."
-- Prince NAYEF, Saudi Interior Minister

"The principle of freedom should be exercised in a spirit of tolerance, respect of beliefs, respect of religions, which is the very basis of secularism of our country."
-- PHILIPPE DOUSTE-BLAZY, French Foreign Minister

"Freedom of expression cannot justify indignity towards a religion."
-- YURI THAMRIN, Indonesian Foreign Ministry spokesman

"It should be crystal clear to all that violence, intimidation, and the calls for boycotts or for restraints on the freedom of the press are completely unacceptable. I can understand the feelings of indignation, frustration and sadness of the Muslim communities over the last few days. Such events do not facilitate dialogue between faiths and cultures."
-- FRANCO FRATTINI, EU Justice Commissioner

Sources: BBC, NYT, Pakistan Daily Times.

--Michael Weiss [link]

Friday, February 3, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Where The Hell Is Whit Stillman When You Need Him?... The movie was called Barcelona, not Caracas, but some of the dialogue nonetheless seems serendipitous:

Ted: Maybe you'd like an analogy. Well, take... take these ants. In the U.S. view, a small group, or cadre, of fierce red ants have taken power and are oppressing the black ant majority. Now the stated U.S. policy is to aid those black ants opposing the red ants in hopes of restoring democracy, and to impede the red ants from assisting their red ant comrades in neighboring ant colonies.

Ramon: That is clearly the most disgusting description of U.S. policy I have ever heard. The Third World is just a lot of ants to you.

Jurgen: Those are people dying, not ants.

Ted: No, I... I don't think you understand. I was reducing everything to ant scale, the... the U.S. included. An ant White House, an ant CIA, an ant Congress, an ant Pentagon...

Ramon: Secret ant landing strips, illegally established on foreign soil.

Fred: Where are the red ants?

Ted: [pointing to an ant hill] There.

[Fred crushes the ants]

The same week in which John Negroponte spoke ominously of dictatorial power-consolidation in Venezuela, and Donald Rumsfeld spoke stupidly about what this reminded him of, and Cindy Sheehan -- well, held herself to the same level of intellectual and moral "authority" to which she has always done, Hugo Chavez expelled an American naval attache stationed in Caracas for being a "spy." No doubt a member of the notorious "AFL-CIA." Sorry if the seaman takes it personally.

Ev-ree-body lim-bo. --Michael Weiss [link]

You're Not Your Fucking Pokemon Lunchbox... I've lost all powers of summation, so here it is unfiltered:

A 38-year-old bald "Star Wars" geek who called himself The Emperor formed a fight club on his Staten Island school bus - encouraging kids to descend into the dark side and beat their classmates, authorities said yesterday.

A Pulitzer for "descend into the dark side," and another for the stone-faced earnestness with which it was written. The Sith Lord of the bus known as "the Death Cheese" will elsewhere in this Daily News piece be described as "stocky" and, by his own mother, "a working slob." His "Yoda-sized penis" is only speculative at this point.

The wanna-be storm troopers pounded on weaker kids, dished out noogies and even cut up one another's clothing with scissors.

All part of growing up. It feels like only yesterday I had my first noogie dished out to me by a willing subaltern of Liono, the Thunder Cat leader of the F line. --Michael Weiss [link]

Thursday, February 2, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Another Entry In The "Least-Of-Their-Problems" Annals... Two boys in Zimbabwe were put in the pokey for wearing loincloths, apparently out of nostalgia for pre-colonial African wardrobe. This has yielded yet another cultural kerfuffle, in yet another a land with bigger nightmares to worry about -- namely, those involving its wretched dictator.

--Michael Weiss [link]


Fascist Arab-Baiter Walks In UK... The idea that sinister diatribes against racial or ethnic minorities can get you tossed in jail in England is not one that should be met with equanimity in this country, where a preoccupation with free speech often borders on kitsch. Especially in the wake of a scandalized Danish newspaper (which at least had the virtue of putting across necessary satires on a religion), nobody's tongue should be fettered by civil or criminal statue. However, Nick Griffin, the evocatively named leader of the British National Party (BNP) and heir apparent to the working-class brownshirt demagogy of Oswald Mosley, has been (temporarily) cleared of the crime of "race hatred," at least until he's retried for it in the coming months. A BBC reporter, posing a BNP recruit, caught Griffin on tape saying unsavory things about Britain's large Arab and Muslim immigrant population, which started the whole affair.

Mr Griffin told reporters: "I was speaking the truth to an audience of decent working people in West Yorkshire who in some cases are facing terrible problems, including the grooming of their children by paedophiles."

Amid cheers from supporters, he went on: "The prosecution could not get a conviction ... they failed because we are innocent of incitement to racial hated."

He said he and his party did not hate any ethnic minority or asylum seeker who wanted to do the best for themselves. He said: "The people we hate are the politicians who have turned this society into a multiracial mess."

All the tones of a bad-news budding fascist are in these quotations, from "decent working people" to "multiracial mess." But should such a person face a prison sentence for what was essentially "gotcha" tabletalk -- or for any tabletalk, for that matter? How's this for a non-litigious solution: Swap Griffin for Orhan Pamuk. The former more deserves Turkey, and the latter more deserves the sceptr'd isle, with or without silly speech laws in place. --Michael Weiss [link]

Mr. Chomsky's Neighborhood... This is pretty funny. From Postmodern Haircut:

--Michael Weiss [link]

Good For The BBC... According to Harry's Place (our very own Rosa Luxemblog: thank you, I'll be here all week) and The Scotsman, the BBC is planning to broadcast the Jyllands-Posten cartoons that have caused the usual jihadist hebephrenia and flag-burning throughout the Muslim world. Even though some butt-covering disclaimer about "context" is going to be tacked onto the broadcast, it's good of state-owned media to do its job and report the news, especially when uncomfortable imagery attends it.

This comes right after another shabby rosetta was added to the Arc D'Capitulation in Paris when the brave editor of France Soir was sacked by the French-Egyptian owner of the paper.

Kudos also to Wikipedia for keeping fuck-proof copies of the offending cartoons up.

And since no one reads us anyway, I feel a surge of inner strength coming on:

--Michael Weiss [link]

Puppies Full of Drugs... Like cuddly little pinatas of high.

Colombian drug dealers smuggled heroin into the United States by surgically implanting the powerful drug into puppies, the Drug Enforcement Administration said on Wednesday.
The adorable mules:

Easily the most shocking example of cute drug-running since the National Zoo discovered that reproductive futility was caused by several kilos of intrauterine panda opium. --Nic Duquette [link]


Pennsylvanian Rat Worshippers Indifferent About More Winter... Punxsutawney Phil predicts six more weeks of a winter. Yeah, I'm not sweatin' it either.

According to the Groundhog Club, Phil has now seen his shadow 96 times, hasn't seen it 14 times and there are no records for nine years.

Jesus H. Christ, how old is this fucking varmint? Somebody give him Andie MacDowell's number already and put him out of his misery. --Michael Weiss [link]

Lindsay Lohan's Unintentional LiveJournal... Poor sexy guttersnipe. She lost her diary and it was returned with pages missing. According to Gawker and Velvet Rope Whore, the (unsubstantiated) contents of said pages include:

- Lindsay had just taken a “©” [Lohan for “blow”?] and felt a little woozy.

- She contemplates her needs and wants just like all of us pathetic slobs. But unlike us, she wonders whether or not she wants Jared Leto…

- There are issues with the former Jordan Catalano’s, um, member being a bit too large; sex is suffering.

- Lindsay likens the size conflict to the feeling of squeezing into tiny new Jimmy Choos. [Ed: I swear to fucking God]

- She cites that she is sitting at the bar downing a Blood Mary at 4 PM in the Lower East Side.

- LiLo mentions she has a “bloody” bad cough she can’t get rid of.

- Lindsay writes that she and her mother got tats that day: a heart on Lindsay’s hand and a star for mom’s wrist– apparently matching LiLo’s existing star tattoo. This is journalism, people.

- Her sister Lauren called somebody “Hitler”– this merits a swastika illustration in the margin.

- Lindsay recounts that she had a ball at the Kate Spade sale, and our little rich girl is still excited about sale prices. How adorable!

I'd say that the Jimmy Choo bit is a red flag daintily planted into a heaping pile of the stuff, but let's not forget how Paris Hilton entered Albert Brooks' elephantine younger brother into her misplaced Sidekick:

Dave, Super

--Michael Weiss [link]

And Looks Not a Day Over 12... While historians of music understandbly deplore Milos Forman's license-taking biopic Amadeus, one thing they're dead wrong to object to about that film was the emphasis placed on Mozart's permanent adolescence. No less of a figure than Benjamin Franklin once published collection of enlightened juvenalia called "Fart Proudly." There is nothing inappropriate about constantly reminding ourselves that we all once scratched our bellies on the same wet pond silt and are thus given to harmlessly base observations about other wet things, too. Philip Larkin, in his private life, was one prolonged case of toilet training gone awry. Byron was a regular cloaca-diver. Pushkin couldn't lay off the word "cunt" as a synecdoche for everything having to do with the fairer sex. Mozart wrote letters to his wife that included phrases like "shit trickling down your nose," etc. Good. It's a refreshing dose of idol-shattering for the rest of us because

Real greatness causes discomfort. You'd think it would make people feel better--you look up at someone's achievement and think, gee, the human condition isn't as hopeless as I suspected. But greatness is nervous-making. And it can be, in a way, depressing. Charles Gounod said, "Before Mozart, all my ambition turns to despair."

Bill Kristol on the maestro's 250th birthday.

For Bloom, Mozart's music was "an antidote to all the seductions of nihilism present in our world." Does Bloom here run the risk of trying to make Mozart's music edifying? Of course he knew that great music does not necessarily make its listeners better human beings. And he was aware that the leading nihilists of our age, the Nazi regime in Germany, tried to make a big production of the 150th anniversary of Mozart's death. But it didn't quite work. Mozart resists political appropriation.

Interestingly enough, Amadeus was shot in Prague (cheaper than Vienna) during the wobblier days of Communism. Filming of one of the opera scenes was concluded on July 4, whereupon a giant US flag was unfurled on-stage -- behind where Figaro normally scrubbed floors and trilled his sturm und drang something awful -- for the benefit of the mainly American cast and crew. It was a yawning commonplace that the production was rife with Soviet and Czech secret police, who proceeded to make themselves obvious by being the only ones on set to fail to stand for the "Star-Spangled Banner." Just once, then, it was okay to "appropriate" Wolfgang for political purposes. --Michael Weiss [link]

Paraphrase of the Day... From yet another BBC dispatch about this absurd cartoon row:

Egyptian President Hosni Mubarak warned that the decision by some European papers to publish the cartoons could encourage terrorists.

Whereas the multi-part Egyptian televising of a series that gives credence to the Protocols of the Learned Elders of Zion encourages... what, exactly? Shall we say, harsher IDF retaliation against Palestinians?

Keep the presses rolling and the sacrilege coming. --Michael Weiss [link]

Some Improvement in Mosul... Iraqi police and military forces are growing more competent and disciplined, and violence is down. Still, the improvement is modest. The Washington Post:

While those who work regularly with Iraqi troops say their professionalism and skill have improved over the past several months, a joint U.S.-Iraqi mission into Mosul showed that the Iraqis still have a long way to go.

After U.S. armored vehicles had sealed off the ends of a two-lane street in the Jamiilah Circle neighborhood, American troops fanned out with practiced speed, carefully sweeping the rooftops, windows and doorways on both sides of the road with the muzzles of their rifles. The Iraqis milled around in the middle of the street, chatting, while curious residents watched from the sidewalk.

"We shouldn't be standing around like this," said 1st Lt. Devin Hammond, the leader of 1st Platoon, A Company of the 2-1 Infantry. He gently shepherded the Iraqi troops into a nearby courtyard.

As the mission wore on, the Americans started to give their partners tips: Don't walk around with your rifle's safety off. When you're leaning back against a wall to check the other side of the street, leave a small space so your comrades can walk behind you instead of having to cross in front of your weapon. When you enter a house, check it for weapons before you strike up a long conversation with the owner.

"We had to coach them a little bit, at the beginning," said Hammond, of Staunton, Va.
--Michael Weiss [link]

Wednesday, February 1, 2006 - snarktip@snarksmith.com
Instant Messenger Screenname: HangOnVoltaire

Looking For Satire In The Muslim World... The BBC has a feature entitled, "In pictures: Cartoon outrage," ostensibly about the now-notorious Danish depictions of Mohammed in less-than-sacred caricatures... Too bad the BBC hasn't got the courage to reprint the causes of the original "outrage." Instead, there's a lame disclaimer posted under all ancillary links generated by any story about this overblown and ridiculous fracas, which disclaimer promises "The BBC is not responsible for the content of external internet sites."

Among the offending visuals is this relatively innocuous rendering.

As if a short fuse and gunpowder could rile the founder of the world's fastest growing monotheism... As ever, the heart of the matter is insecurity and doubt, not supreme faith. Buckling to "cultural sensitivity" will only legitimize radical Islam's denial of disbelief -- something the world can ill-afford to do right now. Keep up the pressure, and keep those Danish presses rolling.

In a nice change of pace, the real chutzpah belongs to -- France.

Under the headline "We have the right to caricature God," a struggling French tabloid today reprinted all 12 of the cartoons first printed by Jyllands-Posten, a right-of-centre Danish broadsheet last September...

For its front page, the newspaper even commissioned its own image, showing a peeved Muhammad sitting on a cloud with Buddha, a Jewish God and a Christian God, who says: "Don’t complain Muhammad, we’ve all been caricatured here."

C'est bien. Today we are all Bernard Henri-Levy. --Michael Weiss [link]

Craig With The List... The guy who brought you the neverending Borgesian virtua-yardsale gets profiled, sort of, in New York magazine. Fucking hippies have all the luck.

In the past few months, I and countless others in the mainstream media have awakened to the fact that something we thought was benign and even modestly beneficial, if we happened to have a room to rent or something to sell, was in fact a wild beast, loose in the orchards. Craigslist.org is changing everything. A simple and free online classified-ad service started by the gnomish Craig Newmark in San Francisco eleven years ago, Craigslist is (a) where young urban people conduct much of the traffic of their lives, including renting apartments, finding lost pets, and getting laid in the middle of the day, and is (b) thereby destroying classified revenues for big-city newspapers, which are already in crisis, and so it has become (c) the symbol of the transformation of the information industry. Rocked in a Bay Area cradle of left-wing values, Craigslist has built a huge national community by word of mouth. The site is free and without advertising (with the exception of help-wanted ads in three markets), and it gets more than 3 billion page views per month (10 million actual users a month), ranking it seventh on the Net, not so far behind Google and eBay.

--Michael Weiss [link]


Starlet Suffering Chronic Peripeteia... Lindsay Lohan was apparently injured in what headlines are calling a "teacup accident," which first led me to believe she somehow crashed her convertible into the Disney World ride.

The 19-year-old "Mean Girls" star had 10 stitches to close a gash on her shin after she slipped on a set of stairs Friday. Lohan was released from the hospital later that day, the reports said.

"She and her friends were preparing breakfast, with eggs and everything, and Lindsay was going up the stairs, carrying a ceramic teacup," her mother, Dina Lohan, was quoted as telling Star magazine.

Okay, I see the stairs, the teacup, and the shin. Then what?

"She had just come out of the shower so she was still wet and had some lotion on...
Stairs, teacup, shin, wet, naked oily starlet. Okay.

...and she completely flipped on the stairs since it was slippery. The teacup went flying, it was shattered, and one of the pieces cut Lindsay in her shin. It was an accident."
So Lohan slipped because she was wet, and cut herself on a teacup that broke? She needed ten stitches from a teacup? Why was she in the shower if she had been cooking eggs? Why didn't she put some clothes on if she had her friends over? Were her friends cooking and brewing tea while Lohan showered? Does Lohan often walk around naked (or at least, with exposed, oily feet and shins) when her friends are over?

This story sounds too bizarre -- it's right out of the "icicles known to kill people" file. I believe the lotion part, and that's about it. Give us the truth, Lohan!

Lohan is filming "Chapter 27," a film about John Lennon's killer, Mark David Chapman, also starring Jared Leto.

The stormclouds of dramatic irony are gathering over Lindsay Lohan like nobody in my lifetime. Forecasts: 2008, a kinky sex scandal; 2010, lethal overdose on pills, which her publicist will insist Lohan thought were Good 'N Plentys; 2011, Elton John tribute. --Nic Duquette [link]


December 1, 2005 - January 31, 2006

November 1, 2005 - November 30, 2005

October 3, 2005 - October 31, 2005

July 6, 2005 - September 30, 2005

May 5, 2005 - July 5, 2005

March 31, 2005 - May 4, 2005

February 24, 2005 - March 30, 2005

January 16, 2005 - February 22, 2005

December 3, 2004 - January 15, 2005

October 7, 2004, 2004 - December 2, 2004

September 1, 2004 - October 6, 2004

July 14, 2004 - August 31, 2004

June 23, 2004 - July 13, 2004

 
ENDNOTES, REVIEWS & NOTICES
Edmund Burke  
Imagining Conservatism
by Noah Joshua Phillips
[link]

George F. Will's February 26th review of Jeffrey Hart's Making of the Conservative Mind and Bruce Bartlett's Impostor is more jeremiad than intellectual history. It bemoans the movement's loss of virtue at the hands of ideology's perennial Lothario, political power. In its nostalgia and its fear of change, the piece is as conservative as can be. It gives us a past we never had and no plan for the future. [Read more...]

D.C. Rally  
SOLIDARITY WITH DENMARK RALLY:
NEW YORK CITY

by Michael Weiss
[link]

There is no way that a city like New York should neglect to stand up for free speech, democracy and secular cosmopolitan values. So I am pleased to inform you that the rally for Solidarity With Denmark is indeed on for this week.

It will be held outside the Danish consulate at One Dag Hammarskjold Plaza, 885 Second Avenue, on FRIDAY, MARCH 3RD, FROM 12:00 PM TO 1:00 PM. (A fitting an emulation of the hugely successful D.C. version.)

I've been in touch with the consul-general himself, and he has graciously welcomed us. I promised the event would be as civilized and dignified as this noble cause demands, and in order to obviate a city permit, please note that NO electronically amplified sound equipment or bullhorns may be used. But signs and placards -- the cleverer the better -- are of course highly encouraged. Relevant cheeses, plastic toy building blocks and Shakespeare allusions also kosher...

Spread the word.

Mini-Chomskys  
Manufacturing Dissent: Four Mini-Chomskys In Profile
by Michael Weiss
[link]

Noam Chomsky may profess to have zero interest in being seen as a leftist guru, or the go-to anarcho-syndicalist on all things condemnatory of the United States. Easy for him to say. Since the mid-80’s, he’s passively attracted a worldwide following whose size and ken explodes any definition of the word “cult.” (In fact, it may be said that he’s reached a sort hinge-moment in his career: fellow linguists now target his theory of generative grammar with more passion than yawningly familiarized conservatives do his politics. Where’s the outrage? Have you checked the Cognitive Science department?) Noam’s co-thinkers, however, haven’t had it so peachy. Some of them have had to work for their audiences, whether through carefully timed samizdat-styled publications that go on to become bestsellers – while still winning awards called things like “Project Censored” – or through much-bruited academic kerfuffles with “mainstream” antagonists.

Herewith, then, in no particular order of nuttiness or anti-Americanism, are four mini-Chomskys you can’t afford to miss. [Read more...]

The Courtier and the Heretic  
When Philosophers Collide
by Michael Weiss
(Originally published in the New York Post)
[link]

Matthew Stewart's altogether excellent double- barreled biography, "The Courtier and the Heretic," has a great deal of back story and an equal amount of epilogue, but there's no confusing his climactic main event, which occurred over a few days in 1676, in The Hague. Its participants were rival philosophers of a budding modernity, who, as presented here, probably had more in common than either would have cared to admit.

Had he lived closer to our own time, Benedict de Spinoza would have been labeled a "free-thinking" or "Hellenized" Jew. His family had fled Portugal to evade the Inquisition, and landed in the cosmopolitan and mercantile milieu of Amsterdam, which no doubt facilitated the wry genius' formulation of what might be called the materialist conception of purpose.

A nice cross between Epicurean and Stoic, Spinoza toiled in an age not quite ready to slough off medieval superstition but happy enough to snuff out those who tried. Thus, he developed an austere aesthetic and moral code for career thinkers, descried as the "philosophy of philosophy." (Spinoza's own day job was in optics.) This didn't stop him, however, from chasing down alienation at a brisk pace: an excommunication, encouraged by his own rabbi, and a mundane struggle in what Stewart smartly terms a "double exile," earned him the might-as-well attitude required to carry his worldview to its logical terminus.

Just how heretical was Spinoza? His rhetoric was the sort that could get one killed before the Enlightenment.

Spinoza always maintained that God existed, albeit in sublimated form within and throughout Nature (he used God and Nature interchangeably and synonymously), as a force that could only be paid tribute by self-actualization. He posited that all possibilities were manifest and necessary; that everything in existence felt an indomitable urge to become its own ideal expression of itself. Indeed, we now read that the latest advent of string theory hits upon a cosmological equivalent of Spinozism.

Wilhelm Gottfried Leibniz was more "of" his time, if no less ahead of it. A German attorney with well-attended sidelines in philosophy, statesmanship, engineering, mathematics and sinology, his real expertise was sycophancy, being "all things to all men." He invented the calculus (after but independent of Newton), was the most plangent advocate of the reunification of the Catholic and Protestant churches and was only thwarted by the indolence of Louis XIV from engaging in a little Machiavellian holy warring in Egypt. Was he also a closet atheist himself?

Stewart thinks so, and I must say, his approach is au courant and quite convincing. Stewart employs the Straussian method of inquiry, delving into the minutiae and subtext of Leibniz's work and coming up with new understandings that contradict the superficial shopworn ones. While little is known about what went on during the two philosophers' seminal encounter at The Hague — which Leibniz initiated after years of paying obsessive attention to Spinoza's reputation and doing what he could to alter it for the worse — Stewart argues that the former was so transformed by it that practically everything he put down thereafter bore some vague imprint of the latter's influence.

Stewart, a Ph.D. in philosophy from Oxford, has formerly worked in management consulting, so he deserves a medal for avoiding jargon and opting instead for accessibility.The only quibble here is with his recourse to colloquialism or anachronism. When told that a Hanoverian advisor engaged in a "direct-mail" campaign, one can safely assume that today's headlines have subliminally seeped into the musty folios of the 17th century. Otherwise it might be said that if Karl Rove has seen further, it is only by standing on the shoulders of giants.

Czech Flag  
The Beverly Hills of the East
by Orli Sharaby

On the surface, Prague looks all shiny and new, perfectly in tune with the ways of the modern world. I even thought we’d cleared the last hurdle when supermarkets started carrying cheddar cheese about a year and a half ago. Then my friend’s common cold turns out to be the mumps, and poof! I’m churning butter in a frock on the prairie waiting for the county doctor and hoping the injuns don’t show up. Or at least that’s the setting I felt like I should be in. Because in a First-World country in the 21st century, why are people still getting a disease that Americans have been routinely vaccinated for since 1967? Next thing you know, your upstairs neighbor’s gonna come down with Scarlet Fever, the cafι waitress’ll be hit with Polio, and the Bubonic Plague will be sweeping through Old Town.

At first glance, nothing seems terribly wrong with health and health care in this country – but take one step into any public hospital (and although private hospitals do exist, 91% of beds are in public ones) and you’ll think thrice about getting sick within these borders. A friend of mine, back in 2001, was admitted to Motol Hospital with an upper respiratory infection (or so we speculated, as he was never told what his actual illness was), and held there for two weeks without once being informed about his condition. He was medicated through a drip from a glass IV. His fellow wardmates, who looked very near death, were sneaking cigarettes in the bathroom. And it’s not just the archaic equipment and patients’ behavior that are out of whack. My friend the mumps victim has a sister who was sent to the hospital because of a routine bout of tonsilitis. It left her bedridden for three weeks, doctor’s orders, and when it was all over she was only one tonsil poorer. Two months later, she contracted the same illness in the remaining tonsil.

So I try to get sick as rarely as possible in this city. Which is why it came as such a shock to read yesterday that there are thousands of people who come to the Czech Republic every year to be nipped and tucked by the noteworthy doctors here. Apparently, “plastic surgery tourism” is thriving in Prague. The majority of these tourists are Brits, lured by cheap flights and the lower cost of procedures in the Czech Republic (a liposuction costs around $2500).

I’m a good Jewish New Yorker, and I know how to bargain hunt. But a red-tag nose job? No thank you. Especially with this shocking marketing material from Beautiful Beings, a British company that provides pre-packaged vanity-vaca’s in Prague:

“Everyone has something about themselves that they don't like, whether it's their profile, their body shape or their chest size. Some people just grudgingly accept what they have, while others strive to be the best person that they can be. If you are one of these people, who will not accept looking like second best, you might be the perfect candidate for plastic surgery.”

Let it be known that you heard it here first: caveat emptor.

Havoc  
Sex, Highs, and Videotape
by Michael Weiss
[Buy Havoc (Unrated Version) on DVD]

I can't quite bring myself to look this up verbatim, but in some interview in some entertainment magazine a while back a reporter asked Anne Hathaway if she wasn't worried about being typecast as a princess, having done two Disney Junior Diana fantasies and one wised-up musical fairy tale for Miramax. Her reply was something like, "Look, I've got the rest of my life as an actress in Hollywood to play the vengeful battered housewife or the hooker with the heart of gold. I'm fine with being a princess for now."

My kind of woman. Imagine Tina Fey going into internal exile amid an Oceania of next generation Olsenites.

Now imagine me writhing like an electric fan to see Mrs. Shakespeare's namesake give a stunningly all-grown-up performance in a Stephen Gaghan-scripted disaster called Havoc. (Not as in what you cry before letting slip the dogs of war, although you may be tempted by the prospect of remote change.) It's about ghetto fabulous white teens from the Palisades who are already rich but are going to die trying to -- what, exactly is never firmly established. Keep their rep with the sucka MCs in charge of their annuities at Merrill Lynch? Drop Benjamins on the latest Gucci skin grafts?

The film is more or less Traffic on a learner's permit. Although, Hathaway has successfully zipped right into that hooker/housewife carpool lane as Allison, a smart but self-destructive (aren't they all?) poseur gangsta with domestic demons and wits and a lack of selfconsciousness ill-befitting someone with her sharp stare and perpetually elevated eyebrow. She decides that the elite West Coast club scene -- which includes scamming on dirty old men bearing blow -- has grown terribly old and blase ("We. Are. Totally. Fucking. Bored.") whereas all things vibrantly new and exciting reside in... East L.A.!

In a wrong plot and highway turn about as plausible as a drug czar's daughter becoming a tenement crackwhore, she and her girlfriends front to a Latino dealer (Freddy Rodriguez, six feet in over his head) with evidently more patience than client pages. Allison and Bijou Phillips (probably blissfully unaware that she was in fact filming a minor motion picture) want to be initiated into his gang, and the hazing ritual is about what you'd expect it to be. Their spot of Lifetime "Movie of the Week" trouble culminates in an unconvincing shouting session from Allison's father (Michael Biehn, finally showing his age), and serene intercession by her mother (a fugual Laura San Giacomo) as a bromide-spouting and Percoset-popping Martha Stewart.

Perhaps now would be the time to mention that Allison intermittently deconstructs her and her friends' culturally inverted nihilism on videotape, this being shot by an amateur AV Squad documentarian who calls the mamba-fanged minx out on her seedy and needy mutability as honors student one minute and boricua blanquita the next. (Poor guy: he's forced to do this while Hathaway's sprawled topless on a couch offering herself to him in what may indeed be ironic and taunting tones, but still... James Spader at full-tilt creepy was never so slow on the make. Like Syriana, Gaghan's most recent endeavor, this is what happens when a Soderbergh mentorship goes awry.)

I only mention any of this because Hathaway, apart from looking the way she does -- Amelie's Audrey Tatou without the playpen pout or the New Wave preciousness -- has got charisma and sex appeal like you would not believe. I'm also convinced she's a genuinely magnanimous human being off-camera, since she never once appeared bored or frustrated by the fact that this straight-to-DVD trifle was going to be the thing that finally plugged up her career pigeon hole.

And this felicitous consequence of Havoc redeems the trip to Blockbuster or Amazon. The tween queen is dead. Long live the vamp, the tramp and the femme fatale.

Tombstone  
Who's Your Huckleberry?
by Michael Weiss
[Buy Tombstone on DVD]

In one of the old black-and-white Westerns, which could always play it safe by running a variation on the Showdown at the O.K. Corral, a traveling thespian struggles to recall the closing staves of Hamlet's "To be or not to be" soliloquy, and does so in the worst possible setting of the fin de siecle American frontier: a testosterone-rich saloon filled with grizzled illiterates, where any display of male weakness -- especially the swishy iambic kind -- can prove fatal. Never fear. In rushes Doc Holliday, drunk and victorious from a recent gun battle, to color in the pale cast of the even paler-faced player's thought. Whenever someone attempts to teach Tocqueville's correspondence course by trotting out that false dichotomy between "red" and "blue" states, I always remember this scene of Appalachian (and Jeffersonian) erudition, amid the blood and the mud and the beer.

Very cosmopolitan, indeed. Saddled between Clint Eastwood's gorgeous genre gallop into the sunset, Unforgiven, and HBO's Mametesque noir series Deadwood -- where "fuck," in all its many declensions, is a preposition -- is George P. Cosmatos' Tombstone, a modern manifest destiny shoot-'em-up that skillfully melds the kitsch of its spaghetti forebears with better writing and none of the postmodern cartoonishness of tribute you'd expect from a Tarantino or a Rodriguez. There's too much real dust and sun in the eye to allow for any winking here.

The story is about interventionism. Retired Dodge City marshal Wyatt Earp (Kurt Russell in his best performance to date) and his brothers (Sam Elliott, Bill Paxton) repair to the thriving mining town of Tombstone, Arizona to win their treasure in gambling and venture capital. What they find is that this necessarily comes at the expense of innocent people's blood, as Tombstone is little more than a dusky Bedlam with pretenses of civilization as collapsible as the scenery when the Kodak runs out. Meet the first incarnation of "organized crime" in America: the cowboys, recognizable by their sociopathic anarcho-syndicalist ways and by the red sashes they wear around their waists. Earp is reluctant at first to unpack his grey, old widowmaker until filial pressures and a nagging conscience, bolstered by a love for a cultivated and impetuous Jewish actress played by Dana Delany, make this all but inevitable -- and splendidly climactic, right out of a cordite-stained Old Testament.

Cosmatos has not been heard from much since 1993, and this is lowdown dirty shame because I doubt that any other director apart from maybe James Cameron could add to Michael Biehn's repertoire of three facial expressions. With the rather strident exception of Johnny Ringo's final line, delivered in pitch-perfect Malibu surfer dude ("All right lunger, let's do it"), Biehn's screentime is used to great purpose, as is that of Powers Booth, who apparently liked the clothes so much, he re-donned them for Deadwood.

But the real showstopper is the aforementioned "lunger," Val Kilmer's startlingly charismatic and witty Doc Holliday. You'll watch this film once and committ all of his dialogue to memory. Most of his famous turns of phrase occur as ripostes, as if from a liquid-tongued but recalcitrant child, to the hectoring of others who are either perpetually worried about his well-being, or looking to ensure that it grows even more hazardous. On being asked to stop drinking and card playing: "I have not yet begun to defile myself." On being asked (by a badly sunburnt Tom Hayden-Church) to play a more crowd-pleasing melody at the piano:

"'Oh, Susannah,' 'Camptown Races.' Stephen stinking Foster."

"Ah, yes. Well, this happens to be a nocturne."

"A which?"

"You know, Fredric fucking Chopin."

Holliday is the Byronic hero of the Old West, with one crucial difference: his terminus was more bathetic than it was glorious. The actual Holliday, a licensed dentist from Virginia, first became an outlaw because he would rather have died quickly from a bullet wound than slowly from the tuberculosis eating away at his lung tissue. Yet through all the low-burn attempts at suicide, his aim was just too sure to ever miss, and he wound up expiring, emaciated and blanched, of his Fury-like consumption after all. The "comment" on this is one of the last scenes where Kilmer stares at his bare feet in a sanitarium, pondering the whimpering irony of his blase end. "This is funny," he says. Yes, I suppose it is, but how nice that the comic relief in such a refried trope was given the dimensions of a smiling Falstaff who could apprehend such things, and who wasn't afraid to open his mouth when that got the job done better than a six-shooter. The Duke had nothing on "Doc." [Buy the DVD...]

Lunar Park  
YBRET: Lunar Park Reviewed
by Michael Weiss
(Originally published in Stop Smiling magazine)
[link]

The writer who inserts himself unveiled into his own fiction is a writer asking for trouble; the reader is there to give it to him. Early indicators of imminent confrontation include eye-rolling and wincing. Then the cheek, in anticipation of future embarrassments, goes as vermilion as the critical ink about to be spilled. The sharks of the High Concept begin circling immediately. It's hard enough to distract someone from conflating the characters on the page with the person who put them there, even though a successful distraction is one definition of artistry. But why on earth would anyone court bathos and masochism in a novel by having the name in the copyright stick around until its more regularly scheduled reappearance in the acknowledgements? Maybe because the payoff of this gimmick hasn't always been so slight. An enduring example is Christopher Isherwood's celebrated aperture in the 'Berlin stories' of the '30s. Though the shutter malfunctioned in later years, Herr Isyvoo still managed to charm some of the fustier opponents of the racy new formalism who had been clamoring to turn back the clock ever since Ulysses. It would be presumptuous, then, to abandon hope once the more imaginative dramatis personae has been discarded. Consider two more recent toyings in this subgenre. [Read more...]

Blogging for Dollars  
What's Your Blog Worth? Converting Your Livejournal Into Cold, Hard Cash
by Nic Duquette [link]

If you're reading this essay, you probably have an Internet connection, and if you have an Internet connection, you probably have a weblog. We will therefore dispose with the formality of defining what a blog is for technological neophytes and proceed directly to the question that has been on your mind since the very first day when you wrote that the music accompanying your frowny emoticon and paragraph about your significant other was Tom Waits -- can you make money doing this? Maybe even enough to quit your job? [Read more...]

Stalin, by Robert Service  
Servicing Stalin
by Michael Weiss
(Originally published in Stop Smiling magazine)

[link]

Someone at this stage should do for Joseph Stalin what Don DeLillo, in his novel White Noise, did for Adolph Hitler: Give him his own academic department. Since the collapse of the Berlin Wall, assorted articles and monographs have disgorged the goods on the former Soviet Union and its miserable ruler of three decades. Most recently, Simon Sebag Montiefore's Stalin: The Court of the Red Tsar examined what can only be called the methodical caprice of the modern -- and fully modernized -- authoritarian. Here, at last, was Stalin's Satyricon: decades of after-hours Politburo meetings, with food fights, adolescent pranks, and creepy man-on-man waltzes, where the head of Polish security presses his lips to the ear of a foreign minister and whispers sweet somethings about “infiltrations” -- and not the kind you'd expect under the circumstances. [Read more...]

Galloway  
Fascism With the Face It Deserves
by Michael Weiss [link]

Tune in to Hitchens v. Galloway, Wednesday, September 14, at 7 PM, broadcast live from Baruch College in Manhattan. But first read up on the awful truth about Boy George:

-- George Galloway & Iraq's Oil For Food Program: Facts, Falsehoods, and Misconceptions

-- Galloway In His Own Words

Darwin  
If Children Don't Understand Evolution, Maybe It's Because We Don't Teach Them Science
by Nic Duquette [link]

Neither side of the evolution debate is able to address the issue usefully in the classroom. When President Bush suggested that "intelligent design" be introduced in schools so students could understand the vital cultural debate we are having, he was denounced as a political opportunist and scientific philistine. But the president is correct on this issue: schoolchildren should be introduced to the principles of so-called intelligent design theory and encouraged to hammer out the scientific and theological issues at stake. A spirited, ugly debate on intelligent design from coast to coast is the best way to make sure Darwin's insights are introduced to students well. All participants in the evolution debate seem to believe that the school system is training children to be evolutionists, and that the introduction of intelligent design will undermine unquestioning belief in natural selection. That's absurd. The opposite is true. [more...]

Nusle Bridge  
The Prague Fall: Communism's Death Hasn't Stopped the Self-Inflicted Kind
by Orli Sharaby [link]

Even in the warmest of months, life can seem cold and dreary. So it was, presumably, for some anonymous fellow on a bright and sunny Tuesday morning a few weeks ago. As I made my way unsuspectingly to the tram at 8:10 that day, incidentally, without yet having had any coffee, I suddenly came face to face with self-inflicted death, splattered unsympathetically across the tram tracks directly underneath the Nusle Bridge. A shocking sight, to be sure, and one which made me rather unfashionably late to work, not to mention the fact that it's haunted me ever since. The crude outline of the victim has long since faded from the pavement, but it remains forever etched in my memory, from time to time bringing to the surface ruminations on suicide and what would cause a person to end his own life. I mean, it's a harsh world out there. Leaving aside the uncertainty of living in a major city in the age of "sacred terror," millions of horsepower zoom past us everyday as we cross the street; diseases threaten to gobble our t-cells; earthquakes rend holes in the very ground beneath our feet...Isn't it enough to leave death to chance?

Apparently not for the hundreds of thousands of people who kill themselves every year, citing -- presumably in suicide notes -- marital problems, depression, mental or physical disease, or fear of police (yes, really) as reasons for their "take no prisoners" attitude toward their own lives. In the Czech Republic in 2003, the last year for which records are available, approximately 1700 people committed suicide, thankfully not all from the bridge above my house. When one researches global trends in suicide, which I discovered is a much less repulsive task than one might imagine, certain interesting facts emerge. One is that women are anywhere from 2 to 6 times less likely to die at their own hands then men are (except in China, where women are more inclined), but that they're at least two times more likely than men to try.

The statistics on suicide also point to the high numbers in European countries versus Latin American and Middle Eastern nations. This would seem to lend truth to the popular opinion that a religious commitment all but inoculates a person from committing the act. Church and other religious leaders claim that integration in that kind of social network provides worshipers the necessary support system and sense of belonging to choose life. More likely, fear of burning eternally in hell is the predominant deterrent for conscientious churchgoers. Whatever the case, the claim that atheists and agnostics are more likely to kill themselves out of desperation falls apart when one takes into consideration Poland, a country that boasts a population wherein 97% of citizens are strictly Catholic. Poland has a comparable suicide rate to that of the Czech Republic, a country, as we all know, that is one of the most atheistic in the world.

Moreover, neighbors Czech Republic and Poland share their status as high-suicide-rate nations with the entire region of Eastern Europe, including Lithuania, which lays claim to the highest global rate of suicide. So maybe it's not about religion, and it's not about girls and boys; maybe suicide is just another social phenomenon to be put neatly in the "it's because of Communism" box. And true enough, Prague's Suicide Bridge, giving fatalism an inconvenient potential energy just above my apartment, was built from 1968-1973 by Communist authorities not only to alleviate traffic congestion but also as a grandiose display of military and cultural authority. But as the thousands who jump, hang, shoot, suffocate, and overdose to their deaths in the former Eastern Bloc can attest, Big Brother left his legacy in the region in far less showy, but just as pervasive, ways.

The Aristocrats  
Peer Review: The Aristocrats, In Theory and Practice
by Michael Weiss [link]

Within the vernacular of modern show biz there exists a system of taxonomy that sounds as if it were dreamt up by a Variety editor with an annoying speech impediment: "director's director," "actor's actor," "comedian's comedian." Whatever the species under consideration, the genus is instantly recognizable as much by its implied shortcomings as by its signaled attributes. The limelight has probably been elusive for the comedian's comedian despite a white-hot talent which only the pros can appreciate and, to coin another commonplace of the industrial lingo, "hope to work with someday." Not for him is the blockbuster weekend or household celebrity. The best he can hope for is his name whispered in hushed tones, in moist magazine profiles of his box office betters; a moment of amplified applause during an embarassing cameo in some award show montage; or, now that the success of independent film is largely brokered on the success of the semi-anonymous underdog, a documentary all about his little old self...

The Aristocrats is not about a comedian's comedian, but it is about something slightly more elect and revealing: a comedian's comedy. As with any mercantile guild or philosophers circle, the closed circuit of the entertainer is worth investigating on social merits alone. Who are these people and what do they do when they're not working? Even if the answer is, Still working, what's different when the cameras aren't on? This is why old Friar's Club and Dean Martin roasts are now available on DVD and why books like Live From New York: An Uncensored History of Saturday Night Live top the bestsellers lists. It's not the ham schtick, bad haircuts, or parade of bold-faced (and mostly dead) names that fascinate us; it's the access to a rare-glimpsed culture of comity or commiseration, how those bold-faced names intimately know one another, or pretend to do, anyway. It's the cant-free chaos of shoptalk, the personnel abuse -- whether ironic and well-meaning, or sincere and irate -- that makes these spectacles no different than those of a vaguely functional family that drinks together. From scripted intentionality to failure-friendly improvisation. All certificates of inauthenticity have been voided as a little something extra for the fans. Actually, failure-friendly doesn't quite cut it: failure, and a temporary immunity to it, is the whole point. David Letterman's monologue would have been consigned to the dust-bin of Nick-at-Nite reruns a long time ago were this not true.

And this is pretty much the conceit behind a legendary inside joke of vaudeville that's been passed down through the ages and told mostly offstage as a form of self-entertainment. It's built upon the thinnest and most shiftable armatures of form, a Zen-like rock garden of humor. Ready? Here goes: A family visits a talent agent. The father tells the agent they've got this amazing, must-see act. "What is it you do?," asks the agent. Now insert the vilest, most elaborate thought-images of carnality, incest, bestiality and scatology you can dream up on the spot and sustain indefinitely. (Grandmas and newborn infants aren't just fair game, they're de rigueur.) Finish with one justifiably horrified agent who has a single follow-up question, the name of the act, and you've got the whole shebang of The Aristocrats, which is also the punchline. The same hoary set-up is told and retold and with alternating levels of gusto and flourish by everyone who's still alive and ever made you laugh. Or never made you laugh, but will do so here. George Carlin, Gilbert Gottfried, Bob Saget, Drew Carey and Cartman from South Park all spray their own brand of liquid filth to enormously hilarious effect. (That Gottfried, the Patron Saint of the Onstage Reincarnation, and Saget, who charitably donates his Frankenstein rendering of the joke to the "kids from Full House," are two of the funniest in this capacity is another testament to the you-only-thought-you-knew world of professional stand-up.)

You might say that such a documentary, which is the badly molested brainchild of Penn Jillette and Paul Provenza, depends on a one-trick pony, but given what ponies are rhetorically put through for two hours, you'd only court banality with that description. Instead, what's been produced here is a very smart and engrossing work of history, deconstruction and reconstruction of a near-Iliadic text by academics you wouldn't mind reading even when they do get a touch pedantic. I suppose it was inevitable that the gender and race distinctions of "blue" comedy would get its exegesis, but even this is handled skillfully by Chris Rock, Whoopi Goldberg and Phyllis Diller, charmingly buttoned-up about the obscene, all the while wearing a muu-muu. "I fainted the first time I heard it" -- which leads you to wonder what poor Phyllis must have made of Sarah Silverman's exquisitely tasteless interpretation of the bit, ending in the slow-dawn realization of her own rape.

A few years back Jerry Seinfeld made a documentary called Comedian. The problem with that compulsive peak behind the curtain was that it attempted to take a wildly inordinate success story -- about the richest and most high-profile master of observation, ever -- and boil it back down to its humble, on-the-road essences. The duds remained duds because of a complete lack of self-consciousness about them, not to mention a too-literal presentation of the agonies of invention by a mediocre supporting cast. Whereas with The Aristocrats no one hogs the mic, if only because of the deliberately thankless material everyone has to work with. That's the fun. Small and formulaic imperceptibly building to outsize and unpredictable climax is also one definition of artistry. Indeed, it says more about the true nature of comedy that a shit-soaked, uncle-fucking mongoloid girl of seven somehow represents the more attractive side of an industry filled with bank-breaking personality disorders like Jerry, and self-obsessed primadonnas like Orny Adams.

Before Sunset  
Freaky Deaky: A Rogue Economist Has Fun, and So Do We... Up to a Point
by Max Gross
Buy it from Amazon
[link]

Probably the best thing that can be said about Steven Levitt and Stephen Dubner's new book, Freakonomics: A Rogue Economist Explores the Hidden Side of Everything is that it makes for excellent cocktail party nibbles.

Who wouldn't like to regale one's friends with some of the weird avenues Levitt and Dubner explore? The book tells why public school teachers might encourage their students to cheat on a standardized test; why a real estate broker would gladly sell a house for less than its market worth; why sumo wrestlers are willing to fix matches; why a swimming pool is more dangerous than a handgun. And so on.

Freakonomics is essentially an expansion of a fawning article that Dubner wrote for The New York Times Magazine a few years back about Levitt, a young economist at the University of Chicago, who specializes in economies that have little to do with money. (The article is quoted -- embarrassingly -- throughout the book.) The research is all Levitt's, and the book is a pop-rewrite of Levitt's academic papers.

Since it has come out, Freakonomics has been collecting nothing but lavish praise from a lot of highbrow reviewers. "If Indiana Jones were an economist, he'd be Steven Levitt," wrote Steven Landsburg, in the Wall Street Journal. The New Yorker's science writer, Malcolm Gladwell, lent the book a blurb for its cover: "Prepare to be dazzled." There were many others.

But I would advise against preparing oneself to be dazzled; on the contrary, I would say that one should prepare to be slightly disappointed. It would be ridiculous to say that there is nothing worthwhile in this book, but I found the book to be scattershot and unconvincing, in which serious topics (such as abortion, crime and drugs) were looked at in a somewhat sophomoric way.

In what should have been the most engaging chapter, "Why Do Drug Dealers Still Live with Their Moms?" Levitt and Dubner look at the economy of the crack-cocaine world:

A few years back one of Levitt's colleagues befriended a Chicago crack gang and, in the process, managed to obtain one of the gang's ledgers. (Yes, apparently crack gangs keep accounts.)

It turns out that crack gangs are run very similarly to Fortune 500 companies; the gang had an enforcer, a treasurer, a CEO (who was a college educated business major) and dozens of junior-level dealers, who earned pitiful wages working a highly dangerous job (less than minimum wage; many dealers had to supplement their incomes working at places like McDonald's).

The economy of crack dealing is, of course, fascinating, and the chapter smells of what could have been first-rate journalism, but Levitt and Dubner choose to ask the wrong questions; the chapter asks why, if crack dealing is so profitable, most dealers live in the slums? (With their mothers, no less.) It is as if Levitt and Dubner watched movies like "The Godfather" and "Goodfellas", and took them for literal truth.

It's no surprise to anyone who has ever walked through a slum (or even picked up a newspaper) that most crack dealers lead Hobbseian, squalid lives. It almost goes without saying that crime would obey a certain pecking order -- that the Pablo Escobars and John Gottis of crime do very well, and the foot soldiers would not do nearly as well.

Most of us would respond, "Duh."

This chapter only serves to emphasize the overall slightness of the book as a whole.

More troubling is the chapter entitled, "Where Have All the Criminals Gone?" which explains why the legalization of abortion might have led to reduced crime rates.

This chapter begins by asking why crime went down during the 1990s when all experts were predicting it would go up. Some attribute the dip to the booming economy; others say it has to do with stricter gun laws; a few said that it was because more police were put on the force.

But Levitt posits that the dip came almost exactly 16 years after Roe v. Wade took effect -- exactly the same years that most thugs enter their criminal prime. Maybe there was less crime because fewer criminals were being born...

For both liberals and conservatives, the implications of this argument are horrific; for conservatives -- who have always prided themselves on believing in law-and-order -- Levitt's argument would validate abortion. For liberals the argument smacks of a soft form of eugenics; that poor people -- and all the minorities that live in poverty -- are criminals, and that they are being weeded out.

The book has facts to back itself up; in the states where abortion was legal prior to Roe, crime rates went down sooner. And in 1966, after Ceausescu made abortion illegal in Romania, the reverse happened: crime started to go up about 16 years later. (These facts seem a little wispy when making such a startling claim. I would have liked to have seen much more evidence.)

Levitt and Dubner have remained proudly noncommittal, politically speaking, about this chapter -- which, no matter what side of the political aisle you come from, is a major cop-out. At a time when a new Supreme Court Justice might well decide the fate of abortion (as well as the legislation that has been chipping away at a woman's right to an abortion) it seems too important an argument to treat as neutrally as Levitt and Dubner.

But, then, that seems to be the general gestalt of the book. Freakonomics might flirt with serious topics, and maybe that's the only way to write a best seller these days, but it will ultimately be relegated into a quaint anecdote.

A Revalued Yuan Means a Cheaper Dollar. Will China Buy General Motors? by Nic Duquette [link]

The very idea that one of the iconic corporations of American manufacturing could be bought up by Asians may strike most Americans as impossible. However, it is not only feasible, but the recent revaluation of the Chinese currency suggests that this may be exactly what China is planning. Like the auto worker in the Johnny Cash song, China's government and manufacturers may be assembling all they need one piece at a time. [more]

Before Sunset  
In the Gloaming: Before Sunset on DVD
Buy it from Amazon [link]

Of the many virtues of seeing Julie Delpy do anything for roughly ninety minutes, her strutting Nina Simone impersonation in the very last frame of Before Sunset was easily the sexiest thing committed to celluloid in the last year. "Baby... You are gonna miss. That. Plane." I know. Planes, trains, automobiles, Vienna, Paris. Who wouldn't write a bestselling novel, thinly disguised as an all-points enchantress bulletin, and tour the Continent with it just to find her again? There's absolutely no reason why a sequel to a self-contained story of circadian rhythms should have turned out better than the original. But then, your thirties are supposed to be more interesting than your twenties. And it makes sense that not having seen each other for a decade (oh, come on, if they had met six months later, would there be a sequel?) has almost estranged them back into first encounter mode. So we get another day, another peripatetic chatfest with some tingly, but also prickly, catching up to do. Are they both presently with other people? Yes. Does one of them now have a child? Uh-huh. Does any of this matter remotely? Maybe. Kudos to Linklater for resorting again to the flickering neon question mark of a denouement, which for these two characters obviously works. Though plenty of that older-and-wiser badinage can drift back into post-college Eurorail banality ("How can you possibly think that the world is not going straight to hell?" belongs to a different French Celine, in a different decade), this generally occupies the realm of how real, flawed human beings talk to and seduce each other. I can't believe I'd live to say this, but a director's instinct to let his actors write their own dialogue has finally paid off. Hawke and Delpy have a frightening natural chemistry (I even hear one of them is single these days) and you get the sense -- and ain't it always the reaffirmingest kind -- that they derived as much pleasure making the film as we do watching it. Until 2014 in the land of the midnight sun. And make it fucking work this time. --MW

Revenge of the Sith  
Evil Will Always Win Because Good Is Dumb: Episode III
by Michael Weiss
[link]

A lot of the trouble George Lucas has faced since going down the long slide into bathos and shattered expectation stems from the very phenomenon he helped create: the Movie Event. I'm probably wrong about this (it's my lede, bite me), but before Star Wars I don't think American cinema had quite attained the degree of cultural inescapability it has now -- what Don DeLillo in another context calls the 'world-hum.' (Where were you standing when Alec Guinness phoned it in?) Radio peaked with Orson Wells' Martian invasion hoax; television inaugurated the age of historical simultaneity via the live broadcast; but Star Wars alerted everyone to the news that from now on, going to the movies was no longer just a mode of "passive entertainment." No. It was democratic mythmaking in progress.

So it's ironic that Lucas's long-awaited return to the franchise that invented the modern consensus fable was met, in 1998, with almost unanimous hostility. Let's see, the first installment: a disposable children's cartoon best remembered for a talking upright fish for whom the seemingly inevitable line, "No woman no cry," was just an anti-defamation lawsuit away. Round two: a saccharine love story sprinkled liberally over a bland admixture of human cloning and "separatist" rebellion. Let simmer until plot thickens.

The good news is Revenge of the Sith -- or Episode III, or Bush in Space, or whatever the fuck it's called -- does pay down some of the deficit amassed by Lucas's latter-day gambles. No, it's not better than the original Star Wars, but it is well-paced, well-acted -- especially given the moody, brooding circumstances of the western/samurai trope -- and far more attentive to the unities of dramatic storytelling; it actually draws you in this time. Like the last scene in the final episode of Seinfeld, a giddy nostalgia is generated by the distinct impression of having "been here before," except that in this case we know exactly where we're going: back to the future of 1977. Oh, and a Promethean fall from grace, a prophecy betrayed, and something about the struggle for the fate of the universe -- all that shuffles things along, too.

To bring us up to speed, then: Anakin Skywalker is now secretly married to Padme, much to the contravention of an austere (and vaguely homoerotic) honor code for Jedi journeymen. Yet domestic life in an Ikea-furnished apartment seems to have only heightened his abilities as a fighter pilot and lightsaber swashbuckler. As a result, Anakin is now the Page Six apprentice of the galaxy, best known for saving the lives of other heroes and plenipotentiaries, not least of which belongs to Obi-Wan Kenobi, his (ahem) "master." The film opens with dizzying space battle that is shot and edited by someone who's been begging us to hear him out on the glories of CGI and has finally provided the key evidence for his case. Skywalker and Kenobi are on a mission to rescue Chancellor Palpatine, believed to have been kidnapped by the nasty Count Dooku, played by Christopher Lee who looks like an advertisement for the undead he once was. But of course the droll, froggy-voiced chancellor -- imagine Gore Vidal, only funnier and with better politics -- moonlights as the "Dark Lord of the Sith," prime mover of cosmic misfortune and chief villain of all six films. He's orchestrated a phony civil war, with nary a Jabba the Moore having hipped to him, the better to facilitate the transformation of the republic into his very own totalitarian empire. This is a project in which Anakin will, unwittingly at first, serve as helpmeet.

Now the Sith is either a schismatic sect of the Jedi order founded on a kind of alchemical interpretation of The Force, or else it's Douglas Feith's old department at the Pentagon. I'm really not so sure since the macedoine of ancient and contemporary histories and contradictory philosophies makes for a befuddled morality play indeed. Leaving aside the idea of a chancellor winding up a genocidal baddie dressed in black (forget ham, that's just spam-fisted), at one point a Dark Side-lured Anakin remarks to Obi-Wan: "Either you're with me, or you're my enemy." To this comes the sententious reply that "only a Sith thinks in absolutes." Yet Obi-Wan will soon thereafter invoke the giveaway Manichean term "evil," against which Anakin submits a claim to relative "points of view"! "Fanatical obscurantism" is something that even the arcane Leo Strauss deplored. I've got to wonder what the hell the "noble Wookie lie" must sound like.

I'd also like to take a moment and give credit to the wrongfully defamed Hayden Christensen. He learned from Shattered Glass that overwrought post-adolescence needn't package itself as a cardboard cutout set to bleat every five minutes, and he's proven under more demanding conditions that this is a knowledge he intends to keep. Good for him. His pissiness has matured into a respectable angry young man's grumble (that bulge in the forehead is genetic -- have you no heart, A.O. Scott?) which leaves you half sorry for the chap as he suppurates and smolders on the volcanic shore where Darth Vader is satanically born.

Despite what you've read, the dialogue in this installment isn't nearly as face-coveringly embarrassing as it was in the other go-rounds. Some of Yoda's Yiddish left-dislocational syntax would trip up Noam Chomsky on a good day, but otherwise the signs are all there of Tom Stoppard's cautious, and no doubt gleefully self-contained, script-doctoring. (C-3PO and R2-D2 Are Dead might have made for an interesting failure in its own right.) When Natalie Portman says, "Hold me like you did by the lake on Naboo," I winced more out of memory of her having opened her mouth at all in Closer. And the other critically celebrated clunker, "She's lost the will to live," is delivered by a medical droid who couldn't order 300 cc's of Penzoil Plus without sounding ridiculous. So no harm there, either.

But would it have killed Lucas to give Samuel L. Jackson the adieu his being zapped out the window of a multi-storied government building requires? "You God damn right I sense a disturbance in the Force!"

FDR Stamp  
It's the Stupidity, Economists: The Debate Over Social Security
by Nic Duquette [link] [Click New Dealer to read.]

The whole four-part series has been compiled and edited together. You can now view it here as The Tractatus Fiscalo-Deepshiticus.

Nouvelle Vague  
Nouvelle Vague: Putting the High-Concept Into "Concept Album"
by Nic Duquette [link] [Click album cover to buy.]

Lately I've been listening to Internet streams of Santa Monica's iconic public radio station KCRW, which might as well drop the syndicated news programs for an "all covers and remixes, all the time" format. I don't think I've heard an original version yet, except for one song from Guero that sounded like it was a rimix of a different Beck song. But one day, rising from the seamless sea of trip-hop was a thoroughly unironic lounge jazz cover of "Love Will Tear Us Apart."

If you're anything like me, you double-took that sentence the way I did the song itself. It's the leadoff track from the self-titled debut Nouvelle Vague, a French band that recorded an album of British post-punk in a Brazilian bossanova style with a half-dozen guest chanteuses. ("Nouvelle Vague" translates to "new wave" in English and bossa nova in Portuguese.)

Had I never heard the album, I would have stayed away from it. After all, these sort of experiments usually have the Cakey toxicity of those "ironic" punk covers of TV theme songs that circulate through freshman dorms, or at least the one-shot novelty of that Flaming Lips cover of the Kylie Minogue song. (You know, the version with the tympani.)

But this is one such idea that actually works more often than not. If anything, the arrangements generally strip the songs of hipster smugness and lay bare the emotional core in a way synthesizers and depressed British dudes often didn't. It doesn't always work. But what works is as surprising as what doesn't.

Songs that should be unkillable come off mediocre. Teenage Kicks doesn't even sound especially different. Guns of Brixton sounds stiff. (What kind of time signature do you put on a French band's bossanova cover of an English reggae tune?) Friday Night Saturday Morning and Sorry for Laughing give up on the bossa nova thing for the most part and are unexciting. Killing Joke's Psyche stands out on the only song on the album that is worth getting up and crossing the room to skip over.

But there's a lot of gems, too. Depeche Mode's "I Just Can't Get Enough" is positively giddy. The Cure's "A Forest" is very good, with jungle sound effects deployed well on top of the mix. "Making Plans For Nigel" is better than the original. "I Melt For You": who would have thought Modern English could ever sound cool again? Weirdest of all, "Too Drunk To Fuck" actually turns the Dead Kennedys into a maddening cocktease.

It's a pretty good album with excellent moments. If nothing else, hop over to iTunes and drop a buck for "Love Will Tear Us Apart" and "Just Can't Get Enough." Throw them onto an iPod shuffle and wait for these songs to come from nowhere on some subway ride.

Affirmative Conservatives II: David Horowitz and "Academic Freedom"
by Michael Weiss [link]

Before I matriculated at college, I was out at a bar with my sister's friends from medical school, one of whom had brought a date. I don't remember much about this woman except that she seemed very interested in the post-adolescent limbo I was in, having just graduated from high school and occupying the threshold of a supposedly "formative" experience in life. Which cask would I be maturing in? Brideshead Revisited or Animal House? Or someplace in between? One of the worries I brought up to her was that I didn't much see myself as a frat guy, yet I was going to a school where Saturday nights (not to mention Monday through Friday nights) were measured in kegs of cheap beer and gallons of more costly vomit. How was I going to avoid this scene? "Oh well, if you're against all that, that's good," she said. "It'll be four years of learning how to deal with people and conditions you'll be dealing with your whole life." Fucking twit, I thought as I smiled and mumbled false appreciation for this unglimpsed bright side. [more]

Affirmative Conservatives
by Nic Duquette [link]

Russel Jacoby's new article in the Nation ponders the growing pressure on universities to hire more conservative professors to balance the longstanding leftism of campuses. The argument is usually phrased in terms of "intellectual diversity." The piece is typical Nation rinse-and-recycle, with sentences that begin, "Conservatives claim that..." The ironic knife-twist promised in the title barely appears, and then not until the end of the third page. In the interim, Jacoby drools remarks like, "Angst besets the triumphant conservatives. Those who purge Darwin from America's schools must yell in order to drown out their own misgivings, the inchoate realization that they are barking at the moon." I thought this was sarcastic until I reread it a couple times. [more]

Incompleteness: The Proof and Paradox of Kurt Goedel, by Rebecca Goldstein  
A Beautiful Mind: Rebecca Goldstein's Goedel
by Michael Weiss [link]

It surely says something about the slanted, flickering halos we place atop the figures of twentieth-century "genius" that Rebecca Goldstein's wonderful new study of the life and mind of Kurt Goedel doesn't get around to the math that made him famous until around page 150. This is no fault of Ms. Goldstein, who artfully and engagingly carpenters a stage of historical and philosophical preconditions that led to the eventual discovery of "incompleteness."

Goedel, Escher, Bach. Einstein, Goedel, Heisenberg. The umlaut hovers over that "o" like the twin theorems over the head of the agape initiate. What's an obscure Austrian name doing in troikas of such forbidding company, anyway? Goedel is the third tenor, the "other guy." There never was a Philip Glass opera called Goedel on the Beach. No taut, world-traveled Michael Frayn duologue ever clocked in as Vienna. A poster of the ferrety logician's hand imperceptibly tracing itself will not become a staple of the computer desktop background. And when tortured prodigies of number theory do gain some measure of popular recognition, they get Ben Affleck as their confidant in the suburbs, not the nimbus-domed author of the most famous equation in history.

The man in the street may have heard of Kurt Goedel, but that man is on wobblier footing than when terms like "relativity" or "uncertainty" or "fugue" are invoked. Like each of these schema-altering concepts, Goedel's theorems have been misunderstood and misappropriated by all the usual suspects in cerebral larceny: postmodernists, creationists, people who think "It all depends on what you mean by genocide" is a moral argument. "Incompleteness," then, also seems to be referring to Goedel's legacy, which is... what, exactly?

In 1930, at the age of twenty-four, a University of Vienna graduate student quietly, and to yawning initial reception, established the following: 1. There are provably unprovable but true propositions in any formal system that is consistent and contains arithmetic; 2. The consistency of such a system cannot be proven.

These discoveries may look bite-sized enough to fit comfortably inside a nutshell, but they shook modern epistemology, in all its kingdoms of infinite space, to the core and blew the living daylights out of regnant Continental notions about objective reality. Not bad for a pre-doc.

Goedel's proofs scuppered the positivism of the famed Vienna Circle, which was embodied most charismatically by Ludwig Wittgenstein, actually more of a tangential member. Founded on the Protagorean, or Sophist, idea that "man is the measure of all things," the Circle held that nothing beyond sensory experience was truly "meaningful." Touch, taste, smell, etc. -- that's all we should ever bother to work with as everything else is metaphysical bunkum. In Goedel's opinion, which was fundamentally Platonic, man was not the measure of all things. There was indeed a pure absolute reality, albeit one which could only be apprehended through the tenebrous lenses of probability and presupposition. Nothing wrong with them, however, since they formed the bases of a priori reasoning and hence all mathematics. (When Einstein later formed his peripatetic friendship with Goedel at the Institute for Advanced Research at Princeton, the physicist confessed to sharing this belief in a "higher," semi-translucent realm. Einstein dubbed it the "out yonder.")

The positivists' favorite mathematician, the one they believed they could trust not to futz with their worldview, was the formalist David Hilbert. This was because his bete noire, like theirs, was intuition, that unreliable gatekeeper of the "out yonder." Hilbert's desire was to create what he called "consistent formal systems" which would drain mathematics of any descriptive relation to external phenomena: numbers, sets of objects, etc. Like the recent ads for Las Vegas, "What happens here, stays here," formalism decreed that mathematical systems should only consist of stipulated rules governing symbols that were internally "meaningful" (having semantic value within the system, but no mundane representation to upset the positivists.) Simple enough, except that no math is an island; even in formalism, to get from one system to the next requires a point of origin, a hub system from which all others can be then be accessed. Axioms and the rule of inference, which logically allows any pre-proven theorem to act as "given" in the proof of a new one, traditionally served as the bridges for convenient systems-hopping. But what happens when an axiom is divested of its real-world significance? Where one used to rely on a fingers-crossed "best guess" assumption, now the spadework had to be done using the "provability" of symbols worth nothing outside their own domains.

The hub was arithmetic. The first challenge was proving its consistency, i.e. showing that no logical contradictions could be found in the stuff everyone learns in grade school. A contradiction proves anything; it's the anarchist monkey wrench tossed into a well-oiled machine. The second challenge was proving arithmetic complete, that its logic was tautologous. Accomplish these two things, and formalist revolution could begin.

Goedel stopped the revolution in its tracks. Through metamathematical legerdemain, he was able to use the very syntax (the rules) of a uniquely designed, number-based formal system to both compute and comment upon the meaning (semantic value) contained therein. The numbers he used symbolized starting-point logical propositions that, although not actually paradoxical, were weird and entendre-loaded enough to be saying something about themselves. E.g., "This very statement is not provable in this system." When this self-cannibalizing logic worked itself out, Goedel had produced contradictions of Russian doll-complexity, one integument of meaning masking another.

Goldstein elegantly compares Goedel's winning style of being able to have his cake and pop out of it too to the dramatic conceit of the "play within a play." Specifically, the kind where the characters of the one become "actors" within the other and then use that medium say relevant things about their character selves. She cites Leoncavallo's opera I Pagliacci as she might have done the season of Seinfeld where George and Jerry work on a television series a lot like the one Jason Alexander and the real Jerry Seinfeld had been appearing in. And while I suppose Hamlet technically doesn't qualify because the "players" in Shakespeare's tragedy were all out-sourced allegorizers, Tom Stoppard's paradox-loving comedy Rosencrantz and Guildenstern Are Dead most certainly does. The syntactic-semantic barbershop pole around which Rosencrantz and Guildenstern coil their celebrated "question game?" Very Goedelian. Indeed, the filiations between mathematics and literature were never more finely exampled, especially at the self-referential and meta levels. Goedel's theorems are said to consist of a logical "double speak." Letting aside the coincidence of another "Goldstein" who factors significantly in 1984, is Orwell's novel of thwarted political revolution itself not brokered upon a clever plot involution? Winston Smith is handed a book encoded within a book: a fabricated essay theorizing the motives of a factitious society, stuck between the pages of that society's updated "formal system" of grammar. Elsewhere we hear of the "Alice-in-Wonderland" model Goedel braided around Einstein's field equations for relativity; or the "rigorous rule-bound logic" he admired in Kafka's writing.

Actually, Kafka affords an easy segue into the kind of psychic distress that would come to define Goedel's life following his annus mirabilis. Goldstein uses a good chunk of her book exploring the logician's chronic bouts of paranoia and delusion. His fear of being poisoned by refrigerator fumes and food ultimately led to his demise: the medical record indicated "malnutrition and inanition" as the causes of death. A no less acute, if slightly more justified, sensitivity lay in Goedel's hearing his unorthodox ideas -- which only grew more unorthodox and less remunerative as he got older -- ridiculed in public. This led to reclusiveness and the mournful, too-familiar symptoms of a heavyweight intellectual losing his shit. Some of these read like plagiarism of Bellow's Herzog: the tranches of go-where notes; the unpublished papers and unposted letters; the mounting agoraphobia and anthrophobia.

We know from Douglas Hofstatder that an overactive imagination can produce "swirly, twisty, vortex-like" patterns of rational and creativity marvels. But we also know from the historian Richard Hofstatder that there's a much darker side to this synaptic industry. In his classic essay "The Paranoid Style in American Politics," this second Hofstatder made an observation by no means exclusive to styles American or political: "The paranoid spokesman sees the fate of conspiracy in apocalyptic terms; he traffics in the birth and death of whole worlds" [Italics added].

The cartel ran out for Kurt Goedel at a rather unripe age.

So we get Noam Chomsky once running into the "greatest logician since Aristotle" and asking him what he was working on. The MIT linguist "received an answer that probably nobody since the seventeenth-century's Leibnitz had given: 'I am trying to prove that the laws of nature are a priori.'" Yeah, any day now.

A less melancholy anecdote involves Goedel's precarious navigation of the a posteriori laws of naturalization. Having obsessed over his US citizenship exam, he uncovered a "logical contradiction" in one of the clauses of the Constitution, a loophole he believed could eventually be exploited for the purpose of transforming democracy into dictatorship. The incompleteness of "It can't happen here" would have to wait, however, if the ΘmigrΘ wished to remain here. Einstein and the economist Oskar Morgenstern agreed to calmly distract their friend from bringing up this alarming matter before the New Jersey justice, who, having presided over Einstein's own case, turned out to be a lot more sympathetic than Goedel was distracted:

"'Up to now you have held German citizenship.'
Immediately, Goedel corrected the judicial error: 'Austrian citizenship.'
Duly corrected, the judge continued.
'In any case, it was under an evil dictatorship. Fortunately, this is not possible in America.'"

The look on the Bavarian sage's face at this moment should have been photographed and sold as the pop art complement to the shots of him on the bicycle or sticking out his tongue.

Ernest Gabor Straus once wrote that "Goedel had an interesting axiom by which he looked at the world; namely, that nothing that happens in it is due to accident or stupidity. If you really take that axiom seriously all the strange theories that Goedel believed in become absolutely necessary." And Goedel's silly-to-sinister regard for the status quo becomes explainable, if not quite excusable. Try to avoid wincing through the chapter in which he travels back to Nazified Vienna preoccupied only with his "rights" as a certified academic. Possessing a Wodehouse-like obliviousness to current events -- even after being roughed up by a gang of brownshirts for his ostensible resemblance to a reviled race -- Goedel had to take an enormously detoured return trip to the lush and secure quandrangles of Princeton. What news of home did he bring with him for his info-starved fellow exiles? "The coffee was wretched."

In that same letter, Straus indicates that the normally indulgent and avuncular Einstein was given -- just once -- to write his daily walking partner off as "completely crazy." "Well, what worse could he have done?" inquired Straus. "He voted for Eisenhower."

From Plato's disciple to Plato's Republican.

I began by alluding to the fetish our culture seems to have for slowly morphing eccentric geniuses into genius eccentrics. If there is a "strange axiom," or telos, which guides these fantastic anomalies of the species, "legend" occurs somewhere between awe and condescension, between the whispered campus rumor and the Time magazine cover story. It's a real credit to Goldstein that her book does not contain a passage of greater endeavor than the one in which, drawing on all her skills of characterization as a novelist, she hazards this cant-free, and un-Hollywood portrait of the logician as a young man:

"When the random permutations of genetic blending produce an offspring whose intelligence far outstrips that of his parents that child faces a special sort of predicament: he both recognizes his utter dependence, being after all only a child; and he also clearly perceives the sever limits of his own parents' understanding. Most people come to the latter recognition only during adolescence, when the normal reaction is an explosive mixture of hubris, contempt, and outrage (how can they be so dumb?). But the reaction of a young child is more likely to be blind terror (how can they be trusted to take care of me?) It would be comforting, in the presence of such a shattering conclusion, especially when it's reinforced by a serious illness a few years later, to derive the following additional conclusion: There are always logical explanation and I am exactly the sort of person who can discover such explanations. The grownups around me may be a sorry lot, but luckily I don't need to depend on them. I can figure out everything for myself. The world is thoroughly logical and so is my mind -- a perfect fit."